Mark Kermode’s DVD round-up
Tom Cruise is comprehensively eclipsed by Werner Herzog in the film adaptation of Lee Child's Jack Reacher, writes Mark Kermode
Rebellion – review
Mathieu Kassowitz, as star and director, is front and centre of this account of an unfortunate 1980s French colonial intervention, writes Peter Bradshaw
Mathieu Kassovitz: ‘I’m not proud to be French any more’
Mathieu Kassovitz was hailed as the heir to Truffaut after making La Haine. So why has he renounced French cinema after making his new film, Rebellion? Steve Rose finds out
The Punk Syndrome – watch it here
The third film in our New View documentary season is a full-on account of an angry Finnish punk act, whose members are all learning disabled
Le beau Serge; Les cousins
The first example of the French new wave and its immediate companion piece remain the work of a true auteur, writes Philip French
Susanne Bier: ‘You can’t be ashamed of big emotions if you make movies’
The film-maker talks to Liz Hoggard about being unashamedly romantic, her tomboy upbringing and why she's proud to be Danish
Theorem – review
Maybe Pasolini's playful fable of ideas is the great director's attempt to put a bomb under Italy's stagnant governing class, writes Peter Bradshaw
Thursday Till Sunday – review
A Chilean road movie seen through the eyes of a child has longeurs but a strong central performance, writes Philip French
Home – review
This Turkish drama about an architect and his mid-life crisis lacks vitality, writes Philip French
In the House – review
François Ozon's clever psychological comedy about teaching and erotic obsession is his best work to date, writes Philip French
King of the Travellers – review
Mark O'Connor's low-budget feature about feuding Irish Travellers is colourful and unrestrained, writes Philip French
François Ozon: ‘I’ll admit I’m a little bit twisted’
François Ozon's new film, In the House, looks set to be his international breakthrough. But has the erstwhile enfant terrible fallen for the bourgeois values he once satirised? Ryan Gilbey meets him
Colonialism on film: how cinema finds new ways to bust an old Tabu
A pair of Portuguese-language films quietly examine the standoff between old Europe and modern multiculturalism, writes Phil Hoad
Neighbouring Sounds – review
With undertones of slavery and suicide, this three-part picture of life in upwardly mobile Brazil has the air of a slow-burning thriller, says Philip French
Post Tenebras Lux – review
Cannes prizewinner Carlos Reygadas's semi-autobiographical work, inspired by Tarkovsky, is fantastical – and confusing, writes Philip French