Neighbouring Sounds – review
Former film critic Kleber Mendonça Filho colours his Brazilian Short Cuts with subtle hints of unease and violence, writes Steve Rose
Reality – review
Matteo Garrone's comedy moralises that the call of fame isn't a worthy pursuit. No surprise there, writes Peter Bradshaw
Post Tenebras Lux – review
This Mexican tale of an unlikely friendship contains many contradictions and more than a few enigmas, but somehow it works, writes Peter Bradshaw
Seeing double: are Side Effects and Silver Linings Playbook the same film?
And what about Argo and Zero Dark Thirty? Joe Queenan on why Hollywood keeps making the same films twice
Mark Kermode’s DVD round-up
Michael Haneke's Amour is calm, unblinking and heartbreaking, writes Mark Kermode
Beyond the Hills – review
The chilling story of an exorcism in a Romanian monastery is the backdrop for an anatomy of an exhausted, bewildered society, writes Peter Bradshaw
Carlos Reygadas: in defence of Post Tenebras Lux
Carlos Reygadas's new surreal film has been panned, despite his best director award at Cannes. So how does the Mexican director answer his critics, asks Andrew Pulver
Oz the Great and Powerful aims over the rainbow, Side Effects also appealing
Charles Gant: Disney's prequel to the Wizard of Oz aims to steal family audiences before Easter, knocking Wreck-It Ralph to third place
Mark Kermode’s DVD round-up
Stephenie Meyer's Twilight series draws to a close in pleasingly outrageous style, writes Mark Kermode
Omar Sy signs up for new X-Men film
The star of French hit Untouchable joins a starry roster including Hugh Jackman and Jennifer Lawrence on the forthcoming film, to be directed by Bryan Singer
Hi-so – review
The story of a Thai student returning home after studying abroad is familiar but well done, writes Philip French
The Gospel According to St Matthew – review
Pasolini's retelling of the story of Christ is the greatest biblical film in cinematic history, writes Philip French
Tom Shadyac may direct US remake of French hit comedy Intouchables
Patch Adams director reported to be considering return to feature films with version of highest grossing non-English language film
The Gospel According to St Matthew – review
Pasolini's brilliant Passion play presents the Messiah as emerging from the landscape, and out of Marxist ideology, writes Peter Bradshaw
Hi-So – review
The talented Aditya Assarat shows his connection to the rhythms of life in this plotless piece about a drifting actor, writes Mike McCahill