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‘You can make really good stuff – fast’: new AI tools a gamechanger for film-makers

Instead of spending millions and taking years to complete, creative directors are producing high-grade work using the latest software, but critics voice copyright concerns

Watch the Skies review – see the lips move in alien abduction sci-fi with pioneering AI

This nicely put together Swedish UFO throwback is notable for its early use of ‘vubbing’ – using tech to match lip movements to new English dialogue. What’s coming next?

M3gan 2.0 review – hit-and-miss sequel replaces horror with action comedy

A solidly made and passably entertaining follow-up to the viral doll hit tries to swerve the franchise into summer blockbuster territory with mixed results

Aaron Sorkin’s The Social Network sequel officially in development

Oscar-winning writer returns to subject of his 2010 hit for follow-up based on Wall Street Journal series on Facebook

‘We were all pretty privileged’: Allison Williams on Girls, nepo babies and toxic momfluencers

She made her name in Lena Dunham’s landmark series, then starred in Get Out. As she returns in M3gan 2.0, the sequel to the hit horror about a murderous AI doll, she talks about parenting in an age of smartphones, Botox and her famous father

‘Have you heard of this BDSM trend?’ What I learned recording thousands of hours of teens on their phones

When documentary-maker Lauren Greenfield immersed herself in the online and offline lives of 25 teenagers, she unearthed a world of sexually explicit images, rape culture, bullying and suicidal ideation. Adolescence, she says, has become like the wild west

Disney and Universal sue AI image creator Midjourney, alleging copyright infringement

Studios accuse AI firm of ‘piracy’ and seek injunction over alleged use of copyrighted characters

Unstoppable force loses battle with immovable object: Elon bows to Trump

Four days into a public feud between the world’s most powerful person and the world’s richest person, I declare Musk the loser

AI plundering scripts poses ‘direct threat’ to UK screen sector, says BFI

Film institute’s report raises fears AI will eliminate junior roles in film, TV, video game and special effects industries

America’s infatuation with boy geniuses and ‘Great Men’ is ruining us

We’re obsessed with narratives about powerful men and how they got that way. But our mania for founder myths obscures an ideology of inequality

Luca Guadagnino set to direct fact-based drama about OpenAI

Challengers director in talks to direct Artificial, film based on behind-the-scenes 2023 drama involving Sam Altman

Video stars: the booming VJ scene localising Hollywood films for Ugandans

Part-interpreters, part-comedians, video jockeys translate and contextualise western movies for audiences at home

‘Nobody wants a robot to read them a story!’ The creatives and academics rejecting AI – at work and at home

Is artificial intelligence coming for everyone’s jobs? Not if this lot have anything to do with it

WTF with Marc Maron is ending. Here are five of the podcast’s best interviews

After nearly 16 years the veteran standup comic is calling time on the show that redefined podcasting

Sean Penn says he’d work with Woody Allen again ‘in a heartbeat’

The actor, who was speaking on The Louis Theroux Podcast, also cast new light on his meeting with former Syrian president Bashar al-Assad, and had harsh comments on both Donald Trump and Elon Musk

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  • Rocky review – 50 years on, Stallone’s boxer remains a exhilaratingly gritty contender
  • Being Heumann to Avedon: the seven best films to watch on TV this week
  • Elke Sommer obituary
  • John Leeson obituary
  • The downfall of Russell Brand: from Big Brother and Hollywood to convicted rapist
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Merry Christmas Aubrey Flint review – Dickensian festive Britpic decorated by selection box of familiar faces
  • Amazing Grace review – blazing Hannah Walters struggles to save a lonely caller at the end of his tether
  • Judi Dench says Daniel Craig ordered her death. James Bond just got a lot scarier
  • Peter Medak obituary
  • China’s first AI-generated film is a flop. Some still see it as the future of cinema
  • Best TV shows and movies streaming in Australia this month
  • Mum, I’m Alien Pregnant review – slime and silliness in amusing New Zealand comedy horror
  • Andrew Scott drama Elsinore leads British independent film award nominations
  • ‘His voice was too queer – so they silenced him’: how Spain’s national poet Lorca finally became a gay icon
  • Ghost Town review – the phantoms and lost souls haunting a Japanese city after the 2011 earthquake
  • Carrie at 50: Brian De Palma’s fiery masterpiece still has the power
  • Manipulation review – preposterous Da Vinci Code-esque thriller like being trapped in a Ferrero Rocher ad
  • New Group review – schoolkids build human pyramids in bizarre Japanese horror-satire on conformity
  • Dustin Hoffman says filming The Graduate was ‘a terrible experience’ due to Mike Nichols’ ‘sadism’

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