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Mother of Lion: Sue Brierley opens up on life before Saroo, Hollywood and Nicole Kidman

Brierley was catapulted into the limelight when her adopted son’s story became an Oscar-nominated film. Now, she’s sharing her own

Love Child review – refugee documentary finds love and warmth amid the misery

Filmed over six years in Turkey, this is a wonderful account of an Iranian family in exile desperately seeking asylum

Samuel L Jackson: ‘A fullness comes upon me every time I land in Africa’

As their hard-hitting TV show Enslaved comes to an end, the star and his wife LaTanya Richardson talk about roots, race, revolution – and how to get rid of ‘the orange man’

‘I don’t want another blockbuster!’ How Phyllida Lloyd is following up Mamma Mia! and The Iron Lady

After scoring two global hits, the director has made a low-budget film about a mother who builds her way out of homelessness – and it’s inspired by an article in the Guardian

I love Spider-Man – but would my son? How I learned a hard lesson about heroes

He’s my all-time favourite comic character. But do the real heroes still wear spandex?

Houston, we have a parent: what draws sci-fi to motherhood?

Netflix’s Away sees Hilary Swank play a mum separated from her daughter by millions of kilometres, joining a long list of science-fiction characters trapped in a maternal nightmare

Again Once Again review – elegant meditation on the pains of motherhood

This engaging film unpicks the challenges faced by a young mother trying to reconnect with the life she had before her son’s birth

Dads review – stars report from the frontline of fatherhood

Actor Bryce Dallas Howard’s documentary mixes the platitudinous with the genuinely moving as she grills Hollywood celebrities and other fathers

To Kid Or Not to Kid review – why women choose to be childless

Director Maxine Trump’s heartfelt documentary explores the pressures and prejudices facing women who do not want to be mothers

Bryce Dallas Howard: ‘Dads changing diapers is still somehow revolutionary’

The actor has made a film about fathers – including her own, director Ron. She talks about the racist role that caused ‘a disturbance’ in her soul – and why working with Lars von Trier gave her acne

‘The older I get, the less I fear’: meet the Italian Larry David

A decade after his two much-loved comedies about the vicissitudes of ageing, director Gianni Di Gregorio explains why, against his own expectations, he had to make another

How would a five-year-old change James Bond’s life?

According to a new report, No Time to Die sees Daniel Craig’s spy discovering he has a young child. Are CBeebies and car chases ever really compatible?

Actor Monica Dolan: Losing my brother to Covid-19 is part of a global story

The star of the film Days of the Bagnold Summer talks about how the death of her brother came while she was preparing to play a bereaved woman

Come-hither lions and sleazy owls: when Disney classics are difficult

I thought the Disney+ archive of classic films was a perfect lockdown diversion for my kids – until I rewatched them

The Family Way review – potent portrait of sex in the swinging 60s

In this rereleased comic drama, Hayley Mills and Hywel Bennett play a couple plagued by a wedding-night disaster and the neighbours’ wagging tongues

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  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
  • Mutants assemble: what does the future hold for the X-Men?
  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
  • ‘Sometimes they credit the janitor. But not us’: what’s it like to be a child chaperone on a film set?
  • Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai
  • Post your questions for John Hannah
  • ‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
  • Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
  • ‘Everything about me is good in his eyes’: the women in China choosing AI boyfriends over human men
  • Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction
  • Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
  • Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism
  • ‘A horrible nightmare’: the shocking story of the eBay harassment scandal
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’

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