Paper Tiger review – Adam Driver and Scarlett Johansson reunite for heavyweight James Gray saga
Cannes film festival: The Marriage Story stars team up with Miles Teller for this sombre and impressive story of shady dealings in 80s New York
‘They lost a historic opportunity’: Ken Loach laments Your Party infighting
Film-maker and longtime Corbyn ally says ‘poor behaviour’ squandered chance to unite the left in fight against far right
The Beloved review – Javier Bardem turns in a career-scariest performance
Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality
John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow
Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder
Harlem Renaissance documentary finally gets global premiere 50 years after cameras rolled
Once Upon a Time in Harlem, completed by relatives of William Greaves after his death, showcased at Cannes
Clarissa review – Sophie Okonedo mesmeric as Virginia Woolf’s Mrs Dalloway decamps to Nigeria
Cannes film festival: Commanding performances and a great musical score underpin this seductive drama about regret, memory and young love
La Gradiva review – stunning coming-of-age story of young love and sexual tension
Cannes film festival: Marine Atlan’s debut film follows a group of French high-school kids and their long-suffering teacher on a visit to Pompeii and Naples
Propeller One-Way Night Coach review – John Travolta family plane fantasy is a short-haul joyride
Travolta directs and narrates this 60-minute adaptation of his own short story about a boy who dreams of being a pilot
‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master
Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism
Gentle Monster review – disquieting drama about two women facing the truth about the men they love
Cannes film festival: Léa Seydoux is a wife and mother whose life unravels when police arrive to quiz her husband; Jella Haase is a detective dealing with her ailing father’s misdeeds
Cantona review – Beckham and Ferguson keen defenders as Eric gnomically quotes Baudelaire
Cannes film festival: This lively documentary about everyone’s favourite hot-headed footballer/unlikely Ken Loach star will give more than just fans a kick
‘Extremely cruel and tragic’: Iranian director Asghar Farhadi speaks out against state violence and the war
The film-maker, who won the Grand Prix for A Hero in 2021, condemned both the killing of protesters and the conflict’s bombing campaigns during a Cannes press conference
All of a Sudden review – care home drama is tender, meditative and a little too precious for its own good
Cannes film festival: Ryusuke Hamaguchi’s ocean-hopping treatise on love and mortality is undeniably beautiful – but it works best in its quieter, compassionate moments rather than the flurries of self-conscious solemnity
A year in hospital and 90% lung damage: how Andrey Zvyagintsev came back from Covid to Cannes
Cannes film festival: The great Russian director of Leviathan, Loveless and The Return has overcome extraordinary obstacles to present his first film in nine years
Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return
Cannes film festival: Hanns Zischler stars as Thomas Mann on his 1949 tour of Germany, contending with political barbs, personal tragedy and his daughter, played by an extraordinary Hüller