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The Story of Film: A New Generation review – invigorating study of 21st century cinema

Critic and film-maker Mark Cousins offers a new instalment in his monumental Story of Film series, examining what digital technology has brought to the table

Sweat review – the loneliness of the social media influencer

Magnus von Horn’s contrived Polish drama about a fitness guru promises more in shock and character than it delivers

George RR Martin, console-less games and a Final Fantasy fail: the biggest news from E3 2021

This year’s online-only E3 video game expo was hardly the usual explosion of blockbuster games, but there were still some standout stories

How we made Short Circuit, by Steve Guttenberg and John Badham

‘A producer said: “Great – but can he dance?” So we got him to move like John Travolta in Saturday Night Fever’

A view to a killing: how Amazon will exploit Bond and other MGM classics

The pay-TV giant has the chance to turn popular films into ‘universes’ of stories – and steal a march in the content-hungry streaming wars

Sony Movie Channel has been renamed Great! But how? And why?!

Sony’s Freeview TV staple has a new name, with an exclamation mark to show how exciting it is! What’s the thinking behind the rebrand? And who’s watching?

Overshare: are there any good films about social media?

From Mainstream to Profile to Sweat, three films released this summer attempt the rare feat of capturing the experience of being online in a hyper-connected world

Amazon in talks to buy Hollywood studio MGM for $9bn

The film company, which owns the James Bond franchise, had held talks with Netflix and Apple

Space race 2: Russian actor bound for ISS in same month as Tom Cruise

Hollywood star is aiming to be first to shoot a feature film in space, but Russia has launched rival bid

Films shot on smartphones herald new age for cinema, say directors

London’s first international festival for movies made on mobiles will celebrate innovation, diversity and access

Historian fights to establish William Friese-Greene as true father of cinema

On the centenary of his death, admirers hope to win recognition for the Bristol photographer’s motion picture camera

Threshold review – road trip out of hell in iPhone horror

A brother and sister try to escape a satanic spell in this cruddy horror story shot entirely on iPhones

Auggie review – watchable hi-tech satire doesn’t quite know what to say

Richard Kind is compelling as the retiree seduced by a VR ‘companion’, but the film fails to do much with its rather familiar premise

Infinitum: Subject Unknown review – solo time-loop echoes lockdown vexation

This iPhone-shot sci-fi drama with cameos from Ian McKellen and Conleth Hill is impressively realised, though the plot ultimately frustrates

Selfie review – droll Gallic eye on slaves to the algorithm

Online metrics are pillow talk, and digital secrets go public in this tragicomic portmanteau of five stories about our relationship with technology

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  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
  • American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
  • Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods
  • Tell us: has Christopher Nolan’s The Odyssey stoked your interest in classics and poetry?

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