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Seeking Mavis Beacon review – tracking a Black female tech icon, who didn’t exist

Documentary investigates the whereabouts of the model who played an influential corporate character, as well as the relationship between race and technology

US media stocks slide on Wall Street after Trump threatens movie tariffs

Netflix, Amazon, Warner Bros Discovery and Paramount shares fall as studios reel from announcement

Cloud review – bizarre internet action thriller descends into hail of bullets

Kiyoshi Kurosawa’s baffling crime farrago follows a cyber fraudster pursued by an angry gang of disappointed shoppers

Private Footage review – found-footage study of apartheid takes the split-screen route

Director Janaína Nagata places her own internet research into South African history side by side with the vintage 16mm home movie footage that inspired it

Which celebrities are lying about their height? This website’s done the research

On Celebheights.com, thousands of users measure the statures of the rich and famous. The methods are scientific and the debates are fiery

David Cronenberg says Brutalist AI controversy was a ‘campaign against’ the film by rival Oscar nominees

The director was discussing the row over Adrien Brody’s AI-enhanced Hungarian accent, saying ‘we mess with actors’ voices all the time’

The Thinking Game review – DeepMind study offers wide-lens view of our tech lords and AGI

Director Greg Kohs uses every tool in the editing palette to explain how Artificial General Intelligence (as differentiated from Artificial Intelligence) works

Twins! Rivals! Clones! Hollywood is doubling down on dual roles

Robert Pattinson, Robert De Niro and Michael B Jordan are all pulling double duty in their new films and that’s just the start

What are smartphones stealing from us? When mine was taken away, I found out

As a Paris film extra, I surrendered my device and discovered the extraordinary connections I miss while staring at my screen

First, catch your (CGI) dragon: hope that visual effects breakthrough can reanimate UK film industry

Pioneering startup technology allows camera operators to see on-screen graphics while filming in real world, rather just imagining them

Sora, OpenAI’s video generator, has hit the UK. It’s obvious why creatives are worried

The technology, just released in Europe and the UK, clearly has the potential to transform the film, TV and advertising industries

OpenAI launches Sora video generation tool in UK amid copyright row

‘Sora would not exist without its training data,’ said peer Beeban Kidron, citing ‘another level of urgency’ to debate

UK ministers consider changing AI plans to protect creative industries

Exclusive: partial climbdown over use of work protected by copyright considered after intense lobbying by top artists

Cold Wallet review – blackly comic revenge fable goes into crypto’s corrupt heart

Fickle financial dealings leave a man and his friends in debt, prompting them to go in search of the slippery crypto king responsible and hold him to account

Bond fans shaken over $1bn Amazon franchise takeover

Megafans fear tech company’s deal could mean an end to the films’ unique characteristics

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  • Rocky review – 50 years on, Stallone’s boxer remains a exhilaratingly gritty contender
  • Being Heumann to Avedon: the seven best films to watch on TV this week
  • Elke Sommer obituary
  • John Leeson obituary
  • The downfall of Russell Brand: from Big Brother and Hollywood to convicted rapist
  • Raise the Red Lantern review – Gong Li gives a decade-defining performance in an addictively ruthless masterpiece
  • I Play Rocky review – Anthony Ippolito adds knockout sweetness to the story of Stallone’s Hollywood triumph
  • Jimmy review – simple-minded James Stewart biopic is too straightforward
  • Think of England review – far-fetched tale of state-sponsored second world war porn turns deadly serious
  • Being Heumann review – stirring biopic of a pioneering disability rights campaigner
  • A Dog’s Perfect Christmas review: Netflix kicks off holiday movie season with a whimper
  • Tinto Brass, director of Caligula and maestro of Euro erotica, dies aged 93
  • ‘He lent me his RSC Oberon cape for my school play’: Patrick Stewart remembered by readers
  • Ramayana: Rise of a Legend review – India’s most expensive film ever becomes spectacular, huge-scale epic
  • Callum Turner emerges as James Bond favourite as Pierce Brosnan endorses actor: ‘He’s so strong’
  • Crawlers review – killer-spiders movie offers giant-arachnid action alongside anticapitalist commentary
  • Merry Christmas Aubrey Flint review – Dickensian festive Britpic decorated by selection box of familiar faces
  • Amazing Grace review – blazing Hannah Walters struggles to save a lonely caller at the end of his tether
  • Judi Dench says Daniel Craig ordered her death. James Bond just got a lot scarier
  • Peter Medak obituary
  • China’s first AI-generated film is a flop. Some still see it as the future of cinema
  • Best TV shows and movies streaming in Australia this month
  • Mum, I’m Alien Pregnant review – slime and silliness in amusing New Zealand comedy horror
  • Andrew Scott drama Elsinore leads British independent film award nominations
  • ‘His voice was too queer – so they silenced him’: how Spain’s national poet Lorca finally became a gay icon
  • Ghost Town review – the phantoms and lost souls haunting a Japanese city after the 2011 earthquake
  • Carrie at 50: Brian De Palma’s fiery masterpiece still has the power
  • Manipulation review – preposterous Da Vinci Code-esque thriller like being trapped in a Ferrero Rocher ad
  • New Group review – schoolkids build human pyramids in bizarre Japanese horror-satire on conformity
  • Dustin Hoffman says filming The Graduate was ‘a terrible experience’ due to Mike Nichols’ ‘sadism’

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