A Hijacking – review

Tobias Lindholm's Danish hostage thriller is a lesson in how things should be done – and not just on-screen, writes Philip French

Our Children – review

Joachim Lafosse's drama is a brilliantly acted study of unintended consequences and terrible cruelty, writes Philip French

Vehicle 19 – review

This South African thriller, while intriguing, may leave you feeling a little carsick, writes Philip French

Dragon – review

Donnie Yen proves that he's not just a martial artist in Peter Ho-Sun Chan's western-influenced actioner, writes Mike McCahill

The Eye of the Storm – review

The acting's great - but there's a smaller, fiercer movie trying to burst out of this drama about a tyrannical woman on her deathbed, writes Peter Bradshaw

I’m So Excited – review

Pedro Almodóvar's air steward farce could be some kind of national allegory – but the great director's real interest lies in returning to the good-natured sex comedy of his youth, writes Peter Bradshaw

In the Fog – review

Sergei Loznitsa's stark parable about Soviet collaboration with the Nazis has echoes of Tolstoy and Dostoevsky, writes Philip French

On my radar: Mira Nair

The award-winning film director picks her cultural highlights of the moment, from Michael Haneke's Amour to The Book of Mormon. Interview by Corinne Jones

White Elephant – review

This hard-hitting tale of Catholic priests working in the slums of Argentina thrills from start to finish, writes Philip French

White Elephant – review

It isn't clear where the focus lies in Pablo Trapero's drama about priests trying to save a sprawling Buenos Aires slum, writes Peter Bradshaw