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Working-class creatives don’t stand a chance in UK today, leading artists warn

Exclusive: Analysis by the Guardian shows a third of major arts leaders were educated privately

Who is ‘working class’ and why does it matter in the arts?

Prominent figures in the arts say class is a key factor that determines who can make it in the creative industries

Amazon paid more than $1bn to take creative control of James Bond

007 stars offer mixed reactions to deal with the British-American heirs to the film producer Albert ‘Cubby’ Broccoli

James Bond producers give Amazon full creative control of 007

Deal is struck with heirs to film producer Albert ‘Cubby’ Broccoli, long-serving stewards of franchise

Why A Complete Unknown should win the best picture Oscar

Despite being freewheelin’ with the facts, this Bob Dylan biopic has delighted fans old and new, with Timothée Chalamet proving more than just a Zimmerman mimic

Get Shorty: a madcap, loving spoof of the film biz

Starring John Travolta as a loan shark who lands himself in Hollywood, this noirish satire is pure pastiche. Like its lead, it’s a sucker for the movies

‘He targeted me’: Guy Pearce says he ‘sobbed’ over Kevin Spacey encounters

The Oscar-nominated actor has said he is attempting to be more candid about his former co-star’s alleged behaviour

The Brutalist director Brady Corbet says he has made ‘zero dollars’ from the film

The multi-Oscar-nominated director has said many of his fellow contenders are experiencing similar financial difficulties

James Bond won’t die on my watch, says Austrian who wants ownership of 007

Exclusive: Property developer making trademark challenge claims the spy franchise is in mortal danger

James Bond in battle to keep hold of 007 super spy’s name

Exclusive: Dubai-based property developer is challenging trademark registrations, including the saying ‘Bond, James Bond’

Scarlett Johansson warns of dangers of AI after Kanye West deepfake goes viral

Short film falsely depicts actor and other Jewish celebrities opposing recent antisemitic remarks from pop star

Women achieve gender parity with men in US big screen lead roles for first time

Two studies find the top-grossing films of 2024 were led by female protagonists as much as by men, buoyed by the success of Wicked and The Substance

‘It’s a gut punch’: how the California wildfires affected film and TV workers

Nearly 8,000 below-the-line Hollywood workers were in evacuation areas with over 300 losing their homes, a further blow to an industry already struggling

‘They chucked her under the bus – then reversed it back over her’: has the Emilia Pérez backlash gone too far?

Karla Sofía Gascón’s precipitous fall from Oscars frontrunner to industry pariah has left many in Hollywood rethinking their tactics – and questioning their ethics

‘Pre-sales are bigger than Barbie’: Bridget Jones 4 set to break box office records – despite no US cinema release

The fourth instalment, Mad About the Boy, on course to become biggest homegrown hit of the year in the UK, but will only be available on streamers stateside

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  • ‘It’s important that Michael’s voice is heard’: Jaafar Jackson says second biopic of his uncle will cover sexual abuse allegations
  • ‘We’ll keep doing this if people pay us!’ The cast of TV hit Ghosts on making a movie – and maybe a caveman spinoff
  • Explosive births, talking foxes and the devil in a trenchcoat – the Sitges fantastic film festival in all its creepy glory
  • Spielberg’s War of the Worlds forced Americans to look in the mirror – and see the real monster
  • Actor Christina Applegate reveals she was misdiagnosed with multiple sclerosis
  • Tom Cruise’s Digger is a commercial flop – but also the perfect climate film for our time
  • Children of the Wicker Man review – how the folk-horror classic haunted the family that made it
  • RJ Mitte obituary
  • ‘Oh God, I can’t bear it’: Judi Dench says Cats film was ‘a waste of goodwill and talent’
  • All Rivers Spill Their Stories to the Sea review – stirring portrait of fishers driven to eco-activism
  • Monster Mia review – kooky kid discovers school of beastly besties in wholesome Halloween fun
  • Hollywood AI-listers: is the technology ready to rival flesh-and-blood film stars?
  • The Cycle review – forensic scientist autopsies her dad in grisly psychodrama that turns supernatural
  • Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year
  • ‘They pulled a guy’s face off. It’s my favourite bit!’ Linda Cardellini on Freaks and Geeks, Mad Men and slasher horror Crystal Lake
  • The Night Is Fading Away review – hypnotic homage to cinema as a force for public good
  • ‘We tried to levitate the Pentagon’: the almost unbelievable life of Ed Sanders, trickster god of the US counterculture
  • Pedigree chums: why the movies are killing off fewer dogs
  • ‘They were brilliant people’: fascinating film reveals a Harlem Renaissance reunion
  • Vampire Carnival review – it’s Twilight at the fairground as abs run wild in pointy-toothed tug of war
  • A Zack Snyder DC Universe might not have been such a bad thing, after all
  • ‘A beautiful dismantling of cynicism’: why Galaxy Quest is my feelgood movie
  • Ghost in the Cell review – Indonesian prison-slasher-satire contains the most unhinged punch-up in decades
  • After the Snowmelt review – a fatal disaster in a snowstorm leads to devastating act of remembrance
  • Elizabeth Holmes documentary You Can See Everything debuts with huge $15m opening weekend
  • Ali G answers his critics: ‘Me ain’t the first intellectual to get haterz’
  • Jonathan Glazer was ‘shocked into silence’ by NAZA documentary
  • 7 Miles Out review – Carol Morley’s funny-poignant self-portrait of teenage kicks in Stockport
  • Selma Blair ‘did not intend to harm anyone’ during airplane incident, representatives say
  • ‘Sometimes it’s not perfect, but it works’: film-maker Charles Burnett on his chronicling of Black working-class life

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