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Left-Handed Girl review – striking Taiwanese family drama is a real marvel

Shih-Ching Tsou and frequent collaborator Anora’s Oscar-winning auteur Sean Baker have created an affecting and original film of both humor and pathos

City on Fire review – Tarantino-inspiring Hong Kong thriller burns with grit and moral tension

Ringo Lam’s 1987 cop yarn starring a magnetic Chow Yun-fat delivers the violent realism and emotional heft that shaped Reservoir Dogs’ bloody caper

Adulthood review – Alex Winter’s nastily comic crime noir as family intrigue over division of assets

Skeletons rattle and good people turn bad in ruthless tale that is very well played but not quite lethal enough

The Hunger Games: On Stage review – thundering fight to the death in a dazzling dystopia

Eye-popping visuals and a strong lead performance energise Matthew Dunster’s production – but the emotion gets lost amid the action

Christmas Karma review – Dickens adaptation has as much Yuletide spirit as a dead rat in the eggnog

Gurinder Chadha’s leaden update of the hardy seasonal chestnut with Kunal Nayyar is joyless and nausea-inducing

Edge of Life review – can understanding death help us understand how to live?

This astounding documentary traces the uses of psychedelics in palliative care, weaving together medical trials with ancient traditions

Night of the Juggler review – full-throttle 1980s pulp shocker crammed with nonstop gonzo mayhem

While the standards of good taste are very much of its time, this crime thriller is a ride of fender mangling car chases, over-the-top punch ups and nutso action

Predators review – grimly compelling look at reality TV revenge hunt for child abusers

David Osit’s documentary takes a disturbing look at the televised shaming served up by the hit show To Catch a Predator

Being Eddie review – reverential Netflix doc paints limited portrait of Eddie Murphy

There’s great access in this look at the comedian and actor’s life, from time with the subject himself to his many peers, but there’s depth missing

Trapped review – rough and ready abuse story that piles bleakness upon bleakness

This occasionally nuanced tale of a woman’s tough existence has some raw power, but is stymied by crude production and ropey performances

A Merry Little Ex-Mas review – Netflix’s season of cheap Christmas spirit starts with a shrug

Alicia Silverstone is latest 90s star to lead a film for the streamer but her charm can’t save another bland addition to their pile of festive fare

We Did OK, Kid: A Memoir by Anthony Hopkins review – a legend with a temper

The Oscar-winning actor’s autobiography combines vulnerability with bloody-mindedness and belligerence

Harley Flanagan: Wired for Chaos review – riotous life story of hardcore punk godhead

It could be more probing, but this wild documentary about the Cro-Mags founder is an eye-opening account of a life on the edge

The Running Man review – Glen Powell sprints through fun update of Stephen King future-shock sci-fi satire

Full-tilt chase sequences, a punk aesthetic and a sugar-rush soundtrack, means there is plenty of enjoyment to be had as Edgar Wright goes back to King’s original 1982 novel

Now You See Me: Now You Don’t review – light-as-a-feather magic threequel

The starry franchise returns for a belated third outing, with Rosamund Pike in villain mode and forgettable tricks

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  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
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  • Noel Chanan obituary
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • ‘I still think it’s one of the great films of all time’: All the President’s Men turns 50
  • Monica Barbaro: ‘Yesterday I went home thinking I’m a terrible actor and they’re finding out’
  • Artemis II’s Jeremy Hansen calls Project Hail Mary ‘a real treat’ before his space mission
  • Mary Beth Hurt obituary
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Justin Baldoni’s lawyer says defendants are ‘very good people’ as Blake Lively lawsuit narrows
  • Supergirl: the new trailer suggests that the DC Universe has an intriguing trick up its sleeve
  • Weapons to Sexy Beast: the seven best films to watch on TV this week
  • ‘It’s the year of gay Brazilian cruising!’ The makers of Night Stage on public sex and their ‘deranged erotic thriller’
  • Federal judge throws out most of Blake Lively’s claims against Justin Baldoni
  • ‘Curated chaos’: Danny Boyle on the ‘pop culture spectacular’ he’s bringing to London’s Southbank Centre
  • Killer rabbits, bunny boilers and the holy hand grenade of Antioch: Easter bunny movies – ranked!
  • Terry Cox obituary
  • ‘We got cancelled and we’re still here!’ Michael Patrick King on The Comeback – and why And Just Like That will age well
  • Fuze review – Theo James and Aaron Taylor-Johnson face off in head-spinning London heist
  • Why do this spring’s blockbusters feel so smug?
  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Bone Keeper review – there’s a critter in the caves in serviceable Brit horror
  • Let’s get metaphysical! Existentialist cinema is back, if anyone cares
  • What’s new to streaming in Australia in April: Half Man, The Audacity and Beef returns
  • The Super Mario Galaxy Movie review – bland screensaver of a movie that’s actually worse than AI
  • Smiley Face: finally, a stoner comedy for the girls who get overstimulated at the supermarket
  • From the phone to the plex: why TV shows are turning into movies

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