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Please stop using AI to make Wes Anderson parodies

A recent online trend has seen users mock up Harry Potter, Star Wars and Lord of the Rings in the director’s distinctive style but is he beyond parody?

The Guide #84: Why movies made by artificial intelligence won’t be the future of film

In this week’s newsletter: Surely we go to the cinema to be jolted and discomfited by someone else’s ideas – not to see ourselves in easy meetcute rom-coms with Marilyn Monroe

The Artifice Girl review – talky AI sex-crime drama asks the big questions

This debut feature aims to dissect the ethical dilemma surrounding our use of artificial intelligence, but can’t translate ideas into a cogent argument

Can an AI program really write a good movie? Here’s a test

The increasing sophistication of programs like ChatGPT has led to unease over the future of film-making. What happened when we gave it a chance?

‘Of course it’s disturbing’: will AI change Hollywood forever?

With the rise of AI-led services to write, voice and provide effects, industry experts express concern over the future

Money Shot: The Pornhub Story review – doc can’t find a point of view

Portrait of the colossally successful pornography website dithers between its defenders and critics and doesn’t really tell us much

My kids often baffle me. But at least we agree on subtitles

Research suggests young people use subtitles more than their elders. I suspect this reflects their love of text – and the vagaries of today’s sound designers, writes Adrian Chiles

‘We’re not taking care of it’: why film preservation should be prioritized

A new documentary acts as a cautionary tale urging us to be more aware of how we store and preserve what we film and watch

Just nine out of 116 AI professionals in key films are women, study finds

Report says pattern seen in films such as Ex Machina risks contributing to lack of women in tech

‘We’re going through a big revolution’: how AI is de-ageing stars on screen

Stars like Tom Hanks and Harrison Ford are being rendered younger digitally but voices in the industry express concern about where we might be heading

Mumbling actors, bad speakers or lazy listeners? Why everyone is watching TV with subtitles on

Subtitles aren’t just for the hard of hearing, with Netflix reporting 40% of its viewers regularly use them. But do we just enjoy them or is there a more annoying reason?

The Wandering Earth II review – blockbuster Chinese sci-fi prequel veers off course

Frant Gwo’s follow-up to his 2019 mega-hit favours special effects and set pieces over performances, as the human race battles for survival

M3gan review – girlbot horror offers entertaining spin on teenage growing pains

Cheekily enjoyable chiller where a devastated girl seems saved by an eerily self-possessed robot companion – but all is not as it seems

Avatar: The Way of Water review – a soggy, twee, trillion-dollar screensaver

Thirteen years in the making, James Cameron’s insipid, overlong followup to his sci-fi record-breaker is a very expensive beached whale

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  • Terry Cox obituary
  • ‘We got cancelled and we’re still here!’ Michael Patrick King on The Comeback – and why And Just Like That will age well
  • Fuze review – Theo James and Aaron Taylor-Johnson face off in head-spinning London heist
  • Why do this spring’s blockbusters feel so smug?
  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Bone Keeper review – there’s a critter in the caves in serviceable Brit horror
  • Let’s get metaphysical! Existentialist cinema is back, if anyone cares
  • What’s new to streaming in Australia in April: Half Man, The Audacity and Beef returns
  • The Super Mario Galaxy Movie review – bland screensaver of a movie that’s actually worse than AI
  • Smiley Face: finally, a stoner comedy for the girls who get overstimulated at the supermarket
  • From the phone to the plex: why TV shows are turning into movies
  • The Drama review – Zendaya and Robert Pattinson’s controversial wedding film delivers on its promise
  • Ghost Killer review – fantastic karate chopping and gunslinging in in supernatural action-comedy
  • Two Women review – sex comedy remake is French-Canadian answer to Confessions of a Window Cleaner
  • James McAvoy: ‘I’ve been “that Scottish person”, reduced to a noise that comes out of my mouth’
  • Corey Feldman speaks out about Rob Reiner Oscars tribute snub: ‘Like a family reunion I wasn’t invited to’
  • McCartney: The Hunt for the Lost Bass review – amiable tale of how Macca’s Höfner was finally found
  • Mary Beth Hurt, star of Interiors and The World According to Garp, dies aged 79
  • Rob Schneider calls on US to restore military draft
  • ​​Being Ola review – a sweet and gentle film about disability, friendship and abandonment
  • ‘Nostalgic glint of adventure’: why The Beach is my feelgood movie
  • Night Stage review – public sex enthusiasm the key to extravagant and subversive erotic thriller
  • Q review – freedom, lies and transgressions in emotional fallout from a secretive Muslim women’s movement
  • Kim Novak says Sydney Sweeney is ‘totally wrong to play me’ in biopic
  • Shaun Micallef: ‘Charlie Pickering said that’s the only thing keeping him going – to vanquish me’
  • From The Magic Faraway Tree to 5 Seconds of Summer: your complete entertainment guide to the week ahead
  • ‘Break your silence’: Jane Fonda leads rally against Trump crackdown on arts and media
  • Robert Fox obituary
  • The Guardian view on new musicals: sex, drugs and song ‘n’ dance
  • Post your questions for Paul Dano

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