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Documentary producers release new ethical AI guidelines for film-makers

Controversies over AI-generated material spurred release of guidelines addressing transparency and historical accuracy

‘You’re part of the tornado’: the summer of moviegoing game-changer 4DX

The immersive theatrical experience, which sees your seat move, shake and often spray water, has seen a record summer

AfrAId review – throwaway AI-themed horror devoid of suspense

A sinister Alexa upgrade exerts control on California family in an increasingly nonsensical attempt to capture the moment

Seeking Mavis Beacon: the search for an elusive Black tech hero

New documentary looks for a woman who was synonymous with typing in the 80s and 90s, with surprising results

Milk & Serial: the vicious, viral $800-budget horror that’s free to watch

Found-footage horror about YouTube pranksters turns into an online phenomenon, giving its star and creator a Hollywood inroad

The Hypnosis review – watch-through-your-hands squirmfest as woman loses inhibitions

A big-money business pitch is threatened when a tech entrepreneur’s unpredictable inner child is unleashed after hypnotherapy

Dìdi is a rare thing: a genuinely great film about the internet

The online hyper-specificity of Sean Wang’s portrait of a Taiwanese-American teen in 2008 makes it a triumphant coming-of-age tale

‘Hold on to your seats’: how much will AI affect the art of film-making?

The future is here, whether some like it or not, and artificial intelligence is already impacting the film industry. But just how far can, and should, it go?

Coma review – vital signs are weak in Bertrand Bonello’s mopey lockdown drama

There are stabs of the same fear that made The Beast fascinating, but this tale of a bored teenager in a scary, affectless future is too unfocused

Scarlett Johansson says OpenAI’s Sam Altman would make a good Marvel villain after voice dispute

Actor, who claimed ChatGPT update used an imitation of her voice, says she declined to provide her own as ‘it went against my core values’

I may be in my 90s, but I’m not sure I want Hollywood to ‘de-age’ me like Tom Hanks

Yes, with the help of AI, I could play Juliet or go on Naked Attraction. But wouldn’t something be lost in the process? says actor and writer Sheila Hancock

Uncanny Me review – exploration of cloning tech fraught with moral and ethical questions

Creating a 3D avatar to increase a model’s income brings up all sorts of issues, but this documentary seems uninterested in addressing them

‘The disruption is already happening!’ Is AI about to ruin your favourite TV show?

It won’t be long till everything from Drag Race to Keeping Up With the Kardashians could be written without humans – and you might be able to write yourself as the hero of a new show. But will robot TV ever be up to snuff?

Eternal You review – thought-provoking look at new AI product for the grieving

Disturbing documentary explores tech’s questionable ability to bring digital ‘comfort’ to the bereaved

Cheap AI voice clones may wipe out jobs of 5,000 Australian actors

Industry group says rise of vocal technology could upend many creative fields, including audiobooks – the canary in the coalmine for voice actors

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  • Brigitte Bardot auction in Paris fetches nearly €1m, with proceeds going to her animal welfare foundation and her son
  • Moviegoer using phone during film pepper-sprayed in LA, police say
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes
  • ‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
  • Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
  • Readers reply: what would be the most useful superpower?
  • ‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza
  • 50 Years of Punk review – rock’n’roll rebels fondly recall the filth and fury a half-century on

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