BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

From Mission: Impossible to Stereolab: your complete entertainment guide to the week ahead

Tom Cruise’s all-action spy bows out in a spectacular franchise finale, while the leftfield Anglo-French pop group return after 15 year

Rust armorer released after completing prison sentence in fatal film set shooting

Hannah Gutierrez-Reed paroled after 18 months from facility in New Mexico to her home in Bullhead City, Arizona

Mountainhead review – tech bros face off in Jesse Armstrong’s post-Succession uber-wealth satire

Weapons-grade zingers come thick and fast in this chamber piece about four plutocrats on a weekend in a lodge that goes awry when the planet descends into chaos

The Mastermind review – Josh O’Connor is world’s worst art thief in Kelly Reichardt’s unlikely heist movie

Reichardt’s quietist, observational style is unexpectedly successful at creating a super-naturalistic depiction of an art gallery robbery

Endgame ennui: are Marvel’s end-of-credits scenes still worth the wait?

They used to tease the future. Now, the movie-maker’s post-credits sequences are mostly cryptic cameos and empty gestures. Perhaps we just shouldn’t bother

Young Mothers review – outstanding return to form for the Dardenne brothers

Teen mums are taught how to take care of their babies or prepare them for adoption amid drug addiction, mental illness and family conflict in this poignant, compassionate work of unforced social realism

‘Revelatory, magnetic, unknown’: how Frank Dillane became a star at Cannes

With a breakout performance in Urchin, the actor has emerged from cult TV fame to the cusp of major stardom – a new ‘post-alpha male’ lead to join the ranks of Paul Mescal and Josh O’Connor

Falling palm trees and a faltering Palme d’Or director: how Cannes 2025 went – and who will win

In a Cannes film festival where the greatest movies were about dictatorships and political cruelty, our chief critic shares his picks for the prix

Digested week: high-end hen dos, pricey hoo-has and some horny history

I miss out on Lauren Sánchez’s pre-wedding jaunt but relish a trip down a medieval crypt

‘I should really be the world champion’: Ralph Macchio on kicking it as The Karate Kid for 41 years

After putting Cobra Kai to bed after six seasons, the actor is teaming up with Jackie Chan in Karate Kid: Legends

Awkward clapping, no-sand beaches and Alexander Skarsgård’s thigh-high boots: a trip to Cannes to see my film

Harry Lighton’s film Pillion is based on the novel Box Hill so, misgivings riding alongside, it felt right for the author to motorbike to the film festival for its premiere

Fear Street: Prom Queen review – disappointing Netflix teen slasher

After a surprisingly effective trilogy of horrors based on the RL Stine novels, a return to the throwback franchise is a frustratingly inert letdown

Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe

In Bi Gan’s ambitious alternate reality, where humans can live indefinitely, a reincarnating dissident dreamer travels through history in different guises

Fountain of Youth review – Guy Ritchie’s Indiana Jones knock-off is a soulless misadventure

Ritchie’s derivative yarn whisks John Krasinski off to picturesque spots on an uninspired search for treasure and excitement – neither of which arrive

Woman and Child review – drama of rage and pain in the Iranian marriage market

Saeed Roustaee’s new film takes aim at a slippery, entitled male who thinks he can lord it over a widow he plans to marry

Post navigation

← Older posts
Newer posts →

  • Guardian-produced Gaza documentary from Oscar-winning Israeli directors of No Other Land to screen at Venice film festival
  • Post your questions for Alex Winter
  • The Visitor review – existential Lithuania-set homecoming drama leaves everything in limbo
  • Marching in the Dark review – rural Indian widows show stunning resilience as they battle poverty and taboos
  • ‘A bit like meditation’: why Saw is my feelgood movie
  • Disciples review – fresh-faced boys are sucked into a nightmare of extremism in India
  • On Different Grounds review – Cupid’s-conspiracy romcom brings Nollywood and Bollywood together
  • Mark Ruffalo fires back at Paramount Skydance after it accuses him of using ‘antisemitic tropes’
  • Aardman’​s Peter Lord and David Sproxton: ‘At the Oscars, I went to the gents and had a pee with Jack Nicholson!’
  • Drive-in cinemas are rare these days. But the last one in Melbourne’s north still draws a faithful crowd
  • Meghan Markle’s casting in The Gentlemen reportedly withdrawn after UK backlash
  • ‘Embryonic’: lost novel by French film-maker Éric Rohmer is republished
  • Stand By Me at 40: Rob Reiner’s seminal coming-of-age saga remains a bittersweet triumph
  • Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite
  • ‘Digging the grave of my profession’: the Hollywood creatives training AI to do their jobs
  • From Teenage Sex and Death at Camp Miasma to Brandon Flowers: your complete entertainment guide to the week ahead
  • David Harbour has blown Tony Stark’s cover in Avengers: Doomsday. It might just be what Marvel needs
  • ‘We’re barely above porn’: why would a film-maker choose to make a deliberately bad ‘mockbuster’?
  • Meghan as the next Bond? Five roles that almost certainly don’t lie behind UK return
  • Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott
  • The Odyssey becomes highest grossing R-rated film of all time
  • H Is for Hawk to Doctor Strange: the seven best films to watch on TV this week
  • Anthony Hopkins: Life Is a Dream album review – easy on the ear melodies written from the heart
  • ‘It is the riskiest film I’ve ever made’: Pedro Almodóvar on being the villain in his own movie
  • Spa Weekend review – female answer to The Hangover spreads the slush with the massage oil
  • Man arrested over Nord Stream bombing was consultant on film about it starring Sean Penn
  • French Girls review – scrappy Australian film made for $28,000 reveals refreshing new talents
  • UK cinemas look at banning Meta smart glasses over piracy fears
  • Hazy sunshine, factor-50 smiles and Cliff Richard at the wheel: the 20 best summer holiday movies – ranked!
  • It Ends review – gripping micro-budget horror ranks among the year’s best

Contact www.brillfilms.com   Terms of Use