The latest in our series of writers highlighting their all-time favorite comfort films is a 2012 indie romcom that begins and ends on the November holiday
A young Austrian Jew hides out in the nightclub scene in this 1930s-set drama based on a real story – and inspired by countless other tales of Jews in exile in Europe
On paper, ‘horny teens do battle with mini demon snowmen’ sounds fun, but the jokes are dumb and the references to better films only draw attention to its weaknesses
Michel Simon, who steals the show in Jean Vigo’s 1934 masterpiece L’Atalante, was a soft-faced, gravelly voiced clown capable of tremendous pathos – and total chaos
Anti-AI and pro-beauty, Leo XIV has proved an unlikely custodian of culture – and a patron of meaningful work in a world of algorithmic slop, says Guardian assistant newsletter editor Jason Okundaye
Ariana Grande sparkles in the concluding part of the Wicked Witch tale, and the first batch of final episodes of the retro sci-fi juggernaut are unleashed
Matt Smith is the ultimate bad dad in a Nick Cave novel adaptation, and the Oz prequel musical reaches the end of the road. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews