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Shakespeare, vampires and MMA: where does this year’s Oscar race stand?

As the fall festivals come to a close, the awards season is slowly taking shape but without a substantial amount of sure things, questions remain

American independent cinema owes much to Sundance king Robert Redford

With his Sundance film festival and institute, Robert Redford used his considerable power to bring generations of talented film-makers to a bigger audience

Robert Redford: the incandescently handsome star who changed Hollywood forever

Robert Redford, who has died at the age of 89, began as a blond bombshell at a time when American cinema favoured grit, then turned into a supremely assured director and unlikely keeper of the indie flame

Robert Redford, giant of American cinema, dies aged 89

Redford achieved huge critical and commercial success in the 60s and 70s with a string of hits including Butch Cassidy and the Sundance Kid, The Way We Were and The Sting, before becoming an Oscar-winning director

Hamnet wins top award at the Toronto film festival

Chloé Zhao’s Shakespeare drama has picked up the people’s choice award, which has become predictor of Oscar success

Eternity review – it’s a charming afterlife in high-concept love triangle comedy

Elizabeth Olsen must choose who she spends eternity with in an often ingenious throwback that can’t quite stick the landing

The Fence review – Claire Denis stumbles with a grim and grating misfire

The French director has made of one her least effective movies with this dull and clunkily adapted version of 1979 play with a miscast Matt Dillon at its centre

James McAvoy reportedly assaulted in Toronto bar

Actor promoting his directorial debut California Schemin’ at the city’s film festival is reported to have been punched by another drinker

Couture review – Angelina Jolie is the wrong fit for inert fashion drama

The Oscar winner is adrift in Alice Winocour’s uninvolving film, premiering in Toronto, about three thinly written women involved in Paris fashion week show

Nuns vs the Vatican: documentary alleges sexual abuse and misconduct in the Catholic church

A new film, premiering at the Toronto film festival, follows women who claim to have been abused by a former Jesuit priest

The Christophers review – Ian McKellen and Michaela Coel spar in smart Soderbergh original

The actors play off each other beautifully in an intimate London-set comedy drama about art, commerce and the mess in-between

Dust to Dreams review – a baffling short film from director Idris Elba

The actor recruits Seal for a Lagos-set 19-minute misfire that inelegantly stuffs in far too much

Nuremberg review – Russell Crowe’s Göring v Rami Malek’s psychiatrist in swish yet glib courtroom showdown

Crowe and Malek are hugely watchable but this ultimately fails to deliver an authentic version of events

Hamnet review – Jessie Buckley and Paul Mescal excel in stately Shakespeare drama with overwhelming finale

The two stars are knockouts in Chloé Zhao’s poignant adaptation of Maggie O’Farrell’s 2020 novel with a stirring tearjerker ending

Hedda review – Ibsen gets a Saltburn makeover in Amazon’s ill-advised romp

Nia DaCosta ups the nastiness of Hedda Gabler in a stylish but over-egged adaptation with lead Tessa Thompson losing the film to a standout Nina Hoss

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  • Louise Lasser, star of cult sitcom Mary Hartman, Mary Hartman and Woody Allen comedies, dies aged 87
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  • Moana review – Dwayne Johnson’s demigod on autopilot in dull live-action remake
  • New barnet: why is everyone wigging out over Dwayne Johnson’s Moana hairpiece?
  • Booyakasha! Sacha Baron Cohen has completed a new Ali G movie
  • A Grand Day Out/The Wrong Trousers review – rereleased Nick Park classics are a complete treat
  • The Girls review – poignant coming-of-age romance is an understated gem of Sri Lankan cinema
  • TV tonight: finance whiz Gary Stevenson takes on the super-rich
  • Ian Kennedy Martin obituary
  • Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
  • The Invite welcomes heterosexual polyamory into cinemas. It’s about time
  • ‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
  • The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
  • Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
  • Life Support review – quietly devastating medics’ eye view of the war in Gaza
  • Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
  • ‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
  • Ann Blyth obituary
  • ‘Attacked behind the scenes’: Children of Blood & Bone author Tomi Adeyemi distances herself from film adaptation
  • Into the spider’s lair: how an Australian film-maker made an impossible documentary with AI
  • The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
  • Robert Richardson: The White Devil review – tempestuous DoP’s relationship with A-list directors laid bare
  • ‘Impossible to be a mom’: new film shines light on how America fails its mothers
  • Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
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  • Shoot the People review – a powerful portrait of a talented yet controversial photographer
  • A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
  • ‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music
  • The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

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