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‘It’s kind of a tragedy’: behind the battle for power at Uber

In the new series Super Pumped, Joseph Gordon-Levitt brings ‘ruthless’ Uber co-founder Travis Kalanick to life along with his extreme highs and lows

#OscarsFanFavorite: how the Academy’s plea for popularity fell into chaos

In an attempt to lure more viewers to the increasingly unwatched Oscars ceremony, a hashtag award has been introduced and quickly transformed into a circus

‘Catfishing on a whole other level’: the shocking story of the Tinder Swindler

The Netflix documentary unravels the financial and emotional cons of Simon Leviev, who scammed women who thought he was their friend or boyfriend

Belle review – anime that makes for an intriguing big-screen spectacle

This weird postmodern drama sees a lonely teenager join a virtual world where she becomes a hugely successful singer

Why the climate-wrecking craze for crypto art really is beyond satire

Critics attacked Don’t Look Up for being over the top. But bidding millions for NFTs is even more ridiculous

On my radar: Anne-Marie Imafidon’s cultural highlights

The mathematician and Countdown presenter on Caribbean comfort food, a podcast for millennials and her owl-shaped bestie

From stand-in stars to tech titans: The Observer’s faces to watch in 2022

We look at who will be making headlines this year, in both a positive and negative light

Two decades after The Matrix came out, we’re still asking: ‘Is this really happening?’

The Wachowskis’ 1999 film anticipated – and changed – the contemporary world that we’re trapped in today, says film writer Brian Raftery

On my radar: Tanya Moodie’s cultural highlights

The Motherland actor on shouting at the television, the memoir she couldn’t put down, and the street food she can’t get enough of

The Home Alone house is on Airbnb. Sounds like a trap

Just how lucky will the guests who get to stay at the McCallister house later this month be? I foresee trouble

Resident Evil: Welcome to Raccoon City review – unpretentiously gory horror-game reboot

The long-running franchise is back with a reasonably entertaining 90s-set story of the emergence of a zombie virus

Scorsese producer to make first Hollywood movie funded by NFTs

Niels Juul hopes to raise up to $10m and says he wants to ‘democratise’ antiquated funding system

More is less? What it’s like to watch an Imax movie at home

Disney+ has added enhanced Imax versions of a selection of Marvel adventures but does it make a shred of difference?

A whole new world: Disney is latest firm to announce metaverse plans

Entertainment company plans to ‘connect the physical and digital worlds … allowing for storytelling without boundaries’

So that’s how you do an eating scene! How TikTok swallowed the movies

The film side of TikTok has plenty of spoofs. But our writer prefers the critics, the metal-jawed burger-biting machine – and the effects experts revealing how to make a camera crew vanish into thin air

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  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes
  • ‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
  • Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
  • Readers reply: what would be the most useful superpower?
  • ‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza

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