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Winners review – Oscar statuette goes missing in free-spirited ode to Iranian cinema

An award belonging to director Asghar Farhadi goes missing in Iran in this slow-paced, heart-on-sleeve comedy about the curative magic of the movies

‘Eighty-nine perfect minutes’: 30 of the best short films and novels

Is the trend for epic movies and hefty novels getting too much? Our critics redress the balance with a classic compilation of shorter works – plus 10 long ones that are worth your time

Lunana: A Yak in the Classroom review – Bhutan school drama is a breath of fresh air

A disillusioned teacher is sent to a remote Himalayan school in this charming, visually stunning first feature

Charcoal review – tremendous thriller has family looking after mafia interloper

A Brazilian family struggling with their ailing grandfather are offered an unusual way out in Carolina Markowicz’s darkly comic and suspenseful feature debut

Electric Malady review – dreamlike study of one man’s debilitating illness

Swedish director Marie Lidén’s documentary about a musician with a chronic sensitivity to electricity is desperately sad yet visually poetic

Close review – achingly poignant tale of the end of a childhood friendship

Belgian director Lukas Dhont’s Oscar-nominated drama about two inseparable boys tragically driven apart is a low-key treat

Electric Malady review – life under a blanket for man who fears ‘electrosenstivity’

This tactful documentary follows William, living in a tinfoil-covered cabin and covered in a blanket. But is there anything behind his condition?

Joyland review – groundbreaking Pakistani love triangle

This potent debut follows a couple and a trans woman dancer navigating rigid social constraints

Music review – shapeshifting puzzle is an enigmatic mind bender

Angela Schanelec’s disparate series of stark and startling tableaux appear to be showing us the key to some locked cabinet of significance – but any meaning feels out of reach

Broker review – Kore-eda gets the tone all wrong in sudsy Korean baby adoption tale

The director of Shoplifters shows naivety in trying to turn two baby kidnappers into lovable rogues. Even Parasite’s Song Kang-ho can’t make it stick

Afire review – useless-author comedy-drama in saga of angst and lust

A gloomy writer and his friend are trapped with strangers in a Baltic holiday home in Christian Petzold’s tonally wayward tale

The Teachers’ Lounge review – a deeply unsettling day at the chalkface unravels

This uncompromising classroom drama from director Ìlker Çatak initially tackles some insidious and uncomfortable truths, but never quite finds its full dramatic force

Joyland review – subtle trans drama from Pakistan is remarkable debut

Saim Sadiq’s film explores the unsettled social and sexual identities of a widower and his children with delicacy and tenderness

Tótem review – family tensions feel real in heartfelt Mexican cancer drama

The family of a young father dying of cancer organise a party for him in this tender story from director Lila Avilés that lacks dramatic weight

Disco Boy review – freaky trip into the heart of imperial darkness

Giacomo Abbruzzese’s drama follows Belarusian Aleksei on his journey into the French Foreign Legion and a very strange epiphany in the Niger Delta

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  • NAZA film-makers address threats at documentary’s New York City premiere
  • Always a joker: Magda Szubanski reveals Heath Ledger asked to play her stalker on Kath and Kim
  • ‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
  • Meryl Streep’s casting as Aslan has angered the Christian right. Don’t they have more pressing issues?
  • ‘She never accepted no’: Liam Neeson on dogged heroine behind Tuam mass baby grave film
  • My dad was a monster! Sara Karloff on reviving Frankenstein, 95 years on
  • Susan Sarandon and Hannah Einbinder arrested at anti-Netanyahu protest in New York
  • ‘Cracking auction, Gromit!’ Original Aardman puppets go under the hammer
  • Bob Mackie obituary
  • ‘I get lost going to the bathroom’: John Hannah on world travel, stealing props and being ‘the Scottish Eminem’
  • Global release announced for acclaimed Gaza documentary NAZA
  • Post your questions for Zach Braff
  • Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
  • ‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Twenty years after An Inconvenient Truth, Al Gore still believes in the climate fight: ‘We are going to win this’
  • ‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
  • Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
  • Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
  • Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem
  • North Sea, Nature Untamed review – stunning footage finds the beauty and splendour under the water
  • The Love Hypothesis review – hit BookTok romcom lacks spark on screen
  • Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired
  • Post your questions for Miranda Richardson
  • Great to see what Tom Cruise’s belly button looks like, but it’s the stuff he is never asked about that interests me
  • Heart of the Beast review – Brad Pitt survivalist dogmance serves up wilderness with side of cheese
  • Heresy review – feminist folk horror summons something scary in the woods with supply of fresh blood
  • Shadows of Beirut review – chaos and crisis as woman goes back to birth city in fractured Covid-era drama
  • Brigitte Bardot’s personal items sell for nearly €1m at auction in Paris
  • Meet Barbie Pig: new documentary reveals the wonders of life on the Pacific seabed

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