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Bila Burba review – how recreating brutal battles helps pass history down the generations

A vibrant community tradition to theatrically restage a decisive moment in their independence struggle is vital to Panama’s Guna people

‘A Thanksgiving classic’: why Stuck in Love is my feelgood movie

The latest in our series of writers highlighting their all-time favorite comfort films is a 2012 indie romcom that begins and ends on the November holiday

Desperate Journey review – Nazi-fleeing Jewish boy heads for the glamour of wartime Paris

A young Austrian Jew hides out in the nightclub scene in this 1930s-set drama based on a real story – and inspired by countless other tales of Jews in exile in Europe

The Creeps review – reference-heavy mashup of Gremlins and American Pie is stupid-funny

On paper, ‘horny teens do battle with mini demon snowmen’ sounds fun, but the jokes are dumb and the references to better films only draw attention to its weaknesses

Monkey soulmates and extraordinary talent: the man Charlie Chaplin called ‘the greatest actor in the world’

Michel Simon, who steals the show in Jean Vigo’s 1934 masterpiece L’Atalante, was a soft-faced, gravelly voiced clown capable of tremendous pathos – and total chaos

Udo Kier, German actor who starred in 200 films spanning Lars von Trier to Ace Ventura, dies aged 81

Actor who appeared in My Own Private Idaho, Blade, Armageddon and Dogville, as well as Madonna music videos and video games, died on Sunday

Theresa May and Cate Blanchett to guest edit BBC Today programme

Former PM to examine issue of trust in politics and Oscar-winning actor’s show will discuss AI

Wicked forever: the enduring appeal of The Wizard Of Oz

Musical sequel Wicked: For Good, enchanting audiences across the world, arrives as the 1939 fantasy continues to dominate pop culture

‘Add some whimsy to your life’: Wicked fans bring magic to Leicester Square

Shades of green, pink and glitter accompany sold out screenings as Wicked: For Good’s release prompts wave of themed dressing

Rocky Horror creator Richard O’Brien: ‘The Spice Girls couldn’t sing. But lovely girls’

The actor, writer and musician on growing up on a sheep farm in New Zealand, being in Spice World and a lovely afternoon with Aretha Franklin

‘I prepared for the role by playing in my room’: the making of Toy Story as it turns 30

The groundbreaking, smash-hit adventure was a make-or-break moment for both Pixar and computer animation

‘The public has been lied to’: secretly made documentary insists that aliens exist

The Age of Disclosure is a new film featuring high-ranking government officials who claim proof of extraterrestrial life has been covered up

Who knew it would take an American pope to remind us of the value of art and good taste?

Anti-AI and pro-beauty, Leo XIV has proved an unlikely custodian of culture – and a patron of meaningful work in a world of algorithmic slop, says Guardian assistant newsletter editor Jason Okundaye

From Wicked: For Good to Stranger Things: your complete entertainment guide to the week ahead

Ariana Grande sparkles in the concluding part of the Wicked Witch tale, and the first batch of final episodes of the retro sci-fi juggernaut are unleashed

From The Death of Bunny Munro to Wicked: For Good: the week in rave reviews

Matt Smith is the ultimate bad dad in a Nick Cave novel adaptation, and the Oz prequel musical reaches the end of the road. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

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  • ‘I’ve had all the luck you can get’: Michael Caine retires for the fourth time
  • Belle Gibson drama Apple Cider Vinegar leads 2026 Aacta award nominations
  • ‘My God, what a story it would make’: film-maker Kevin Brownlow on It Happened Here and Winstanley
  • Netflix agrees to buy Warner Bros Discovery studio and streaming business in $83bn deal
  • The Alto Knights to Under the Stars: the seven best films to watch on TV this week
  • ‘The goal was to scare a kid’: the wild world of films-within-films
  • Steve Cropper obituary
  • ‘A joyous and emotional journey’: immersive exhibition charts Coventry’s south Asian heritage
  • Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst
  • Tom Felton: ‘I agree with Barbie – blonds have more fun’
  • TV Tonight: celebrating two of the best Christmas films ever
  • ‘It was legs out all the time!’ June Squibb on starring in Scarlett Johansson’s directing debut – and Broadway’s original Gypsy
  • Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey
  • Mr Men and Little Miss feature film in the works from Paddington producers
  • It Was Just an Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality
  • Jamie Lee Curtis asked My Girl studio to put trigger warning on poster over Macaulay Culkin bee sting
  • Sunset Boulevard review – Hollywood never looked more glorious or more tragic
  • Quentin Tarantino has strong opinions about Paul Dano and none of them are right
  • Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight
  • ‘BDSM on screen used to just mean a gimp in the basement’: the kink community’s verdict on Pillion
  • One Battle After Another gains Oscars traction after early awards season wins
  • Jodie Foster, who began her career aged three, calls acting ‘a cruel job’ she never would have chosen
  • ‘He asked me what I’d done sexually with a woman’: how Joy Gharoro-Akpojotor turned her asylum grilling into a film
  • Anne Hathaway and Michaela Coel face off in first trailer for pop star epic Mother Mary
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • The Outsiders: why Francis Ford Coppola’s coming-of-age drama is secretly gay
  • Prime Minister review – portrait of Jacinda Ardern shows a fully human being in charge for once
  • Magazine Dreams review – powerful bodybuilding drama dogged by star Jonathan Majors’ assault conviction
  • Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers
  • Dreamers review – deep sense of empathy powers emotionally vivid refugees’ drama

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