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‘I’d feel stifled by that’: Gwyneth Paltrow told intimacy coordinator to ‘step back’ on new film with Timothée Chalamet

The actor, who shares a number of sex scenes with co-star Chalamet in new film Marty Supreme, said ‘I’m from the era where you get naked, you get in bed, the camera’s on’

Demon-child movie wows China – and smashes global box office records

Virtually unknown in the west, Ne Zha 2 is the world’s highest-grossing animation at £1.6bn – outdoing Inside Out 2 – just weeks after its release

Intern of the Jedi: film sector turns to franchise favourites in effort to woo talent

Careers fair at Pinewood is among initiatives to lure young to an industry hit by cost inflation, writers’ strikes and an advertising recession

‘It’s controversial and polarising’: is Disney’s new Snow White a poisoned apple?

The studio’s latest remake may need more than a magic kiss to survive its entanglements with politics, sexism and CGI dwarf trouble

T-shirts, thongs and perfect twerking: Anora spent $18m on marketing – three times its budget

Indie distributor Neon has revealed how it pulled off its second best-picture win in five years, following Parasite in 2020

Oscars telecast ratings fall 7% to 18m viewers

After three consecutive years of growth, viewership fell this year after 2024’s Barbenheimer buzz

And the winner is … the rising generation of older female actors

With this year’s Oscars about to be handed out, Hollywood women of a certain age have never been more bankable or in demand. What’s behind the cultural shift?

First, catch your (CGI) dragon: hope that visual effects breakthrough can reanimate UK film industry

Pioneering startup technology allows camera operators to see on-screen graphics while filming in real world, rather just imagining them

James Bond nightclubs, vodka, aftershave: 007 writer on the spy’s future with Amazon

As the Bond franchise heads to the online giant, thriller author William Boyd foresees a slew of spin-offs and says AI is not a threat to human screenwriters

‘I chose to NOT follow the gutless rules’: Francis Ford Coppola says he’s ‘thrilled’ by Golden Raspberry votes

Veteran film-maker defends his sci-fi epic Megalopolis as it scores two Razzies from nominations that included ‘worst picture’

‘I spent 12 hours a day for 16 months with Gene Hackman – but never met him’: The Conversation’s Walter Murch pays tribute

Murch was just a rookie when he was hired to edit Francis Ford Coppola’s follow-up to The Godfather, but studying Hackman taught him all he needed to know

‘He let us hate him’: Gene Hackman had a rare power – he didn’t need to be liked

The former marine was able to plumb depths of nastiness that set him apart from other ‘hard men’ actors of his generation, such as Robert Duvall and Clint Eastwood, writes David Thomson

Sora, OpenAI’s video generator, has hit the UK. It’s obvious why creatives are worried

The technology, just released in Europe and the UK, clearly has the potential to transform the film, TV and advertising industries

A cosmic Jackson Pollock: Kathleen Kennedy’s Star Wars tenure has been marked by chaos

The reportedly outgoing Lucasfilm president has brought a raft of new movies to the sci-fi franchise but some plans have crashed and the narrative has the look of random splashing, writes Ben Child

Is this the most open Oscars race in recent memory?

While last year’s Academy Awards progressed with relative predictability, this year pundits are split and the four big categories are too close to call

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  • ‘It’s important that Michael’s voice is heard’: Jaafar Jackson says second biopic of his uncle will cover sexual abuse allegations
  • ‘We’ll keep doing this if people pay us!’ The cast of TV hit Ghosts on making a movie – and maybe a caveman spinoff
  • Explosive births, talking foxes and the devil in a trenchcoat – the Sitges fantastic film festival in all its creepy glory
  • Spielberg’s War of the Worlds forced Americans to look in the mirror – and see the real monster
  • Actor Christina Applegate reveals she was misdiagnosed with multiple sclerosis
  • Tom Cruise’s Digger is a commercial flop – but also the perfect climate film for our time
  • Children of the Wicker Man review – how the folk-horror classic haunted the family that made it
  • RJ Mitte obituary
  • ‘Oh God, I can’t bear it’: Judi Dench says Cats film was ‘a waste of goodwill and talent’
  • All Rivers Spill Their Stories to the Sea review – stirring portrait of fishers driven to eco-activism
  • Monster Mia review – kooky kid discovers school of beastly besties in wholesome Halloween fun
  • Hollywood AI-listers: is the technology ready to rival flesh-and-blood film stars?
  • The Cycle review – forensic scientist autopsies her dad in grisly psychodrama that turns supernatural
  • Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year
  • ‘They pulled a guy’s face off. It’s my favourite bit!’ Linda Cardellini on Freaks and Geeks, Mad Men and slasher horror Crystal Lake
  • The Night Is Fading Away review – hypnotic homage to cinema as a force for public good
  • ‘We tried to levitate the Pentagon’: the almost unbelievable life of Ed Sanders, trickster god of the US counterculture
  • Pedigree chums: why the movies are killing off fewer dogs
  • ‘They were brilliant people’: fascinating film reveals a Harlem Renaissance reunion
  • Vampire Carnival review – it’s Twilight at the fairground as abs run wild in pointy-toothed tug of war
  • A Zack Snyder DC Universe might not have been such a bad thing, after all
  • ‘A beautiful dismantling of cynicism’: why Galaxy Quest is my feelgood movie
  • Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decades
  • After the Snowmelt review – a fatal disaster in a snowstorm leads to devastating act of remembrance
  • Elizabeth Holmes documentary You Can See Everything debuts with huge $15m opening weekend
  • Ali G answers his critics: ‘Me ain’t the first intellectual to get haterz’
  • Jonathan Glazer was ‘shocked into silence’ by NAZA documentary
  • 7 Miles Out review – Carol Morley’s funny-poignant self-portrait of teenage kicks in Stockport
  • Selma Blair ‘did not intend to harm anyone’ during airplane incident, representatives say
  • ‘Sometimes it’s not perfect, but it works’: film-maker Charles Burnett on his chronicling of Black working-class life

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