BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Midnight Traveler review – refugees’ gripping escape from Afghanistan

Filmed entirely on smartphones, Hassan Fazili’s powerful documentary charts his family’s perilous, gruelling trek to sanctuary in Europe

Emma Thompson plays a Croatian mother in Last Christmas. Would my own Croatian mother approve?

The film has been panned, and I was worried by the geopolitical faux pas in the opening scenes. But Thompson’s performance was thrillingly familiar

Honey Boy review – the Shia LaBeouf renaissance begins here

LaBeouf writes and co-stars in this heartfelt, well-performed film based on his own personal history as a troubled young actor and addict

So Long, My Son review – exquisite, agonising Chinese family saga

The epic story of two married couples enduring personal tragedy and state-imposed suffering is an almost unbearably poignant, profound masterpiece

Heimat Is a Space in Time review – epic journey into Germany’s dark past

Thomas Heise’s four-hour documentary draws on the journals of his own family to construct a powerful, agonising history

‘I must have watched it 50 times’: a Frozen dad prepares for the sequel

It’s the glue in many father-daughter relationships, with its earworm anthem and empowered princesses. Can the most successful animated film of all time do it again?

Jacob Rees-Mogg: my early career as an avant garde film star

Long before he reclined for the cameras in Parliament, the Tory MP had a career as an actor – in experimental films made by his socialist aunt. He recalls his days of blazers and butterfly-chasing

Simone Lia on scary films for babies

Coming soon to a small child near you…

It’s through our stories that trauma can be transformed into spirit-soaring beauty

Memories are shaped by how we feel, not how we act. Through suffering we can uncover the best versions of ourselves

Tell Me Who I Am review – amnesia documentary is like a psychological thriller

An amnesiac man and his twin brother come to terms with their troubled childhood in this involving but upsetting film

One Child Nation review – China’s monstrous plan to shape the future

This powerful and upsetting documentary examines the legacy of a brutal policy that limited couples to a single baby

Normal review – lawyers in bikinis to dogma in the doll’s house

Adele Tulli’s elegantly deadpan documentary challenges the sexual stereotypes that prevail across the generations

Is The Farewell the olive branch the US-China culture war needs?

A film depicting a young Chinese-American woman’s experience highlights differences between the two countries – but may also signal hope for the future

‘Dad described the plot of Psycho at the dinner table’: how my parents taught me to love film

The Guardian film critic on how his mother and father shaped his relationship with cinema

For Sama review – searing story of a Syrian warzone baby

A student documenting the siege of Aleppo kept filming when she became pregnant. The result is a profoundly moving study of horror and hope

Post navigation

← Older posts
Newer posts →

  • Post your questions for Paul Dano
  • The Wolf of Wall Street to Creed III: the seven best films to watch on TV this week
  • Four wives, two passports and a very elusive butterfly: one woman’s search for her lepidopterist father
  • Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time
  • Oscars to leave Hollywood for downtown Los Angeles in 2029
  • Hook, line and cinema: why boxing films are still a knockout
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
  • DJ Ahmet review – totally charming tale of teen travails in North Macedonia
  • Will Stephen Colbert’s Lord of the Rings film be Tom Bombadil’s time to shine?
  • Halle Bailey: ‘It’s a vulnerable place to be – a young woman cast as a Disney princess’
  • Creator of AI actor Tilly Norwood says she received death threats over project
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution
  • William Shakespeare’s Romeo+Juliet review – Baz Luhrmann’s joyful tragedy is still extravagantly full of life
  • They Will Kill You review – satanic beat-’em-up offers gore, bad jokes and deja vu
  • Dodging the ‘wrinkle wagon’: why a Brazilian film about ageing is inspiring older women
  • Orwell: 2+2=5 review – documentary portrait doesn’t wholly add up
  • Jamie Lee Curtis to lead Murder, She Wrote reboot movie
  • Pretty Lethal review – Amazon’s ballerina action thriller puts on a decent enough show
  • Valerie Perrine obituary
  • Backlash mounts over twist in Robert Pattinson Zendaya romcom The Drama
  • Billy Idol Should Be Dead review – nostalgic docu-tribute to British postpunk’s rebel
  • Underland review – poetic exploration of life deep beneath the Earth’s surface
  • Redoubt review – Denis Lavant is unforgettable as an oddball building a public shelter for obscure disaster
  • Stephen Colbert to write new Lord of the Rings film after end of the Late Show
  • Tom Georgeson obituary
  • Mike & Nick & Nick & Alice review – double the Vince Vaughn in middling time travel comedy
  • Live-action movie version of children’s TV series Mr Benn in the works
  • ‘Was that an earthquake?’ Italy’s great psychogeographer tackles the Vesuvius-haunted Naples tourists seldom see
  • Why is the US so expensive? Everything comes in a ‘premium’ version, from doctors’ appointments to movies
  • Who’s Afraid of Virginia Woolf? at 60: Elizabeth Taylor still crackles with feral energy

Contact www.brillfilms.com   Terms of Use