BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Nicolas Winding Refn: ‘Cinema is dead. And now it is resurrected’

The maverick director says he has seen the future of the movies – and it’s in the ‘inspirational’ streaming website that he has devised

Why are memes of black people reacting so popular online?

The trend for ‘digital blackface’ – from the Fleetwood Mac marching band to unimpressed Viola Davis – is more problematic than you think

Tau review – Gary Oldman is an evil Alexa in another Netflix sci-fi disaster

The recent Oscar winner lends his voice to a moronic thriller about a woman trapped by artificial intelligence, which sits alongside other genre missteps on the streaming platform

Being human: how realistic do we want robots to be?

With Google’s AI assistant able to make phone calls and androids populating households in games and films, the line between machine and man is getting scarily blurred

Virtual truth: face to face with immersive documentaries

Experience life after a horrific accident, play a customs officer or swim with sea otters. A new breed of VR film-making is making viewers engage in a deeper way with the issues they confront

Teleportation: will it ever be a possibility?

Instant travel seems further away than when Captain Kirk first reanimated, but scientists are fighting to make it happen

How 3D printers became Hollywood’s favorite gimmick

Ocean’s 8 and Hotel Artemis are the latest films to use far-fetched technology to progress plots

Why are (some) Star Wars fans so toxic?

Kelly Marie Tran, who plays Rose, has received a torrent of online abuse and quit Instagram. Is the worst thing about Star Wars other Star Wars fans?

Kill the tech bro, save the world: how CEOs became Hollywood’s new supervillains

Upgrade, a new thriller set in a Tesla-like dystopia, is the latest big-budget film to replace the stereotypical evil Russian with the evil Silicon Valley nerd

Holograms: are they still the preserve of science fiction?

A projected Princess Leia in Star Wars suggested a 3D future, but we’ll have to wait a while before we are playing holochess

Celebrity species: from the DiCaprio water beetle to Obama spiders

Forget the awards and acclaim – nothing says you’ve hit the big time like having a creature named after you

Will Choose Your Own Adventure work on the big screen?

Fox will bring the book series to life with an in-cinema app that allows audience members to dictate the direction, an innovation that could lead to disaster

Online streaming services face ‘30% made in Europe’ law

EU law says services must meet ‘Netflix quota’ and fund European TV series and films

What kind of a person does Netflix favourites think I am?

I look at my algorithm-generated ‘Recommendations for Lizzie’, and I don’t like that person, says broadcaster Lizzie O’Shea

Unsane: how Steven Soderbergh manages to thrill with just an iPhone

The director’s latest film, shot entirely on a phone, is a dizzying deep dive into the psyche of a stalking victim kept in a mental care facility against her will. Contains spoilers

Post navigation

← Older posts
Newer posts →

  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Babystar review – a new arrival upends camera-ready life in disturbing family influencer satire
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes
  • ‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
  • Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
  • Readers reply: what would be the most useful superpower?
  • ‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza

Contact www.brillfilms.com   Terms of Use