Jeff Bezos calls Amazon’s $40m Melania film ‘a good business decision’

The Amazon founder has denied any personal involvement in the film, which failed to recoup its budget on release

Pedro Almodóvar says film-makers have a ‘moral duty’ to speak out against the far right

‘Europe must never be subjected to Trump’ says Spanish film-maker at a Cannes press conference for his new film, Bitter Christmas

The lesson from John Travolta’s dramatic new look: always dress for the job you want

The first-time director admitted he wore a beret to channel ‘old school’ auteurs at Cannes – though mimicry can only take you so far, says Guardian fashion and lifestyle editor Morwenna Ferrier

Tom and Jerry: Forbidden Compass review – furry foes out of their depth in candy-coated Chinese adventure

Cat and mouse are transported to a quasi-medieval China in this luridly bright animation that has none of the inventiveness of the Hanna-Barbera originals

The Balloonists review – divas and disasters in tale of first round-the-world hot-air balloon flight

Polite documentary about Bertrand Piccard and Brian Jones, who faced off much wealthier rivals Richard Branson and Steve Fossett in the race to circumnavigate the globe

I See Buildings Fall Like Lightning review – sweet, sad portrait of gen Z discontent and disillusion

Cannes film festival: Clio Barnard’s absorbing tale depicts five friends who grew up together in Birmingham but now face divided destinies

Charlie the Wonderdog review – pooch v puss caper beams Owen Wilson up from the wilderness

Wilson lends his drawl to a dog who gains superpowers after being abducted by aliens in this frenetic animation

Jack Ryan: Ghost War review – Amazon’s Tom Clancy series spawns middling movie

John Krasinski continues his unconvincing run as the CIA analyst in a mostly unexciting and rather low-rent feature-length adventure

Eek-cute: the rebirth of the frothy romcom sociopath

The online era is pushing screen romantics to alarming extremes. Whether posing as a stranger’s fiancee or framing someone as an obsessive stalker, happy endings look harder than ever to find

Fight Like a Girl review – fiercely authentic setting lifts powerful female boxer drama

Ama Qamata plays a teenage survivor of sexual violence in the DRC with compelling power, and searingly drawn footage of street life in Goma gives authentic edge

Billy Joel condemns upcoming biopic about his early life as ‘legally and professionally misguided’

Singer-songwriter has ‘not authorised or supported’ Billy & Me, which will be based on the story of his first manager Irwin Mazur

Sheep in the Box review – a bland, baffling tale of AI children from Hirokazu Kore-eda

There’s nothing wrong with film-makers leaving their comfort zone but the Japanese director’s latest effort just doesn’t work

Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film

Cannes film festival: Spaniard’s latest life-v-art auto-metafiction feels slightly muddled as he directs a director directing a director

Nicolas Winding Refn breaks down at Cannes recalling near-death due to ‘leaking heart’

The director of Drive, unveiling new thriller My Private Hell, told journalists he ‘died for 25 minutes’ in 2023

Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war

Cannes film festival: The great Russian director’s first film for almost a decade is tremendous drama following the ill-deeds of a mini-oligarch who comes up with a toxic new way to feed Russia’s war machine