BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Ebrahim Golestan obituary

Iranian writer and film-maker who was a prominent figure in the country’s new wave of cinema

Warner Bros studios in Leavesden to expand, creating 4,000 UK jobs

Studios behind Harry Potter films to undergo 400,000 sq ft expansion by 2027, in boost to struggling industry

Oppenheimer overtakes Bohemian Rhapsody to become biggest biopic of all time

Christopher Nolan’s film about J Robert Oppenheimer, father of the atomic bomb, has passed $912m in worldwide box-office takings

‘Studios are like ghost towns’: how Britain’s TV and film industry fell into a hole

Excitement about Netflix and Amazon’s investment has evaporated as strikes, falling ad spend and a glut of completed shows leaves crews out of work

‘Can they reincarnate me?’: Meryl Streep discusses options for Mamma Mia! 3

The multi Oscar-winner and her co-stars in the hit 2008 Abba musical have revealed their enthusiasm for a second sequel – despite Streep’s character having died

Murder, She Wrote movie version on the way

Almost a year after the death of Angela Lansbury, who starred in the highly successful TV show, a big-screen adaptation is announced

Once Upon a Time in Uganda review – celebrating the simple joy of exploding heads on film

Cathryne Czubek’s documentary about an impoverished film-maker and an American superfan veers towards a white saviour narrative but the low-budget movie mogul’s charisma wins out

‘Nothing but good fortune’: Woody Allen has warm welcome at Venice film festival

Though there was consternation over his inclusion, the director has been chased by hordes of fans wanting selfies and given a standing ovation at a screening of his 50th film, Coup de Chance

Woody Allen in Venice: #MeToo has been good for women, but cancel culture can be ‘silly’

Director attacks ‘extremes’ of movement while promoting Coup de Chance, his 50th film, at Venice film festival, as well as addressing persistent interest in historic allegations against him

Lanthimos’s Poor Things fuels speculation of sex scene’s return to cinema

Director’s latest film has more explicit scenes than almost all modern studio-backed features

Adam Driver hits out at big film studios over Hollywood strike

Ferrari star tells Venice film festival that leading studios, such as Netflix and Amazon, should support actors and writers

Barbie v Oppenheimer lures Britons back to struggling cinemas

Films’ success pushes admissions to over 17.6m in July and combined takings have passed £130m mark

Summer box office 2023: what were the big hits and misses?

It was the season of Barbenheimer but also one that saw some of the costliest flops that the industry has ever seen

Hollywood studio Lionsgate brings back mask mandate amid Covid spike

The studio behind John Wick and The Hunger Games has reinstated the use of masks after several employees tested positive for Covid-19

Cinema this autumn looks sicker, and healthier, than ever

The actors’ and writers’ strikes are worrying – but #Barbenheimer showed there’s still a large, engaged audience hungry for good movies

Post navigation

← Older posts
Newer posts →

  • Republican leader embarrassed by Ali G film says he plans to sue Sacha Baron Cohen: ‘A liar and a pervert’
  • Ali G: Who Iz I? review – Sacha Baron Cohen’s high-stakes satire punches up and down with spectacular bad taste
  • ‘Jane Austen is for everyone’: novelist Diana Reid on adapting Sense and Sensibility – and surprising Brits with her accent
  • Judi Dench says sight loss means she can no longer perform but she is still ‘besotted by’ Shakespeare’s sonnets
  • What Chris Rock’s film Misty Green misses about Black characters
  • In You Can See Everything, it’s Elizabeth Holmes’s partner who makes for 2026’s timeliest villain
  • ‘I’d consider replacing one of my children’: Taika Waititi on robot kids, his cheese-o-meter and Klara and the Sun
  • 860 review – Billy Crystal’s charisma powers rambling one-man play
  • Clayface review – flesh-stretching DC body horror is very gory but not very good
  • ‘A vehicle to expose prejudice, bias, and stupidity’: Sacha Baron Cohen defends Ali G as satire
  • ‘I’m always being real’: what on earth persuades disgraced people like Elizabeth Holmes to let the cameras in?
  • UK cinemas report ‘bonkers’ demand for documentary You Can See Everything
  • Scream review – Wes Craven meta horror remains super smart and scary 30 years on
  • Making Marie Antoinette review – sweet Coppola home movie reveals the family business
  • Ghosts: The Possession of Button House review – new levels of giddiness unleashed in spooky spin-off
  • You Can See Everything mania lifts viewership for The Dropout by 186%
  • ‘It’s important that Michael’s voice is heard’: Jaafar Jackson says second biopic of his uncle will cover sexual abuse allegations
  • ‘We’ll keep doing this if people pay us!’ The cast of TV hit Ghosts on making a movie – and maybe a caveman spinoff
  • Explosive births, talking foxes and the devil in a trenchcoat – the Sitges fantastic film festival in all its creepy glory
  • Spielberg’s War of the Worlds forced Americans to look in the mirror – and see the real monster
  • Actor Christina Applegate reveals she was misdiagnosed with multiple sclerosis
  • Tom Cruise’s Digger is a commercial flop – but also the perfect climate film for our time
  • Children of the Wicker Man review – how the folk-horror classic haunted the family that made it
  • RJ Mitte obituary
  • ‘Oh God, I can’t bear it’: Judi Dench says Cats film was ‘a waste of goodwill and talent’
  • All Rivers Spill Their Stories to the Sea review – stirring portrait of fishers driven to eco-activism
  • Monster Mia review – kooky kid discovers school of beastly besties in wholesome Halloween fun
  • Hollywood AI-listers: is the technology ready to rival flesh-and-blood film stars?
  • The Cycle review – forensic scientist autopsies her dad in grisly psychodrama that turns supernatural
  • Secrets, lies and a shock A-list cameo: how You Can See Everything became the film of the year

Contact www.brillfilms.com   Terms of Use