BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

‘We’re expanding the cinematic toolbox’: AI fault lines on show at Cannes

Darren Aronofsky among proponents of using technology, while Guillermo del Toro says he would ‘rather die’

Cannes got it wrong this year by awarding Palme d’Or to Cristian Mungiu’s very moderate Fjord

Film about a couple on trial for child abuse isn’t a patch on the director’s previous Palme winner, while other disappointing films seemed to grab the jury’s attention

Cristian Mungiu wins second Palme d’Or at Cannes for child abuse drama Fjord

English-language debut by Romanian director who triumphed in 2007 with 4 Months, 3 Weeks and 2 Days takes top prize

‘I thought I was the saviour of the planet’: how Game of Thrones’ Hannah Murray found a wellness cult – and lost her mind

She landed a role in hit TV show Skins at 17 and went on to star in the fantasy epic. Then she was drawn towards a mysterious spiritual community. How did she end up being sectioned?

From The Mandalorian and Grogu to Dear England: your complete entertainment guide to the week ahead

The helmeted Star Wars hero and ‘baby Yoda’ get a big-screen adventure, while James Graham’s play about England boss Gareth Southgate comes to TV

French stars are rightly worried by billionaire Vincent Bolloré. Here’s how to rein him in

The conservative tycoon’s grip on media and cinema is unhealthy. An EU fund could protect democracy in perpetuity says Guardian Europe writer Alexander Hurst

Wuthering Heights director regrets not showing Margot Robbie’s ‘extremely hairy armpits’

Emerald Fennell says period-realistic scene emphasising Cathy’s lack of razors was shot but did not make final cut

The Birthday Party review – grimly compulsive unhappy occasion in deepest France

Cannes film festival: This could be better paced but the crisis which descends on an up-against-it dairy farm is delivered by some very memorable goons

The Dreamed Adventure review – beautiful but opaque Bulgarian tale of digging up the past

Cannes film festival: Valeska Grisebach’s complex drama tracks an archaeologist whose mountain dig is interrupted by an old friend with rather dirtier hands

Coward review – soldiers find escapism and romance in wartime theatrical troupe

Cannes film festival: Lukas Dhont’s first world war-set gay romance is a heartfelt examination of cowardice and lives lived in secret amid the brutality of battle

Little glitz and underperforming auteurs: how Cannes 2026 went – and who will win

As this year’s Cannes ordinaire draws to a close, our chief critic examines what went wrong and predicts the who’ll take home the prizes – including the fabled Braddies

‘The days I had to have sex with randoms, I thought thank God!’ Jamie Bell on eye-popping drama Half Man

His starring role in Richard Gadd’s brutal toxic masculinity series is a far cry from his days as Billy Elliot. The actor opens up about gruelling shoots, dancing on toilets – and why he can’t ever just chill out

Why is Elon Musk so threatened by the casting of The Odyssey?

The world’s richest man can’t stop posting about how Lupita Nyong’o was chosen to play an imaginary woman

Digested week: memories of Covid resurface with hantavirus and Ebola news

Plus, John Travolta’s beret, Rachel Reeves reclaims basic civility and Judy Garland comes to east London

The Mandalorian and Grogu shows Star Wars is a cursed franchise – on the big screen at least

As a standalone, the new adventure is perfectly fine matinee fodder – but the galaxy is now so congested that we seem doomed to shiny retreads of the same old story

Post navigation

← Older posts
Newer posts →

  • Once Upon a Time in Holyhead: Quentin Tarantino and Kylie Minogue shooting film in Porthcawl
  • Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
  • Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie
  • Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute
  • ‘Sheer outrageousness’: writers on their favourite LGBTQ+ movie characters
  • Shadows of Willow Cabin review – secrets fester beneath horny hookup in low budget horror
  • The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine
  • Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
  • Suppliers unable to chase fees after film producer’s 50 companies are struck off
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Tell us your favourite film of 2026 so far

Contact www.brillfilms.com   Terms of Use