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‘They just have to be fair’: will the actors’ strike finally come to an end?

After over 100 days on strike, with actors out of work and studios refusing to budge, the industry is waiting for a vital update

UK film and TV workers: share your experience of finding work

We want to hear from people in the UK film and TV industry about their experiences and if they’ve changed career

Harassment victims in UK film and TV face backlash after #MeToo, study finds

UK report says victims in the industry are encouraged to speak out but can then face bullying and humiliation

Spider-Man riding a T rex – it’s the injection of multiverse mayhem that Marvel needs

Drew Goddard’s much-hyped movie Sinister Six was abandoned a decade ago. Now we have the perfect opportunity to bring back the fun

North-east ‘utterly forgotten’ amid UK film and TV production boom

Leo Pearlman, cofounder of Fulwell 73, calls on government to back plans for new studio complex in Sunderland

Disney execs consider radical shake-up as crisis hits centenary celebrations

Can Bob Iger make the House of Mouse sparkle again, despite its waning cinema clout, and the huge cost of keeping up with Netflix?

‘Kate Winslet started getting emotional’: Bafta Breakthrough’s alumni look back

Since 2013, Bafta Breakthrough has paired upcoming stars with established mentors. Alumni such as Rose Ayling-Ellis and Susan Wokoma share what it was like to meet their heroes, the best piece of advice they’ve received, and how they’re managing their rising fame

Swifties flock to Leicester Square as Taylor Swift’s box office smash hits UK

The Eras Tour, filmed over three nights in California stadium, likely to become biggest grossing concert movie in history

The Snyderverse is dead. But did the DC Universe have to do it this way?

None of the stars cast by Zack Snyder will reprise their roles in future films, which rather takes for granted the time fans have invested in them

Welcome to the microplex! The hidden world of Britain’s 1,500 tiny cinemas

The film industry faces intense pressure, yet some independent cinemas are still flourishing. We meet the volunteers who are making it happen

‘A lot of catching up to do’: Hollywood writers head back to work

The end of the historic writers’ strike brings with it a rush back to the page but also an awareness of a changing industry

Hollywood writers agree to end five-month strike after new studio deal

Writers Guild of America said its members could return to work while a ratification vote takes place for fresh three-year contract

Is the Hollywood writers’ strike over? The provisional deal explained

A tentative agreement has been announced but what does it mean for the industry and the viewers?

‘Exceptional’: Hollywood writers hail tentative deal to end strike

Writers Guild of America says agreement with studios on pay and conditions ‘due to the willingness of this membership to exercise its power’

The writers’ strikes aren’t just about Hollywood – British workers like me are now out of work

The film and TV industry has always relied on financial precarity for the people who make it tick. It only takes one shock to put freelancers into hardship, says film-maker Elise Tyson

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  • Ali G: Who Iz I? review – Sacha Baron Cohen’s high-stakes satire punches up and down with spectacular bad taste
  • ‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent
  • Judi Dench says sight loss means she can no longer perform but she is still ‘besotted by’ Shakespeare’s sonnets
  • What Chris Rock’s film Misty Green misses about Black characters
  • In You Can See Everything, it’s Elizabeth Holmes’s partner who makes for 2026’s timeliest villain
  • ‘I’d consider replacing one of my children’: Taika Waititi on robot kids, his cheese-o-meter and Klara and the Sun
  • 860 review – Billy Crystal’s charisma powers rambling one-man play
  • Clayface review – flesh-stretching DC body horror is very gory but not very good
  • ‘A vehicle to expose prejudice, bias, and stupidity’: Sacha Baron Cohen defends Ali G as satire
  • ‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?
  • UK cinemas report ‘bonkers’ demand for documentary You Can See Everything
  • Scream review – Wes Craven meta horror remains super smart and scary 30 years on
  • Making Marie Antoinette review – sweet Coppola home movie reveals the family business
  • Ghosts: The Possession of Button House review – new levels of giddiness unleashed in spooky spin-off
  • You Can See Everything mania lifts viewership for The Dropout by 186%
  • ‘It’s important that Michael’s voice is heard’: Jaafar Jackson says second biopic of his uncle will cover sexual abuse allegations
  • ‘We’ll keep doing this if people pay us!’ The cast of TV hit Ghosts on making a movie – and maybe a caveman spinoff
  • Explosive births, talking foxes and the devil in a trenchcoat – the Sitges fantastic film festival in all its creepy glory
  • Spielberg’s War of the Worlds forced Americans to look in the mirror – and see the real monster
  • Actor Christina Applegate reveals she was misdiagnosed with multiple sclerosis
  • Tom Cruise’s Digger is a commercial flop – but also the perfect climate film for our time
  • Children of the Wicker Man review – how the folk-horror classic haunted the family that made it
  • RJ Mitte obituary
  • ‘Oh God, I can’t bear it’: Judi Dench says Cats film was ‘a waste of goodwill and talent’
  • All Rivers Spill Their Stories to the Sea review – stirring portrait of fishers driven to eco-activism
  • Monster Mia review – kooky kid discovers school of beastly besties in wholesome Halloween fun
  • Hollywood AI-listers: is the technology ready to rival flesh-and-blood film stars?
  • The Cycle review – forensic scientist autopsies her dad in grisly psychodrama that turns supernatural
  • Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year

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