BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Matthew McConaughey trademarks ‘All right, all right, all right’ catchphrase in bid to beat AI fakes

The Oscar winner intends to combat misuse of the famous line from Dazed and Confused by creating ‘a clear perimeter around ownership’

Clickbait review – gripping drama about the human cost of moderating the internet

A social media content moderator becomes obsessed with a violent video in this restrained, unsettling workplace thriller starring Lili Reinhart

‘Move fast, break stuff’: how tech bros became Hollywood’s go-to baddie in 2025

From Stanley Tucci’s imperious tech titan to Lex Luthor’s distractingly hot CEO and Elon Musk-esque blowhards, films this year took us inside the billionaire mindset

UK actors vote to refuse to be digitally scanned in pushback against AI

Equity says vote signals strong opposition to AI use and readiness to disrupt productions unless protections are secured

Oscars to move over to YouTube starting in 2029

Exclusive global rights to the year’s biggest night in film will move to the video platform for a four-year period

Amanda Seyfried says she will not apologise for calling Charlie Kirk ‘hateful’ after his shooting

The Housemaid actor received backlash in September when she left a comment on Instagram after the rightwing activist was killed

Disney to invest $1bn in OpenAI, allowing characters in Sora video tool

Agreement comes amid anxiety in Hollywood over impact of AI on the industry, expression and rights of creators

James Cameron says AI actors are ‘horrifying to me’

Avatar director, known for his advocacy of new technology, told interviewer generative AI performance puts ‘all human experience into a blender’

‘Extra challenging during a difficult time’: Robert Redford’s daughter criticises AI tributes to the late actor

Amy Redford thanks fans for ‘love and support’ but takes issue with ‘AI versions of funerals, tributes and quotes from members of my family that are fabrications’

Mind the glitch: is Hollywood finally getting to grips with movies about artificial intelligence?

As Gore Verbinski’s AI-apocalypse film Good Luck, Have Fun, Don’t Die hurtles towards us, it’s clear from the over-caffeinated trailer that we won’t be getting another ponderous parable about robot souls, digital enlightenment or the hubris of man

Rule Breakers review – rousingly feelgood real life story of Afghan girls’ robotics team

This story of emancipated young women escaping draconian social strictures brims with enthusiasm and features a cameo from Phoebe Waller-Bridge

Matthew McConaughey and Michael Caine sign voice deal with AI company

The voices of the Oscar-winning actors can now be used to create AI-generated versions in a new deal with ElevenLabs

AI models may be developing their own ‘survival drive’, researchers say

Like 2001: A Space Odyssey’s HAL 9000, some AIs seem to resist being turned off and will even sabotage shutdown

‘Have we done ourselves out of a job?’: concerns in film and TV industry over on-set body scanning

Actors unclear on rights over their data and what it will be used for, as cast and crew alike fear for future of their roles

Equity threatens mass direct action over use of actors’ images in AI content

Union says growing numbers of its members have made complaints about infringements of copyright in AI material

Post navigation

← Older posts
Newer posts →

  • Brigitte Bardot auction in Paris fetches nearly €1m, with proceeds going to her animal welfare foundation and her son
  • Moviegoer using phone during film pepper-sprayed in LA, police say
  • Sense and Sensibility review – Daisy Edgar-Jones leads sober-minded next-gen do-over of Austen romcom
  • ‘Being in Madness kept some of them out of jail’: how the baggy-trousered nutty boys made a guerrilla cinema classic
  • The Seasons review – Portuguese pastoral offers poetic excavation of myth and mapping
  • Heart of the action: why organ couriers are cinema’s new heroes
  • ‘Still feel a jolt of joy’: why Dirty Dancing is my feelgood movie
  • Rising Up at Night review – community spirit shines bright in Kinshasa’s shadows
  • Legend of the White Dragon review – Power Rangers alumni back for more in low-budget superhero retread
  • La Bola Negra wins Toronto film festival people’s choice award
  • Readers reply: what would be the most useful superpower?
  • ‘Resident Evil movies? I’ve never seen one’: Weapons director Zach Cregger on resurrecting the beloved zombie franchise
  • Hunk – or ‘unc’? What magazine covers of Michael B Jordan and Tom Cruise tell us about manhood
  • ‘It’s almost impossible not to feel inspired’: how the story of Terry Fox fired up Canada’s patriotic spirit again
  • John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’
  • ‘He’s simply astonishing’: will Andrew Scott become the first out gay man to win the best actor Oscar?
  • From Shaun the Sheep to The Split Up: your complete entertainment guide to the week ahead
  • From ovations in Venice to death threats in Israel: the extreme responses to NAZA documentary
  • Letter to Brezhnev review – terrific return for Merseysiders’ romance with Russian sailors
  • The Guardian view on NAZA’s persecuted directors: journalism is not treason
  • ‘The man’s a psychopath when it comes to hedgerows’: Derek vs Derek, the unexpectedly heartwarming doc about farmers at war
  • Zack Snyder is angling to make another Batman movie. Stranger things have happened
  • Iranian actor Laleh Marzban faces severe threats after Venice film festival speech
  • Toy Story 5 to Hamlet: the seven best films to watch on TV this week
  • Pulp: What Do You Do for an Encore? review – Jarvis Cocker’s wit and warmth upstage the hits
  • Best of the Best review – college comedy formula gets a Bollywood makeover
  • ‘The damage was much worse than I had imagined’: the shocking inside story of Salman Rushdie’s survival
  • Queen at Sea review – crushingly sad dementia drama offers a startling portrait of intimacy
  • Watching NAZA was like peering through a window – and seeing the machinery of killing in Gaza
  • 50 Years of Punk review – rock’n’roll rebels fondly recall the filth and fury a half-century on

Contact www.brillfilms.com   Terms of Use