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Ike Barinholtz cast as Elon Musk in OpenAI film from Luca Guadagnino

Emmy-nominated actor to play co-founder of OpenAI in Artificial, said to be set during Sam Altman’s firing and rehiring as CEO

‘You can make really good stuff – fast’: new AI tools a gamechanger for film-makers

Instead of spending millions and taking years to complete, creative directors are producing high-grade work using the latest software, but critics voice copyright concerns

Watch the Skies review – see the lips move in alien abduction sci-fi with pioneering AI

This nicely put together Swedish UFO throwback is notable for its early use of ‘vubbing’ – using tech to match lip movements to new English dialogue. What’s coming next?

M3gan 2.0 review – hit-and-miss sequel replaces horror with action comedy

A solidly made and passably entertaining follow-up to the viral doll hit tries to swerve the franchise into summer blockbuster territory with mixed results

Aaron Sorkin’s The Social Network sequel officially in development

Oscar-winning writer returns to subject of his 2010 hit for follow-up based on Wall Street Journal series on Facebook

‘We were all pretty privileged’: Allison Williams on Girls, nepo babies and toxic momfluencers

She made her name in Lena Dunham’s landmark series, then starred in Get Out. As she returns in M3gan 2.0, the sequel to the hit horror about a murderous AI doll, she talks about parenting in an age of smartphones, Botox and her famous father

‘Have you heard of this BDSM trend?’ What I learned recording thousands of hours of teens on their phones

When documentary-maker Lauren Greenfield immersed herself in the online and offline lives of 25 teenagers, she unearthed a world of sexually explicit images, rape culture, bullying and suicidal ideation. Adolescence, she says, has become like the wild west

Disney and Universal sue AI image creator Midjourney, alleging copyright infringement

Studios accuse AI firm of ‘piracy’ and seek injunction over alleged use of copyrighted characters

Unstoppable force loses battle with immovable object: Elon bows to Trump

Four days into a public feud between the world’s most powerful person and the world’s richest person, I declare Musk the loser

AI plundering scripts poses ‘direct threat’ to UK screen sector, says BFI

Film institute’s report raises fears AI will eliminate junior roles in film, TV, video game and special effects industries

America’s infatuation with boy geniuses and ‘Great Men’ is ruining us

We’re obsessed with narratives about powerful men and how they got that way. But our mania for founder myths obscures an ideology of inequality

Luca Guadagnino set to direct fact-based drama about OpenAI

Challengers director in talks to direct Artificial, film based on behind-the-scenes 2023 drama involving Sam Altman

Video stars: the booming VJ scene localising Hollywood films for Ugandans

Part-interpreters, part-comedians, video jockeys translate and contextualise western movies for audiences at home

‘Nobody wants a robot to read them a story!’ The creatives and academics rejecting AI – at work and at home

Is artificial intelligence coming for everyone’s jobs? Not if this lot have anything to do with it

WTF with Marc Maron is ending. Here are five of the podcast’s best interviews

After nearly 16 years the veteran standup comic is calling time on the show that redefined podcasting

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  • Roman Polanski rape scandal movie to follow perspective of 13-year-old victim
  • One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards
  • The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy
  • Melania debuts at No 29 at the UK box office
  • ‘I was on stage and she started kicking!’: Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury
  • Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror
  • Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
  • Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
  • Anti-ICE protests, brilliance by Bieber and the Dalai Lama’s first win: the 10 biggest moments at the 2026 Grammys
  • Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
  • Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran
  • ‘Endlessly quotable’: why Wayne’s World is my feelgood movie
  • Shelter review – super-soldier Jason Statham does the business as he takes on Bill Nighy in action thriller
  • Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage
  • ‘Yes, they would execute a child’: the film about a girl who has to bake a birthday cake for Saddam Hussein
  • Do You Love Me review – exhilarating documentary is ode to the collective courage of Lebanese people
  • Steven Spielberg becomes an Egot after winning Grammy for John Williams documentary
  • Dead Souls review – Alex Cox rides into sunset with anti-Trump spaghetti western
  • Melania film earns $7m in US, strongest documentary debut in over a decade
  • Dozens of historic Maseratis recreated for movie about Italian car company
  • Catherine O’Hara obituary
  • ‘One of the greatest comic talents’: tributes paid to actor Catherine O’Hara
  • Melania Trump documentary opens to underwhelming reception: ‘It’s not a gripping film’
  • ‘Here we go again’: $75m Melania film embodies venal spirit of Trump 2.0
  • From Nouvelle Vague to Mock the Week: your complete entertainment guide to the week ahead
  • ‘I never imagined this!’ How KPop Demon Hunters could make history at the Grammys and the Oscars
  • I endured the Melania film so you don’t have to – my only regret is not buying popcorn so one of my senses was entertained
  • Once Upon a Time in Harlem review – remarkable Harlem Renaissance documentary
  • Catherine O’Hara managed to make difficult characters utterly delightful
  • Catherine O’Hara, actor known for Home Alone and Schitt’s Creek, dies aged 71

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