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Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror

The once-lauded director of Black Swan and The Wrestler has drowned himself in AI slop with an embarrassing new online series

‘This train isn’t going to stop’: shocking Sundance film shows promises and perils of AI

The AI Doc: Or How I Became an Apocaloptimist, co-directed by Daniel Roher, delves into the world of AI through the lens of personal anxiety

Mercy review – Chris Pratt takes on AI judge Rebecca Ferguson in ingenious sci-fi thriller

It is the year 2029 and an LA cop finds himself accused of murdering his wife. He has 90 minutes to clear his name before robo-justice sends him down

Cosmic Princess Kaguya! review – trippy anime adapted from Japanese folk dives into virtual reality popworld

Emojis explode all over the screen in this hyperactive adaptation of a Japanese folk tale about a princess who has run away from the moon

Matthew McConaughey trademarks ‘All right, all right, all right’ catchphrase in bid to beat AI fakes

The Oscar winner intends to combat misuse of the famous line from Dazed and Confused by creating ‘a clear perimeter around ownership’

Clickbait review – gripping drama about the human cost of moderating the internet

A social media content moderator becomes obsessed with a violent video in this restrained, unsettling workplace thriller starring Lili Reinhart

‘Move fast, break stuff’: how tech bros became Hollywood’s go-to baddie in 2025

From Stanley Tucci’s imperious tech titan to Lex Luthor’s distractingly hot CEO and Elon Musk-esque blowhards, films this year took us inside the billionaire mindset

UK actors vote to refuse to be digitally scanned in pushback against AI

Equity says vote signals strong opposition to AI use and readiness to disrupt productions unless protections are secured

Oscars to move over to YouTube starting in 2029

Exclusive global rights to the year’s biggest night in film will move to the video platform for a four-year period

Amanda Seyfried says she will not apologise for calling Charlie Kirk ‘hateful’ after his shooting

The Housemaid actor received backlash in September when she left a comment on Instagram after the rightwing activist was killed

Disney to invest $1bn in OpenAI, allowing characters in Sora video tool

Agreement comes amid anxiety in Hollywood over impact of AI on the industry, expression and rights of creators

James Cameron says AI actors are ‘horrifying to me’

Avatar director, known for his advocacy of new technology, told interviewer generative AI performance puts ‘all human experience into a blender’

‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor

Amy Redford thanks fans for ‘love and support’ but takes issue with ‘AI versions of funerals, tributes and quotes from members of my family that are fabrications’

Mind the glitch: is Hollywood finally getting to grips with movies about artificial intelligence?

As Gore Verbinski’s AI-apocalypse film Good Luck, Have Fun, Don’t Die hurtles towards us, it’s clear from the over-caffeinated trailer that we won’t be getting another ponderous parable about robot souls, digital enlightenment or the hubris of man

Rule Breakers review – rousingly feelgood real life story of Afghan girls’ robotics team

This story of emancipated young women escaping draconian social strictures brims with enthusiasm and features a cameo from Phoebe Waller-Bridge

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← Older posts

  • Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
  • Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
  • Anti-ICE protests, brilliance by Bieber and the Dalai Lama’s first win: the 10 biggest moments at the 2026 Grammys
  • Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
  • Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran
  • ‘Endlessly quotable’: why Wayne’s World is my feelgood movie
  • Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller
  • Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage
  • ‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein
  • Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people
  • Steven Spielberg becomes an Egot after winning Grammy for John Williams documentary
  • Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western
  • Melania film earns $7m in US, strongest documentary debut in over a decade
  • Dozens of historic Maseratis recreated for movie about Italian car company
  • Catherine O’Hara obituary
  • ‘One of the greatest comic talents’: tributes paid to actor Catherine O’Hara
  • Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’
  • ‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
  • From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead
  • ‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars
  • I endured the Melania film so you don’t have to – my only regret is not buying popcorn so one of my senses was entertained
  • Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
  • Catherine O’Hara managed to make difficult characters utterly delightful
  • Catherine O’Hara, actor known for Home Alone and Schitt’s Creek, dies aged 71
  • Melania review – Trump film is a gilded trash remake of The Zone of Interest
  • Jayasree Kabir obituary
  • Displacement Film Fund review – Cate Blanchett masterminds short film collection that brims with life and intensity
  • First stills from Sam Mendes’ four-part Beatles film released in Liverpool
  • Groundbreaking director Reginald Hudlin: ‘It’s taken a lot of effort but the reward is always worth it’
  • Eggs, hats and unfettered ambition: what we learned about Melania Trump from her documentary

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