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Hacker sentenced to prison for role in Jennifer Lawrence nude photo theft

George Garofano, 26, one of four charged over illegal hacking of American actor and other celebrities

The Observer’s ultimate guide to autumn culture

A musical Twelfth Night, Michelle Obama’s memoirs and the last ever gig by Ennio Morricone: our critics preview the new season

Lights, camera, automation: should robots replace human actors?

American History X director Tony Kaye has revealed that his next film will star an AI actor, a groundbreaking move but one that fits in with a history of transhumanism on screen

Do you trust your computer? New film explores perils of technology

Chris Paine’s documentary looks at the potential dangers of our intimate relationship with smartphones and laptops

American History X director Tony Kaye to cast robot as lead actor in next film

The film-maker will hire an AI actor for his new project 2nd Born in the hope it will receive recognition by the Screen Actors Guild

The fantastical world of Studio Ghibli – podcasts of the week

A new series on the Japanese studio is perfect for superfans and novices alike, while another pod explains how Pizza Hut saved Donald Trump’s career

How Marvel film director James Gunn was demonised by the alt-right

The Guardians of the Galaxy director was fired after old, offensive tweets came to light. But who was behind the revelations, asks film journalist Seb Patrick

Anne Hathaway attacks ‘white privilege’ after death of black teenager in California

Actor posts picture of Nia Wilson on Instagram and condemns ‘inaction’ of white Americans

Gwyneth Paltrow might drive you mad. But that’s all part of her plan

Goop skilfully monetises the ‘cultural firestorms’ it generates, says Guardian columnist Gaby Hinsliff

Was James Gunn the first undeserving victim of Hollywood’s new zero-tolerance policy?

The director of the first two Guardians of the Galaxy films was dismissed from the third movie after outrage over bad-taste Twitter jokes he made between 2008 and 2011. Did he deserve to go – or was it a witch-hunt?

Jurassic Jeff should have stayed on the internet – where he belongs

The installation of a huge statue of Jeff Goldblum by the Thames has turned a funny meme into a crass publicity stunt, says commissioning and communities editor Elle Hunt

Unfriended: Dark Web review – cyber sequel traffics in digital cruelty

A low-budget follow-up to the 2014 horror, taking place entirely on a laptop screen, isn’t always convincing but boasts some inventive suspense

Nicolas Winding Refn: ‘Cinema is dead. And now it is resurrected’

The maverick director says he has seen the future of the movies – and it’s in the ‘inspirational’ streaming website that he has devised

Why are memes of black people reacting so popular online?

The trend for ‘digital blackface’ – from the Fleetwood Mac marching band to unimpressed Viola Davis – is more problematic than you think

Tau review – Gary Oldman is an evil Alexa in another Netflix sci-fi disaster

The recent Oscar winner lends his voice to a moronic thriller about a woman trapped by artificial intelligence, which sits alongside other genre missteps on the streaming platform

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  • The Stranger review – lustrously beautiful and superbly realised modern take on the Camus classic
  • Slither review – James Gunn’s Troma-style comedy horror debut gets a reboot for reputational glow-up
  • The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers
  • Noel Chanan obituary
  • ‘The original triple threat’: two exhibitions celebrate Marilyn Monroe as creative pioneer
  • Dracula review – Romania’s most reliable export is focus of knockabout cut-up satire
  • House of Gloss review – tender portrait of a young trans couple finding refuge in new kind of family
  • ‘I still think it’s one of the great films of all time’: All the President’s Men turns 50
  • Monica Barbaro: ‘Yesterday I went home thinking I’m a terrible actor and they’re finding out’
  • Artemis II’s Jeremy Hansen calls Project Hail Mary ‘a real treat’ before his space mission
  • Mary Beth Hurt obituary
  • From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead
  • Justin Baldoni’s lawyer says defendants are ‘very good people’ as Blake Lively lawsuit narrows
  • Supergirl: the new trailer suggests that the DC Universe has an intriguing trick up its sleeve
  • Weapons to Sexy Beast: the seven best films to watch on TV this week
  • ‘It’s the year of gay Brazilian cruising!’ The makers of Night Stage on public sex and their ‘deranged erotic thriller’
  • Federal judge throws out most of Blake Lively’s claims against Justin Baldoni
  • ‘Curated chaos’: Danny Boyle on the ‘pop culture spectacular’ he’s bringing to London’s Southbank Centre
  • Killer rabbits, bunny boilers and the holy hand grenade of Antioch: Easter bunny movies – ranked!
  • Terry Cox obituary
  • ‘We got cancelled and we’re still here!’ Michael Patrick King on The Comeback – and why And Just Like That will age well
  • Fuze review – Theo James and Aaron Taylor-Johnson face off in head-spinning London heist
  • Why do this spring’s blockbusters feel so smug?
  • Deathstalker review – ludicrously enjoyable revisit of 80s swords-and-sorcery silliness
  • Bone Keeper review – there’s a critter in the caves in serviceable Brit horror
  • Let’s get metaphysical! Existentialist cinema is back, if anyone cares
  • What’s new to streaming in Australia in April: Half Man, The Audacity and Beef returns
  • The Super Mario Galaxy Movie review – bland screensaver of a movie that’s actually worse than AI
  • Smiley Face: finally, a stoner comedy for the girls who get overstimulated at the supermarket
  • From the phone to the plex: why TV shows are turning into movies

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