BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Silence and Cry review – deeply strange 1960s erotic ballet meditating on Hungary’s history and politics

Director Miklós Jancsó creates a bizarre psychodrama set after the fall of the 1919 Hungarian Soviet republic, encompassing postwar trauma and erotic overtones

‘Magical’: how I taught Paul Mescal and Josh O’Connor to sing like folk troubadours in The History of Sound

Singer-songwriter Sam Amidon had just three weeks to make the two stars sound like seasoned balladeers. He recalls their charged harmonies in the little shed at the bottom of his garden

Los Saldos review – prodigal big-city son reconnects with his heritage in rural Spain

Raúl Capdevila Murillo’s debut documentary follows the director’s journey back to his farming family, whose way of life is newly endangered

‘It was a little scary at times’: the hilarious, heartbreaking film about one man’s riotous death

When André Ricciardi found out he had cancer, he asked a friend to film his final years. André Is an Idiot, the result, mixes in stop-motion puppetry to create an astonishing record of an extraordinary life

Union County review – an affecting Will Poulter lifts quiet addiction drama

The British actor gives a convincing performance as a man going through the drug court system in a grounded look at rehabilitation

‘For the authoritarian, culture is the enemy’: Salman Rushdie talks recovery and resilience at Sundance

A new documentary explores the author’s physical and spiritual healing from the 2022 knife attack that almost killed him

Imagine review – profound conversations meet trippy visuals in one-of-a-kind adventure

Taika Waititi, Yael Stone and Ian Thorpe are among the big names lending voices to this ‘chaotically strange’ animation drawing on Indigenous perspectives

The Gallerist review – Natalie Portman flounders in tiring art world caper

The Oscar winner can’t find the right tone for this grating comedy which also wastes Jenna Ortega, Da’Vine Joy Randolph and Catherine Zeta-Jones

The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping

The Friend’s House is Here review – timely, secretly made tale of creativity in Iran

An underground scene of creatives in Tehran is threatened in this lived-in hangout movie that bravely chooses optimism over negativity

The Guardian view on the future of cinema: gen Z is falling in love with the big screen

Editorial: Film is in a state of existential crisis. But a new generation of cinephiles might save it from the streaming giants

Wicker review – Olivia Colman is smelly fisherwoman falling for wicker man in uneven fable

An inventively made fantasy boasts eye-catching premise and typically rewarding performance from Oscar-winner but something’s missing

‘Utterly overwhelmed’: British writer-director’s short film earns Oscar nod

A Friend of Dorothy, starring Miriam Margolyes, is a tender story of loneliness and unexpected friendships

Democratic congressman punched in racist attack at Sundance film festival

Maxwell Alejandro Frost says attacker ‘told me Trump was going to deport me’ as police say suspect arrested

Josephine review – Channing Tatum is a knockout in shattering drama of lost innocence

Taut and emotionally intelligent drama follows the aftermath of an eight-year-old witnessing a horrifying sexual assault

Post navigation

← Older posts
Newer posts →

  • Roman Polanski rape scandal movie to follow perspective of 13-year-old victim
  • One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards
  • The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy
  • Melania debuts at No 29 at the UK box office
  • ‘I was on stage and she started kicking!’: Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury
  • Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror
  • Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
  • Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
  • Anti-ICE protests, brilliance by Bieber and the Dalai Lama’s first win: the 10 biggest moments at the 2026 Grammys
  • Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
  • Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran
  • ‘Endlessly quotable’: why Wayne’s World is my feelgood movie
  • Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller
  • Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage
  • ‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein
  • Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people
  • Steven Spielberg becomes an Egot after winning Grammy for John Williams documentary
  • Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western
  • Melania film earns $7m in US, strongest documentary debut in over a decade
  • Dozens of historic Maseratis recreated for movie about Italian car company
  • Catherine O’Hara obituary
  • ‘One of the greatest comic talents’: tributes paid to actor Catherine O’Hara
  • Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’
  • ‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
  • From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead
  • ‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars
  • I endured the Melania film so you don’t have to – my only regret is not buying popcorn so one of my senses was entertained
  • Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
  • Catherine O’Hara managed to make difficult characters utterly delightful
  • Catherine O’Hara, actor known for Home Alone and Schitt’s Creek, dies aged 71

Contact www.brillfilms.com   Terms of Use