BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Unfriended: Dark Web review – cyber sequel traffics in digital cruelty

A low-budget follow-up to the 2014 horror, taking place entirely on a laptop screen, isn’t always convincing but boasts some inventive suspense

Nicolas Winding Refn: ‘Cinema is dead. And now it is resurrected’

The maverick director says he has seen the future of the movies – and it’s in the ‘inspirational’ streaming website that he has devised

Why are memes of black people reacting so popular online?

The trend for ‘digital blackface’ – from the Fleetwood Mac marching band to unimpressed Viola Davis – is more problematic than you think

Tau review – Gary Oldman is an evil Alexa in another Netflix sci-fi disaster

The recent Oscar winner lends his voice to a moronic thriller about a woman trapped by artificial intelligence, which sits alongside other genre missteps on the streaming platform

Being human: how realistic do we want robots to be?

With Google’s AI assistant able to make phone calls and androids populating households in games and films, the line between machine and man is getting scarily blurred

Virtual truth: face to face with immersive documentaries

Experience life after a horrific accident, play a customs officer or swim with sea otters. A new breed of VR film-making is making viewers engage in a deeper way with the issues they confront

Teleportation: will it ever be a possibility?

Instant travel seems further away than when Captain Kirk first reanimated, but scientists are fighting to make it happen

How 3D printers became Hollywood’s favorite gimmick

Ocean’s 8 and Hotel Artemis are the latest films to use far-fetched technology to progress plots

Why are (some) Star Wars fans so toxic?

Kelly Marie Tran, who plays Rose, has received a torrent of online abuse and quit Instagram. Is the worst thing about Star Wars other Star Wars fans?

Kill the tech bro, save the world: how CEOs became Hollywood’s new supervillains

Upgrade, a new thriller set in a Tesla-like dystopia, is the latest big-budget film to replace the stereotypical evil Russian with the evil Silicon Valley nerd

Holograms: are they still the preserve of science fiction?

A projected Princess Leia in Star Wars suggested a 3D future, but we’ll have to wait a while before we are playing holochess

Celebrity species: from the DiCaprio water beetle to Obama spiders

Forget the awards and acclaim – nothing says you’ve hit the big time like having a creature named after you

Will Choose Your Own Adventure work on the big screen?

Fox will bring the book series to life with an in-cinema app that allows audience members to dictate the direction, an innovation that could lead to disaster

Online streaming services face ‘30% made in Europe’ law

EU law says services must meet ‘Netflix quota’ and fund European TV series and films

What kind of a person does Netflix favourites think I am?

I look at my algorithm-generated ‘Recommendations for Lizzie’, and I don’t like that person, says broadcaster Lizzie O’Shea

Post navigation

← Older posts
Newer posts →

  • Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
  • American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
  • Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods

Contact www.brillfilms.com   Terms of Use