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The Road to Patagonia review – an epic journey from Alaska to the Andes

Director Matty Hannon’s adventures are a dazzling cinematic homage to nature even if his environmental commentary sometimes roams a bit too freely

Post your questions for John C Reilly

As he releases his debut album as Mister Romantic, the veteran Hollywood actor will answer your questions

‘I smile every time’: why Amélie is my feelgood movie

The latest in our series of writers paying tribute to their favourite comfort films is a reminder of Jean-Pierre Jeunet’s charming Parisian fairytale

A Golden Life review – childhood is collateral damage in Burkina Faso’s search for gold

An intimately shot documentary captures the dignity and resilience of teenagers who toil in mines where companionship is the only consolation for graft

No meat, no beer and hopefully no poison: the curious tale of Hitler’s food tasters

Based on Margot Wölk’s extraordinary account, Silvio Soldini’s film The Tasters sees a group of women seemingly risk their lives with each bite. But does the story add up?

Hello Stranger review – interactive thriller puts remote worker in trial-by-internet

A lonely man is forced into a series of deadly games by a masked online sadist in this choose your own adventure – but bouts of paper-scissor-stones fail to engage

‘My mother didn’t try to stab my father until I was six’: Alan Alda on childhood, marriage and 60 years of stardom

Best known as Hawkeye in M*A*S*H in the 70s, the 89-year-old actor has topped the Netflix charts with a revamp of his 1981 film The Four Seasons. He talks about Martin Scorsese and Woody Allen – and what he really thinks of Donald Trump

Marcel Ophuls, Oscar-winning film-maker of The Sorrow and the Pity, dies aged 97

The German-French documentarian, who fled the Nazis twice as a child, spent his career exploring wartime atrocities and conflicts

Sebastião Salgado obituary

One of the world’s greatest documentary photographers fascinated by nature and traditional ways of life

Jafar Panahi’s Cannes victory is a wonderful moment for an amazingly courageous film-maker

Panahi has endured years of harassment from the Iranian authorities but has created a tremendous body of work; his Palme d’Or is richly deserved

Iranian director Jafar Panahi wins Palme d’Or at Cannes for It Was Just an Accident

Panahi, long censored and previously imprisoned in his home country, took top prize as Sentimental Value and The Secret Agent also honoured

‘A case study on psychosis’: men on why Tim Robinson’s Friendship feels a little too real

‘I was so incredibly uncomfortable,’ one man said of watching the new cringe comedy starring Robinson and Paul Rudd

Hush over Hollywood: why has it become so hard to make films in Los Angeles?

The drop in productions is causing alarm. Can Tinseltown halt the exodus and reclaim its spot as the home of movie-making?

Braveheart at 30: Mel Gibson’s gory, hokey Oscar winner plays like a biblical epic

The 1995 best picture winner is less interested in historical fact and more in rousing fantasy and makes for a telling portrait of its troubled maker

‘They first come for great acts of culture’: Cate Blanchett sets up grant for displaced film-makers

Actor and UN refugee ambassador delivers warning on authoritarian regimes as first five film-makers announced for funding

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  • Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
  • Post your questions for Alex Winter
  • The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
  • Marching in the Dark review – rural Indian widows show stunning resilience as they battle poverty and taboos
  • ‘A bit like meditation’: why Saw is my feelgood movie
  • Disciples review – fresh-faced boys are sucked into a nightmare of extremism in India
  • On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
  • Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
  • Aardman’​s Peter Lord and David Sproxton: ‘At the Oscars, I went to the gents and had a pee with Jack Nicholson!’
  • Drive-in cinemas are rare these days. But the last one in Melbourne’s north still draws a faithful crowd
  • Meghan Markle’s casting in The Gentlemen reportedly withdrawn after UK backlash
  • ‘Embryonic’: lost novel by French film-maker Éric Rohmer is republished
  • Stand By Me at 40: Rob Reiner’s seminal coming-of-age saga remains a bittersweet triumph
  • Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
  • ‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
  • From Teenage Sex and Death at Camp Miasma to Brandon Flowers: your complete entertainment guide to the week ahead
  • David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
  • ‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
  • Meghan as the next Bond? Five roles that almost certainly don’t lie behind UK return
  • Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
  • The Odyssey becomes highest grossing R-rated film of all time
  • H Is for Hawk to Doctor Strange: the seven best films to watch on TV this week
  • Anthony Hopkins: Life Is a Dream album review – easy on the ear melodies written from the heart
  • ‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
  • Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
  • Man arrested over Nord Stream bombing was consultant on film about it starring Sean Penn
  • French Girls review – scrappy Australian film made for $28,000 reveals refreshing new talents
  • UK cinemas look at banning Meta smart glasses over piracy fears
  • Hazy sunshine, factor-50 smiles and Cliff Richard at the wheel: the 20 best summer holiday movies – ranked!
  • It Ends review – gripping micro-budget horror ranks among the year’s best

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