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Bradley Cooper’s Maestro nose is a red herring: the real story is the wrinkles

The fake schnozz has stolen the spotlight from the prosthetics which turn Cooper into an extraordinarily convincing elderly Leonard Bernstein – and remind us just how bad old-age makeup used to be

Most TV and film crews feel safety has been compromised, says survey

Survey honouring cameraman who died filming a car stunt in 2017 has found safety protocols and training need to improve

Barbie ‘contributed over £80m to the UK economy’ says Warner Bros

Hollywood studio reported figure to a parliamentary committee investigation into how to support the British film industry

African cinema has come a long way. Now we need funds and faith to unleash creativity

The success of Netflix thriller The Black Book gives a glimpse of what is possible. But the true potential of the continent’s storytellers remains untapped

The Marvels records worst ever North American opening weekend box office for MCU

Marvel Cinematic Universe’s latest superhero movie took $47m over its first three days in US and Canadian cinemas

‘A recipe for blandness’: critic Peter Biskind on why quality television is in chronic decline

The author of Easy Riders, Raging Bulls has turned his gaze from Hollywood to prestige television, arguing that a golden age of TV that began with The Sopranos has been ruined by corporate greed

Harry Potter’s stunt double: ‘Breaking my neck made a man of me’

For David Holmes, doubling for Daniel Radcliffe was a dream come true. He had been on the smash-hit series from the start, thought he’d be there till the end … and then an accident on one of the final films left him paralysed. This is what happened next

Contract for Hollywood actors includes $40m yearly in streaming bonuses

Union leaders on Friday shared details of three-year contract, on AI, wage increases, and end to racist hair and makeup practices

Warner Bros shelves completed $70m Coyote vs Acme movie

Studio decides to take $30m tax write-down by not releasing live-action/animation comedy starring John Cena

The actors’ strike is all but over. What do we know about the deal?

For 118 days, Hollywood actors were striking for a better deal and now there is a tentative end in sight

From Deadpool 3 to Wonka: how does the end of the actors’ strike affect Hollywood?

With a tentative deal ending the strike, major films prepare to rush back to production while others are freed for promotion

Hollywood stars hail actors’ union’s tentative deal with studios to end strike

Sag-Aftra union celebrates agreement of ‘extraordinary scope’ with Hollywood producers to settle historic work stoppage

Hispanic and Latino representation in film hasn’t improved for 16 years – study

USC’s Annenberg Inclusion Initiative finds that representation behind and in front of the camera remains stagnant

Re-vamped: British horror film-makers Hammer and Amicus are back from the dead

The British studios, which filled screens with bloody fangs, gothic monsters and heaving bosoms, have been resurrected for the 21st century

Global success of Barbie film drives up sales at Mattel

US toymaker says strong quarter reflects strategy to expand entertainment offering

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  • ‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent
  • Judi Dench says sight loss means she can no longer perform but she is still ‘besotted by’ Shakespeare’s sonnets
  • What Chris Rock’s film Misty Green misses about Black characters
  • In You Can See Everything, it’s Elizabeth Holmes’s partner who makes for 2026’s timeliest villain
  • ‘I’d consider replacing one of my children’: Taika Waititi on robot kids, his cheese-o-meter and Klara and the Sun
  • 860 review – Billy Crystal’s charisma powers rambling one-man play
  • Clayface review – flesh-stretching DC body horror is very gory but not very good
  • ‘A vehicle to expose prejudice, bias, and stupidity’: Sacha Baron Cohen defends Ali G as satire
  • ‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?
  • UK cinemas report ‘bonkers’ demand for documentary You Can See Everything
  • Scream review – Wes Craven meta horror remains super smart and scary 30 years on
  • Making Marie Antoinette review – sweet Coppola home movie reveals the family business
  • Ghosts: The Possession of Button House review – new levels of giddiness unleashed in spooky spin-off
  • You Can See Everything mania lifts viewership for The Dropout by 186%
  • ‘It’s important that Michael’s voice is heard’: Jaafar Jackson says second biopic of his uncle will cover sexual abuse allegations
  • ‘We’ll keep doing this if people pay us!’ The cast of TV hit Ghosts on making a movie – and maybe a caveman spinoff
  • Explosive births, talking foxes and the devil in a trenchcoat – the Sitges fantastic film festival in all its creepy glory
  • Spielberg’s War of the Worlds forced Americans to look in the mirror – and see the real monster
  • Actor Christina Applegate reveals she was misdiagnosed with multiple sclerosis
  • Tom Cruise’s Digger is a commercial flop – but also the perfect climate film for our time
  • Children of the Wicker Man review – how the folk-horror classic haunted the family that made it
  • RJ Mitte obituary
  • ‘Oh God, I can’t bear it’: Judi Dench says Cats film was ‘a waste of goodwill and talent’
  • All Rivers Spill Their Stories to the Sea review – stirring portrait of fishers driven to eco-activism
  • Monster Mia review – kooky kid discovers school of beastly besties in wholesome Halloween fun
  • Hollywood AI-listers: is the technology ready to rival flesh-and-blood film stars?
  • The Cycle review – forensic scientist autopsies her dad in grisly psychodrama that turns supernatural
  • Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year
  • ‘They pulled a guy’s face off. It’s my favourite bit!’ Linda Cardellini on Freaks and Geeks, Mad Men and slasher horror Crystal Lake
  • The reviews are in! Is You Can See Everything the greatest film ever?

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