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Displacement Film Fund review – Cate Blanchett masterminds short film collection that brims with life and intensity

A set of shorts by film-makers from Afghanistan, Iran, Ukraine, Syria and Somalia are shocking, funny and mysterious in equal measure

Seized review – captivating documentary goes inside a shocking newspaper raid

The story of the Marion County Record and the forces that tried to destroy it is expanded for a charming, and concerning, look at freedom of the press

Undertone review – disappointing podcast horror is mostly skippable

There are some effective early moments in this ultra low-budget, audio-first horror but deja vu soon replaces intrigue

Chasing Summer review – incoherent small-town comedy is a baffling car crash

Comedian Iliza Schlesinger’s nonsensical misfire is a swirl of cliches, unfunny comedy, stock characters and bizarre direction from Josephine Decker

See You When I See You review – familar Sundance-y grief comedy drama has its moments

Festival stalwart Jay Duplass recruits a talented cast, including David Duchovny, Hope Davis and Kaitlyn Dever, for a patchy, poignant tale

Nouvelle Vague review – Richard Linklater bends the knee to Breathless and Jean-Luc Godard

Linklater recreates the making of the landmark French New Wave classic with an awestruck tastefulness that smooths over any disruptiveness

The Only Living Pickpocket in New York review – John Turturro steals this simple, charming tale

The actor plays a pickpocket who steals from the wrong person in a leisurely, straightforward crime thriller with a sting in its tail

The Weight review – Ethan Hawke leads sturdy adventure set in the 30s

The recent Oscar nominee lends gravitas to a decent matinee movie on gold smuggling

Gail Daughtry and the Celebrity Sex Pass review – silly, scattershot Hollywood comedy

Zoey Deutch is a small-town girl hunting down Jon Hamm for sex in David Wain’s disposable yet often funny lark

‘The world is hurting right now’: politics and protest hit the Sundance film festival

A conflicted mood has lingered over Utah’s long-running film festival with premieres and parties continuing but stars speaking out against government cruelty

Frank & Louis review – moving drama of dementia and caregiving in prison

Strong performances from Kingsley Ben-Adir and Rob Morgan anchor a sensitive film about caregiving as a form of rehabilitation

‘What they’re doing is the worst of humanity’: Sundance festival stars back anti-ICE protest

Elijah Wood joined protest in Utah’s Park City in memory of Renee Good and Alex Pretti, while Natalie Portman said what is happening is ‘absolutely horrific’

Union County review – an affecting Will Poulter lifts quiet addiction drama

The British actor gives a convincing performance as a man going through the drug court system in a grounded look at rehabilitation

‘For the authoritarian, culture is the enemy’: Salman Rushdie talks recovery and resilience at Sundance

A new documentary explores the author’s physical and spiritual healing from the 2022 knife attack that almost killed him

The Gallerist review – Natalie Portman flounders in tiring art world caper

The Oscar winner can’t find the right tone for this grating comedy which also wastes Jenna Ortega, Da’Vine Joy Randolph and Catherine Zeta-Jones

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  • The Wolf of Wall Street to Creed III: the seven best films to watch on TV this week
  • Four wives, two passports and a very elusive butterfly: one woman’s search for her lepidopterist father
  • Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time
  • Oscars to leave Hollywood for downtown Los Angeles in 2029
  • Hook, line and cinema: why boxing films are still a knockout
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
  • DJ Ahmet review – totally charming tale of teen travails in North Macedonia
  • Will Stephen Colbert’s Lord of the Rings film be Tom Bombadil’s time to shine?
  • Halle Bailey: ‘It’s a vulnerable place to be – a young woman cast as a Disney princess’
  • Creator of AI actor Tilly Norwood says she received death threats over project
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution
  • William Shakespeare’s Romeo+Juliet review – Baz Luhrmann’s joyful tragedy is still extravagantly full of life
  • They Will Kill You review – satanic beat-’em-up offers gore, bad jokes and deja vu
  • Dodging the ‘wrinkle wagon’: why a Brazilian film about ageing is inspiring older women
  • Orwell: 2+2=5 review – documentary portrait doesn’t wholly add up
  • Jamie Lee Curtis to lead Murder, She Wrote reboot movie
  • Pretty Lethal review – Amazon’s ballerina action thriller puts on a decent enough show
  • Valerie Perrine obituary
  • Backlash mounts over twist in Robert Pattinson Zendaya romcom The Drama
  • Billy Idol Should Be Dead review – nostalgic docu-tribute to British postpunk’s rebel
  • Underland review – poetic exploration of life deep beneath the Earth’s surface
  • Redoubt review – Denis Lavant is unforgettable as an oddball building a public shelter for obscure disaster
  • Stephen Colbert to write new Lord of the Rings film after end of the Late Show
  • Tom Georgeson obituary
  • Mike & Nick & Nick & Alice review – double the Vince Vaughn in middling time travel comedy
  • Live-action movie version of children’s TV series Mr Benn in the works
  • ‘Was that an earthquake?’ Italy’s great psychogeographer tackles the Vesuvius-haunted Naples tourists seldom see
  • Why is the US so expensive? Everything comes in a ‘premium’ version, from doctors’ appointments to movies
  • Who’s Afraid of Virginia Woolf? at 60: Elizabeth Taylor still crackles with feral energy
  • Transforming the Beautiful Game: The Clyde Best Story review – fitting tribute to a barnstorming trailblazer

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