BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Sense and social distancing: ‘Lockdown has given me a newfound affinity with Jane Austen’s heroines’

Unrequited lust, hours indoors with family and the need for a turn around the parlour are classic period tropes – now we’re all living Pride and Prejudice

Lockdown watch: Asif Kapadia on setting his kids Hitchcock essays

The Diego Maradona and Amy director gorges on spaghetti western, succumbs to Disney+ ... but steers clear of disaster flicks

The Easy Bit review – how men get to grips with IVF

This well-intentioned documentary about the first step in fertility treatment has moments of humour but is too emotionally hectoring

‘Feasting on fantasy’: my month of extreme immersion in Disney+

The long read: Disney’s new streaming service arrived in the UK just as the coronavirus lockdown kicked in. With so many hours to fill, it seemed like a sensible investment. Pretty soon, it was infiltrating my every waking hour

Circus of Books review – tender doc about family life and gay porn

An affectionate and absorbing documentary from film-maker Rachel Mason about her devout parents, who ran a famous adult bookstore in early-80s LA

Tigertail review – dreams, regrets and a life built on a lie

A young Taiwanese man faces an agonising choice when offered a new life in the US in this heartfelt drama from a writer of Parks and Recreation

‘Boring but cool!’: can children predict box-office success?

A test screening of trailers for this year’s most anticipated family films – from Mulan to Peter Rabbit 2 – reveals what kids really want to see at cinemas

How Pixar’s hit Onward was born from childhood bereavement

Director Dan Scanlon tells how his own childhood loss informs the movie, which also has Disney’s first gay character. ‘We want it to feel real,’ he says

Midnight Family review – an alarming look at Mexico’s ambulance cowboys

A broken system is laid bare by this bleak doc trailing a private ambulance crew as they zoom around after accident victims

An ad showing a woman’s body after birth is still too radical for the Oscars

An ad depicting the very real struggles that mothers face in the days after giving birth was rejected for being ‘too graphic’

Midnight Traveler review – refugees’ gripping escape from Afghanistan

Filmed entirely on smartphones, Hassan Fazili’s powerful documentary charts his family’s perilous, gruelling trek to sanctuary in Europe

Emma Thompson plays a Croatian mother in Last Christmas. Would my own Croatian mother approve?

The film has been panned, and I was worried by the geopolitical faux pas in the opening scenes. But Thompson’s performance was thrillingly familiar

Honey Boy review – the Shia LaBeouf renaissance begins here

LaBeouf writes and co-stars in this heartfelt, well-performed film based on his own personal history as a troubled young actor and addict

So Long, My Son review – exquisite, agonising Chinese family saga

The epic story of two married couples enduring personal tragedy and state-imposed suffering is an almost unbearably poignant, profound masterpiece

Heimat Is a Space in Time review – epic journey into Germany’s dark past

Thomas Heise’s four-hour documentary draws on the journals of his own family to construct a powerful, agonising history

Post navigation

← Older posts
Newer posts →

  • Brian Robinson obituary
  • Borges, ballet and BDSM: 10 must-see movies at Edinburgh international film festival
  • Edinburgh international film festival showcases a Scottish industry in rude health
  • ‘It was fun to get pushed around’: Andrew Rannells on ‘razzle dazzle’, kissing co-stars and being a better friend to Lena Dunham
  • James: Getting Away With It review – hippies, hardnuts and dreamers unite
  • Hollywood encore: how ‘pro-shot’ Broadway shows became a major draw on the big screen
  • The End of Tom Six review – Human Centipede director delivers one last freaky flick
  • Hellcat review – woman imprisoned in camper van in nasty survival horror
  • With Hollywood struggling in China, can the Odyssey draw a crowd?
  • The Wrong Girls review – Kristen Stewart fumbles through forgettable stoner comedy
  • Don’t Say Good Luck review – high-school musical weepie puts Sunny Sandler in the spotlight
  • The End of Oak Street review – suburban dino-survival romp is more turkey than T-rex
  • In Venice, it’s not politics as usual as film-makers aim to recapture our attention
  • Steal This Story, Please! review – Amy Goodman, stalwart of the American left, shows her teeth
  • Mutants assemble: what does the future hold for the X-Men?
  • Chum review – daft shark attack movie with wedding guests running gamut of toothy undersea beast
  • ‘Sometimes they credit the janitor. But not us’: what’s it like to be a child chaperone on a film set?
  • Songs of Forgotten Trees review – sensitive, ambiguous drama of female intimacy in Mumbai
  • Post your questions for John Hannah
  • ‘I turned down Gandhi because I’m terrified of snakes’: the amazing movie memories of Bruce Dern
  • Edgier than the TV series, Michael Mann’s take on Miami Vice is gritty and intoxicating
  • ‘Everything about me is good in his eyes’: the women in China choosing AI boyfriends over human men
  • Never Had a Chance review – a slice of gritty British Asian life with a side of drug dealing and addiction
  • Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’
  • Momo and the Time Thieves review – kids’ fantasy jaunt sticks the boot into capitalism
  • ‘A horrible nightmare’: the shocking story of the eBay harassment scandal
  • Nimrods review – Green Day’s early years inspire teenage kicks in amiable punk road movie
  • The Pout-Pout Fish review – Nick Offerman is best thing in kids cartoon adventure on the high seas
  • Love me, love my bruised ego: what the narcissist-artist film tells us about the fear of ageing
  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’

Contact www.brillfilms.com   Terms of Use