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James Cameron says AI actors are ‘horrifying to me’

Avatar director, known for his advocacy of new technology, told interviewer generative AI performance puts ‘all human experience into a blender’

‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor

Amy Redford thanks fans for ‘love and support’ but takes issue with ‘AI versions of funerals, tributes and quotes from members of my family that are fabrications’

Mind the glitch: is Hollywood finally getting to grips with movies about artificial intelligence?

As Gore Verbinski’s AI-apocalypse film Good Luck, Have Fun, Don’t Die hurtles towards us, it’s clear from the over-caffeinated trailer that we won’t be getting another ponderous parable about robot souls, digital enlightenment or the hubris of man

Rule Breakers review – rousingly feelgood real life story of Afghan girls’ robotics team

This story of emancipated young women escaping draconian social strictures brims with enthusiasm and features a cameo from Phoebe Waller-Bridge

Matthew McConaughey and Michael Caine sign voice deal with AI company

The voices of the Oscar-winning actors can now be used to create AI-generated versions in a new deal with ElevenLabs

AI models may be developing their own ‘survival drive’, researchers say

Like 2001: A Space Odyssey’s HAL 9000, some AIs seem to resist being turned off and will even sabotage shutdown

‘Have we done ourselves out of a job?’: concerns in film and TV industry over on-set body scanning

Actors unclear on rights over their data and what it will be used for, as cast and crew alike fear for future of their roles

Equity threatens mass direct action over use of actors’ images in AI content

Union says growing numbers of its members have made complaints about infringements of copyright in AI material

‘AI is here to stay and change things’: Mad Max director George Miller on why he is taking part in an AI film festival

The director believes AI has made film-making ‘way more egalitarian’ – and is set to lead the judges at Omni AI film festival in Australia

Robin Williams’ daughter Zelda hits out at AI-generated videos of her dead father: ‘stop doing this to him’

Film-maker tells the public to stop sending her videos, saying: ‘You’re not making art, you’re making disgusting, over-processed hotdogs out of the lives of human beings’

Amazon drops gun-free James Bond poster artwork from Prime Video streaming site

After a backlash from fans and media outlets branding Bond ‘woke’ the offending artwork has been removed from sites and replaced with stills – that are also ‘gunless’

The Guardian view on Tilly Norwood: she’s not art, she’s data

Editorial: The first 100% AI actor is a cause for alarm. But the human connection of great acting can never be replaced

The AI ‘actor’ Tilly Norwood is a symptom of blandified film culture. We need a return to reality

The industry should refuse to work with these uncanny figures, which plagiarise the performances of generations of actors

‘It’s too late to be scared’: readers on the controversial rise of AI ‘actors’

The birth of AI ‘actor’ Tilly Norwood has caused a backlash in Hollywood and has sparked conversation from Guardian readers

Emily Blunt and Sag-Aftra join film industry condemnation of ‘AI actor’ Tilly Norwood

US actors’ union joins stars in opposition to Norwood, which it says was created ‘using stolen performances’

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← Older posts

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  • Steve Cropper obituary
  • ‘A joyous and emotional journey’: immersive exhibition charts Coventry’s south Asian heritage
  • Five Nights at Freddy’s 2 review – inept game-based horror is one of the year’s worst
  • Tom Felton: ‘I agree with Barbie – blonds have more fun’
  • TV Tonight: celebrating two of the best Christmas films ever
  • ‘It was legs out all the time!’ June Squibb on starring in Scarlett Johansson’s directing debut – and Broadway’s original Gypsy
  • Oh. What. Fun. review – Michelle Pfeiffer leads Amazon’s underbaked Christmas turkey
  • Mr Men and Little Miss feature film in the works from Paddington producers
  • It Was Just an Accident review – Jafar Panahi takes us on a nightmare trip into a land of bribes and brutality
  • Jamie Lee Curtis asked My Girl studio to put trigger warning on poster over Macaulay Culkin bee sting
  • Sunset Boulevard review – Hollywood never looked more glorious or more tragic
  • Quentin Tarantino has strong opinions about Paul Dano and none of them are right
  • Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight
  • ‘BDSM on screen used to just mean a gimp in the basement’: the kink community’s verdict on Pillion
  • One Battle After Another gains Oscars traction after early awards season wins
  • Jodie Foster, who began her career aged three, calls acting ‘a cruel job’ she never would have chosen
  • ‘He asked me what I’d done sexually with a woman’: how Joy Gharoro-Akpojotor turned her asylum grilling into a film
  • Anne Hathaway and Michaela Coel face off in first trailer for pop star epic Mother Mary
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • The Outsiders: why Francis Ford Coppola’s coming-of-age drama is secretly gay
  • Prime Minister review – portrait of Jacinda Ardern shows a fully human being in charge for once
  • Magazine Dreams review – powerful bodybuilding drama dogged by star Jonathan Majors’ assault conviction
  • Folktales review – taking on tyranny of social media as teens learn to live like hunter-gatherers
  • Dreamers review – deep sense of empathy powers emotionally vivid refugees’ drama
  • British public’s verdict is in: Die Hard is not a Christmas movie
  • Scarlett Johansson says she was pressed to remove Holocaust narrative from directing debut
  • Marty Supreme review – Timothée Chalamet a smash in spectacular screwball ping-pong nightmare

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