Hope review – non-stop gonzo alien battling is top-quality entertainment
Cannes film festival: Na Hong-jin’s melee of running, chasing and shouting at the angry invaders is uproarious fun, mixing digital work with old-school spectacle
‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy
His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’
Cate Blanchett says #MeToo ‘got killed very quickly’ in Hollywood
Australian actor says there are still ‘10 women and 75 men’ on film sets a decade after the gender equality movement dominated conversations
Garance review – Adèle Exarchopoulos gives it her all in ripe but flimsy portrait of alcohol addiction
Cannes film festival: Performer is as good as ever but her actor character is thinly conceived in a fundamentally implausible depiction of how to grapple with alcoholism
Maverick: The Epic Adventures of David Lean review – a dashing retrospective for a cinematic titan
Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of talking heads
Moulin review – László Nemes’s resistance hero drama is chilling, stirring and surprisingly conventional
Cannes film festival: The Son of Saul director’s dramatisation of Jean Moulin’s torture by Klaus Barbie both benefits and suffers from its mainstream approach
Paper Tiger review – Adam Driver and Scarlett Johansson reunite for heavyweight James Gray saga
Cannes film festival: The Marriage Story stars team up with Miles Teller for this sombre and impressive story of shady dealings in 80s New York
‘They lost a historic opportunity’: Ken Loach laments Your Party infighting
Film-maker and longtime Corbyn ally says ‘poor behaviour’ squandered chance to unite the left in fight against far right
The Beloved review – Javier Bardem turns in a career-scariest performance
Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality
John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow
Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder
Harlem Renaissance documentary finally gets global premiere 50 years after cameras rolled
Once Upon a Time in Harlem, completed by relatives of William Greaves after his death, showcased at Cannes
Clarissa review – Sophie Okonedo mesmeric as Virginia Woolf’s Mrs Dalloway decamps to Nigeria
Cannes film festival: Commanding performances and a great musical score underpin this seductive drama about regret, memory and young love
La Gradiva review – stunning coming-of-age story of young love and sexual tension
Cannes film festival: Marine Atlan’s debut film follows a group of French high-school kids and their long-suffering teacher on a visit to Pompeii and Naples
Propeller One-Way Night Coach review – John Travolta family plane fantasy is a short-haul joyride
Travolta directs and narrates this 60-minute adaptation of his own short story about a boy who dreams of being a pilot
‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master
Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism