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Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film

Cannes film festival: Spaniard’s latest life-v-art auto-metafiction feels slightly muddled as he directs a director directing a director

Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war

Cannes film festival: The great Russian director’s first film for almost a decade is tremendous drama following the ill-deeds of a mini-oligarch who comes up with a toxic new way to feed Russia’s war machine

Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness

Cannes film festival: Refn’s film eludes definition as it moves through time and space, from doomy reality to strange dream worlds populated by quasi-Lynchian characters

Clint Eastwood cannon from The Good, the Bad and the Ugly traced to Spanish museum

Enthusiasts track down weapon used to fell fleeing Eli Wallach amid preparations for 60th anniversary of film’s release

Star Wars: The Mandalorian and Grogu review – helmeted hero tangles with hateful Hutts in decent feature outing

The badass bounty hunter and his little green friend take on the Empire and Jabba the Hutt’s family in this solid enough addition to the ever-expanding universe

Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp

Set against the 2028 Olympics, Charlotte Zhang’s beautifully attentive debut follows two Latino men as they game the system of state-sanctioned racial violence

I Love Boosters review – Boots Riley’s absurdist shoplifting comedy is a mixed bag

The Sorry to Bother You director’s brash and outrageously funny new film, led by Keke Palmer, can be a little too scattershot to make an impact

A Few Feet Away review – Buenos Aires slacker tries to balance app life and real sex in vivid hookup drama

Tadeo Pestaña Caro’s debut feature trails a young man’s compulsive screen time and his panic when faced with real intimacy

True North review – students take stand against racism in highly charged account of protest in 60s Canada

Interviews and archive material are elegantly stitched together in this look at a huge student uprising in 1969 Quebec

Fjord review – Cristian Mungiu at sea with strange child abuse drama starring Renate Reinsve and Sebastian Stan

Cannes film festival: The Palme laureate here makes a misstep with an odd, disquieting film that leaves too many issues unresolved

The Unknown review – Léa Seydoux gets invaded in uncanny and bizarre body-swap horror

Cannes film festival: A man is terrified to wake up in Seydoux’s body in this metempsychotic mystery film about gender identity

Hope review – non-stop gonzo alien battling is top-quality entertainment

Cannes film festival: Na Hong-jin’s melee of running, chasing and shouting at the angry invaders is uproarious fun, mixing digital work with old-school spectacle

Tribe review – compelling, unsettling search for a lost sect in the California mountains

Dan Asma’s impressive debut feature follows a retired professor, played by the director himself, whose research leads him to Lovecraftian terrors

Woken review – shonky post-apocalyptic horror sends an amnesiac into the plague zone

The acting is fine and the imagery brooding, but this tepid sci-fi – all creepy neighbours, hazmat squads and crustacean-faced infected – is in thrall to better films

Voidance review – very British sci-fi movie is like Miss Marple with a space blaster

There’s plenty of charm in the low-budget inventiveness of this low-budget murder mystery set in a Wetherspoon’s for interstellar truckers

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  • Moana review – Dwayne Johnson’s demigod on autopilot in dull live-action remake
  • New barnet: why is everyone wigging out over Dwayne Johnson’s Moana hairpiece?
  • Booyakasha! Sacha Baron Cohen has completed a new Ali G movie
  • A Grand Day Out/The Wrong Trousers review – rereleased Nick Park classics are a complete treat
  • The Girls review – poignant coming-of-age romance is an understated gem of Sri Lankan cinema
  • TV tonight: finance whiz Gary Stevenson takes on the super-rich
  • Ian Kennedy Martin obituary
  • Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
  • The Invite welcomes heterosexual polyamory into cinemas. It’s about time
  • ‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
  • The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
  • Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
  • Life Support review – quietly devastating medics’ eye view of the war in Gaza
  • Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
  • ‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
  • Ann Blyth obituary
  • ‘Attacked behind the scenes’: Children of Blood & Bone author Tomi Adeyemi distances herself from film adaptation
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  • The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
  • Robert Richardson: The White Devil review – tempestuous DoP’s relationship with A-list directors laid bare
  • ‘Impossible to be a mom’: new film shines light on how America fails its mothers
  • Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
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  • Shoot the People review – a powerful portrait of a talented yet controversial photographer
  • A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
  • ‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music
  • The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

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