BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Else review – pandemic-style horror has bad guys crawling out of the woodwork, literally

Thibault Emin’s thriller sees a new couple forced to barricade themselves in an apartment amid an outbreak in which the infected merge with their physical surroundings

Backlash mounts to Bafta N-word controversy as Jamie Foxx and Wendell Pierce criticise outburst

Foxx calls Tourette syndrome activist John Davidson’s shouts at the film awards ceremony ‘unacceptable’, while Sinners’ production designer criticises Bafta’s ‘throwaway’ apology

‘A spiritual awakening’: why Con Air is my feelgood movie

The latest in our series of writers on their most important comfort films is a celebration of Nicolas Cage’s finest action moment

All You Need Is Kill review – time loop anime offers giant alien flower for Groundhog Day with mechs

New version of the sci-fi day-on-repeat sees a perplexed duo repeatedly battle monstrous plants but leaves you feeling as bored as the protagonist appears

Ways to Traverse a Territory review – documenting an ancient and disappearing way of life

Gabriela Domínguez Ruvalcaba’s meditative documentary follows the traditional daily rituals of Mexico’s Tzotzil women and their deep connection with nature

Swearing, Marty Supreme … and Prince William: Bafta’s 12 biggest snubs and surprises

This year’s Baftas were a chaotic mix of wild praise and inadvertent insults as the best actor prize was won by an unknown – and one of the nominees seemingly slurred from a man in the stalls

Baftas 2026: One Battle After Another wins best film – as it happened

Shock as Robert Aramayo named best actor for I Swear, and Jessie Buckley less surprisingly wins best actress for Hamnet. Here’s a minute-by-minute rundown of all the glitz, gossip, winners and losers

Aesop’s fable, Kylie’s Jammie Dodger and ‘the prettiest girl in the room’: the best quotes from the 2026 Baftas

Warwick Davis takes a swipe at Tom Cruise’s height, best actor Robert Aramayo namechecks Ethan Hawke, and Prince William calls the night’s biggest winning film ‘weird’

I Swear’s Robert Aramayo had Bafta’s feelgood moment, but the night belonged to Paul Thomas Anderson

Six wins for US director’s ICE-baiting film of American resistance recognised Anderson’s commitment to complex drama, while best actor win for rising British star was thoroughly deserved

One Battle After Another defeats Hamnet and Sinners at Baftas, as I Swear’s Robert Aramayo takes best actor

Paul Thomas Anderson drama scores six awards, as Jessie Buckley becomes first Irish woman to win leading actress prize

The Baftas’ biggest drama is the red carpet fashion battle

A fabulously fashionable entrance in an eye-catching designer outfit can add star-wattage to a fledgling career, and earn A-listers a tidy paycheck. So who performed best this year?

Bafta film awards 2026: the full list of winners

Every prize as it happens from the ceremony at the Royal Festival Hall in London

Peter Bradshaw’s Baftas 2026 predictions – who’ll get the gongs, who’ll be the goners?

Will Paul Thomas Anderson’s ICE age conspiracy thriller sweep the board, or will Sinners and Hamnet share some glory? Our critic places his bets

Yellow Letters wins Golden Bear at Berlin film festival dominated by Gaza row

Wim Wenders says German director İlker Çatak’s Turkey-set warning against creeping authoritarianism gave jury ‘chills’

Damian Lewis: ‘Someone put flowers at my feet and I realised it was my stalker’

The actor on bloodcurdling stage experiences, back yard cricket and the best advice he’s ever received

Post navigation

← Older posts
Newer posts →

  • ‘I felt so inspired’: Guardian readers on trying Homer’s epics after seeing The Odyssey
  • How the mob took Hollywood: the story of organized crime and the movies
  • The Beast to Novak Djokovic: The Wolf in Winter: the seven best films to watch on TV this week
  • Something Wile E this way comes: how the Looney Toons reboot movie came back from the dead
  • Post your questions for Robert Carlyle
  • Nicole Kidman opens up about divorce from Keith Urban – and ‘throwing my career away’ for Tom Cruise
  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • Imelda Staunton: ‘Umbridge’s giggle needed to be short and sharp. So I just did a boom, boom’
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
  • Mutants assemble: what does the future hold for the X-Men?
  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
  • ‘Sometimes they credit the janitor. But not us’: what’s it like to be a child chaperone on a film set?
  • Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai
  • Post your questions for John Hannah
  • ‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
  • Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
  • ‘Everything about me is good in his eyes’: the women in China choosing AI boyfriends over human men
  • Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction

Contact www.brillfilms.com   Terms of Use