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Practical Magic 2 review – Bullock and Kidman return for odd sequel that still casts a spell

A nostalgia-bait return to the witchy 90s comedy is as strange and messy as the first but there are warm seasonal pleasures to be had

Musk review – epic study of the world’s richest and most banal man

Alex Gibney interviews former colleagues, wives, the trillionaire’s father and a CG avatar in this absorbing documentary

Just an Illusion review – Louis Garrel and Camille Cottin sizzle as an 80s couple in crisis

The directing duo behind uplifting mega-hit Intouchables return for this heartwarming coming-of-age drama, but it is the parents in the story who pull focus

Runner review – Alan Ritchson and Owen Wilson thriller is serviceable B-movie camp

Impressive stunts and tongue-in-cheek flourishes elevate Scott Waugh’s silly Aussie action flick

Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads

Director Kirsty Bell alternates archival footage with tacky dramatised filler, but it’s the breadth of appreciation, from Keith Richards to Kiefer Sutherland that impresses

Knightfall review – low-rent gender-flipped Bond knock-off swaps Aston Martins for Minis

Jeanine Nerissa Sothcott’s no-nonsense spy heads a game cast that includes Ian Ogilvy and Roger Moore’s son Geoffrey, but this austerity actioner lacks tension

Better Go Mad in the Wild review – boozing, bantering hermits impart their spiritual wisdom

Director Miro Remo journeys deep into the Czech countryside to find two brothers living an isolated life filled with quixotic wisdom in this surreal documentary

The Spiral review – Valeria Bruni Tedeschi is hilarious as a demon cutting a deal with a vain matriarch

Tedeschi gives a career best performance as the mysterious stranger who visits a wealthy Italian family to prey on their pampered weaknesses

The Pervert’s Guide to Utopias review – Slavoj Žižek goes in search of paradise

Inserting himself into settings from Apocalypse Now to The Handmaid’s Tale, the pop-cultural critic finds it hard to locate the perfect ending – even with spoilers

Boatbuilders review – a gentle study of craftsmen’s quiet expertise

Luke Lorentzen’s light-touch documentary follows a team of Maine craftsmen constructing a high-spec sailboat for a super-rich guy who seems kind of nice

The Last Bath review – self-mortifying nun struggles with profoundly uneasy sexual awakening

Anabela Moreira is an impressively intense lead as the sister who finds herself in charge of her wayward teenage nephew

In the Shadows of Nuremberg review – trial-adjacent thriller aims to be Russian answer to Saving Private Ryan

A trivial personal plotline and a strain of maudlin patriotism undermine Nikolay Lebedev’s shaky telling of the Soviet side of the story

Primetime review – Robert Pattinson’s preening TV host hunts paedophiles but real drama proves harder to target

Venice film festival: Lance Oppenheim’s drama about controversial US reality show To Catch a Predator is unsure what it wants to say about media or morality

Imperium review – Sergei Loznitsa’s archive collage collates everyday life in cold-war Soviet Union

Venice film festival: The Two Prosecutors director cuts together documentary footage shot by a TV crew in the 1970s to try and get across what daily life in the USSR was like

Okurimono review – a heartbreaking dispatch from survivors of the Nagasaki bomb

Laurence Lévesque’s powerful documentary follows a woman who discovers a support network among her mother’s generation of survivors of the nuclear blast

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