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The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping

The Friend’s House is Here review – timely, secretly made tale of creativity in Iran

An underground scene of creatives in Tehran is threatened in this lived-in hangout movie that bravely chooses optimism over negativity

Wicker review – Olivia Colman is smelly fisherwoman falling for wicker man in uneven fable

An inventively made fantasy boasts eye-catching premise and typically rewarding performance from Oscar-winner but something’s missing

Josephine review – Channing Tatum is a knockout in shattering drama of lost innocence

Taut and emotionally intelligent drama follows the aftermath of an eight-year-old witnessing a horrifying sexual assault

Leviticus review – queer desire is a deadly curse in haunting horror

Conversion therapy has gory results in a smart and surprisingly romantic debut feature from Australian writer-director Adrian Chiarella

The Moment review – Charli xcx struggles through defanged Brat summer satire

There’s a smart idea at play here, with the star playing a hellish version of herself fighting against corporate forces, but there’s not a lot else

I Want Your Sex review – vampy Olivia Wilde almost saves Gregg Araki’s tame dom-sub romp

As a provocative artist using sex to wield power, the actor is electric but the writer-director’s return to his campy, dayglo roots is largely underwhelming

Extra Geography review – a sweet and spiky coming-of-age debut

Two teenage girls find their friendship put to the test in a witty and charmingly odd British comedy

Buddy review – high-concept horror misfire dares to wonder: what if Barney killed kids?

There’s a dearth of both laughs and scares in this one-joke comedy horror that feels like it would have made for a better short film

The History of Concrete review – John Wilson’s first movie is an absurd triumph

The documentarian’s feature debut, essentially an extended episode of his HBO series, turns an exploration of concrete into a meditation on change

Carousel review – Chris Pine and Jenny Slate are lost in static romance drama

An often lushly made yet frustratingly undercooked small town indie kicks off this year’s festival with disappointment

Sundance 2026: the 10 films not to miss at this year’s festival

The first Sundance without founder Robert Redford and the last to take place in Park City, Utah, will see new films starring Natalie Portman, Ethan Hawke and Courtney Love

Amy Adams, Ashley Walters and Charli xcx among the stars lined up for Berlin film festival

Programme for February’s Berlinale includes Adams in ‘enthralling’ film At the Sea, the directing debut for the Adolescence actor and the pop star’s tour mockumentary

Charli xcx, Natalie Portman and Salman Rushdie lead 2026 Sundance lineup

The festival says goodbye to both founder Robert Redford and its longtime home of Park City, Utah, with a selection of provocative documentaries and starry new films

It Was Just an Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality

An unfortunate encounter with a dog sets off a chain of surreal, grotesque events that expose the corruption and tyranny at the heart of Iran

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  • The Wolf of Wall Street to Creed III: the seven best films to watch on TV this week
  • Four wives, two passports and a very elusive butterfly: one woman’s search for her lepidopterist father
  • Dark Mofo: 2026 festival to show Willem Dafoe film that can only be watched by one person at a time
  • Oscars to leave Hollywood for downtown Los Angeles in 2029
  • Hook, line and cinema: why boxing films are still a knockout
  • Alexander Kluge, author and key film-maker in the New German Cinema movement, dies aged 94
  • DJ Ahmet review – totally charming tale of teen travails in North Macedonia
  • Will Stephen Colbert’s Lord of the Rings film be Tom Bombadil’s time to shine?
  • Halle Bailey: ‘It’s a vulnerable place to be – a young woman cast as a Disney princess’
  • Creator of AI actor Tilly Norwood says she received death threats over project
  • Rave Culture: A New Era review – high energy testimonial to the UK’s dance revolution
  • William Shakespeare’s Romeo+Juliet review – Baz Luhrmann’s joyful tragedy is still extravagantly full of life
  • They Will Kill You review – satanic beat-’em-up offers gore, bad jokes and deja vu
  • Dodging the ‘wrinkle wagon’: why a Brazilian film about ageing is inspiring older women
  • Orwell: 2+2=5 review – documentary portrait doesn’t wholly add up
  • Jamie Lee Curtis to lead Murder, She Wrote reboot movie
  • Pretty Lethal review – Amazon’s ballerina action thriller puts on a decent enough show
  • Valerie Perrine obituary
  • Backlash mounts over twist in Robert Pattinson Zendaya romcom The Drama
  • Billy Idol Should Be Dead review – nostalgic docu-tribute to British postpunk’s rebel
  • Underland review – poetic exploration of life deep beneath the Earth’s surface
  • Redoubt review – Denis Lavant is unforgettable as an oddball building a public shelter for obscure disaster
  • Stephen Colbert to write new Lord of the Rings film after end of the Late Show
  • Tom Georgeson obituary
  • Mike & Nick & Nick & Alice review – double the Vince Vaughn in middling time travel comedy
  • Live-action movie version of children’s TV series Mr Benn in the works
  • ‘Was that an earthquake?’ Italy’s great psychogeographer tackles the Vesuvius-haunted Naples tourists seldom see
  • Why is the US so expensive? Everything comes in a ‘premium’ version, from doctors’ appointments to movies
  • Who’s Afraid of Virginia Woolf? at 60: Elizabeth Taylor still crackles with feral energy
  • Transforming the Beautiful Game: The Clyde Best Story review – fitting tribute to a barnstorming trailblazer

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