BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Cannes looks beyond Hollywood as US film-makers mostly fail to make the grade

The 79th edition of the influential festival boasts an auteur-heavy lineup – with one, very big, country conspicuous by its almost total absence

Gillian Anderson and Cara Delevingne to hit Cannes as auteur heavyweights dominate festival lineup

The 79th edition of the film festival will see work by Pedro Almodóvar, Hirokazu Kore-eda and László Nemes considered for the coveted Palme d’Or

‘We are a very resilient people’: in the face of Trump’s threats, Cuban cinema comes out fighting

With the island back in Washington’s sights, the Screen Cuba festival is taking UK audiences beyond the blockade

Effi o Blaenau review – Greek myth retelling Iphigenia in Splott becomes blistering Welsh-language film

Leisa Gwenllian is a force of nature as working-class heroine Effi in this big screen version of Gary Owen’s one-woman play

Berlin film festival head to keep job after Gaza free speech row

German government convened a crisis meeting after several prize winners condemned Israel’s actions against Palestinians

If the Berlin film festival ousts its director, there may be no way back

Hosting an audience-friendly festival in a highly political capital city has always been a challenge. If Berlinale’s organisers push out Tricia Tuttle over the latest Gaza row, they may as well give up trying

Yellow Letters wins Golden Bear at Berlin film festival dominated by Gaza row

Wim Wenders says German director İlker Çatak’s Turkey-set warning against creeping authoritarianism gave jury ‘chills’

We Are All Strangers review – two weddings and a baby in marvellously addictive family drama

Anthony Chen offers up a forthright but warm film that navigates romantic crises and Singapore’s infatuation with the rich

Dust review – timely fictionalisation of a tech-bro dotcom bust that blighted rural Belgium

The drama about two startup innovators defeated by their egotistical overreach feels as if it presages these AI times

Javier Bardem and Tilda Swinton among those to condemn Berlinale’s ‘silence’ on Gaza

At least 80 film-makers and stars sign open letter after German festival jury president Wim Wenders says they should keep out of politics

The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role

At the Sea review – Amy Adams plays it overly straight in insufferable upper-middle-class drama

Shame, healing and personal growth are the order of the day in this humourless, self-adoring and vapid exploration of an artistic and narcissistic Cape Cod family

Rose review – Sandra Hüller is outstanding in grimy examination of gender stereotypes

Austrian director Markus Schleinzer’s captivating film follows a woman passing herself off a man in 17th-century rural Germany

Rosebush Pruning review – dysfunctional rich family move in strange circles

Jamie Bell and Elle Fanning lead a starry cast in this clumsy satire that provides little fascination in a wealthy family’s suffocating lives

Nightborn review – Rupert Grint bringing up a monster baby

Dark forces give new parents more than they bargained with in this unsubtle Finnish horror from Hanna Bergholm

Post navigation

← Older posts
Newer posts →

  • Ian Kennedy Martin obituary
  • Sunshine: Danny Boyle’s space slasher plays out like an atheist’s worst nightmare
  • ‘An absolute triumph’: first reactions to Christopher Nolan’s Odyssey are ecstatic
  • The Last One for the Road review – ageing-boozer tragicomedy offers drunken antics on the road to Venice
  • Talking about death: how a father and brother found solace in the ‘living graveyard’ of an airline disaster
  • Life Support review – quietly devastating medics’ eye view of the war in Gaza
  • Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer
  • ‘Bored? You’re never good enough to get bored!’ Oscar-winner Helen Hunt on great roles, unruly audiences and her RSC debut
  • Ann Blyth obituary
  • ‘Attacked behind the scenes’: Children of Blood & Bone author Tomi Adeyemi distances herself from film adaptation
  • Into the spider’s lair: how an Australian film-maker made an impossible documentary with AI
  • The Guest review – Trine Dyrholm pulls out all the stops as a bipolar mother in dysfunctional family drama
  • Robert Richardson: The White Devil review – tempestuous DoP’s relationship with A-list directors laid bare
  • ‘Impossible to be a mom’: new film shines light on how America fails its mothers
  • Couples Weekend review – Alexandra Daddario annd Josh Gad lead spicy comedy of marital melee
  • ‘Cosy competency porn’: why The Post is my feelgood movie
  • Shoot the People review – a powerful portrait of a talented yet controversial photographer
  • A Place in the Sun review – subversive exposé of picture-postcard luxury in the Canary Islands
  • ‘It was pretty depressing when Stranger Things ended’: Finn Wolfhard on growing up on TV – and his new life in music
  • The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more
  • ‘There’s excitement in the air’: how America fell back in love with indie cinemas
  • Farewell to Jackass, the finest catalogue of male idiocy – it could only go on for so long
  • The Guide #250: All the US/UK cultural crossovers you may have missed but need to read about
  • From Madonna to Minions & Monsters: your complete entertainment guide to the week ahead
  • Britain has so many stories. The reason we fund the arts together is so we can tell them
  • Burning flags, busty blondes and bison skulls: 50 photographs that capture America at 250
  • Supergirl is a box office catastrophe. How can Marvel and DC save the superhero movie?
  • Yours for just £228: a Kevin Spacey stainless steel gold-tone Fourth of July ‘adversity ring’
  • ‘If you see one movie this year’: Christopher Nolan’s The Odyssey set to storm the box office
  • The making of Independence Day at 30: ‘I panicked and raced to set to rewrite’

Contact www.brillfilms.com   Terms of Use