BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Spanish film-maker Carlos Saura, director of ¡Ay Carmela!, dies aged 91

One of Spain’s most prolific auteurs continued to work until the end – his last film, Walls Can Talk, was released last week

Saint Omer review – Alice Diop’s compelling courtroom drama

The French director draws on her own experience in this story of a writer sitting in on the trial of a woman accused of murdering her own baby

Saint Omer review – witchcraft and baby killing in extraordinary real-life courtroom drama

Alice Diop’s unnerving fiction feature is based on the true case of a Senegalese immigrant accused in the French court of murdering her 15-month-old daughter

EO review – an innocent donkey leads the way in surreal Bresson-inspired ride

Life is seen through the eyes of a put-upon beast of burden in this beautifully photographed homage to Au Hasard Balthazar by the veteran Polish director Jerzy Skolimowski

A Human Position review – elegantly restrained Norwegian drama

Nothing much happens, but less is more in Anders Emblem’s quiet tale of a traumatised journalist

Mostly Martha is a feast of a film – and the US remake is a dog’s dinner

More people have probably seen No Reservations, starring Catherine Zeta-Jones, but the original German film is charming and better in every way

Nascondino (Hide and Seek) review – remarkable documentary about a Neapolitan street kid

For four years, Victoria Fiore follows bright, personable Entoni, at the mercy of Italy’s new law concerning children from organised crime families

Holy Spider – prurient Iranian serial killer drama

Based on the real-life case of a man who murdered 16 women, Ali Abbasi’s tense film feels at once timely and dehumanising

More Than Ever review – thoughtful drama about how to die well

Vicky Krieps shows her emotional range as a woman taking ownership of terminal illness in Emily Atef’s sensitive film co-starring the late Gaspard Ulliel

Holy Spider review – Iranian crime thriller takes real case and makes it implausible

Twenty years after a serial killer murdered 16 sex workers in Mashad, Ali Abbasi has made a fictionalised account of his capture and trial

More Than Ever review – dying Vicky Krieps acts up a storm in end-of-life drama

Krieps and the late Gaspard Ulliel bring great conviction and intelligence to this unlikely tale of a woman’s last adventure

The Substitute review – vehement inspiring-teacher thriller is all a bit Mr Chips

A poet in Buenos Aires takes up teaching at a tough school and tries to protect his students in Diego Lerman’s cliched, if well-acted, tale

Piggy review – atmospheric Spanish teen horror

Laura Galán excels as the tormented victim of three mean girls in her village in Carlota Pereda’s striking feature debut

Alcarràs review – an angry, urgent fight for family land in Catalonia

Carla Simón’s powerful drama of a battle to save an ancestral peach farm from redevelopment is given added potency by nonprofessional actors

Alcarràs review – heartbreak and ruin in the Catalan heat

Carla Simón’s award-winning story of a peach farmer struggling to make ends meet asks many important questions about our relationship with the land and the human cost of progress

Post navigation

← Older posts
Newer posts →

  • Glastonbury the Movie review – thirty years on, the sunset of a hippy dream in all its glory
  • Enola Holmes 3 to Bang My Box: The Robin Byrd Story – the seven best films to watch on TV this week
  • Wanted: a new PM, a new James Bond, a new Doctor – and a UK that can agree on its leading characters
  • Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry
  • The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance
  • Pride review – solidarity between gay activists and miners in a magnificent musical
  • Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André
  • Can a $290m film studio on a former cow paddock lure Hollywood to Perth?
  • Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell
  • Puppy eyes, sad hair and a big boom box: John Cusack films – ranked!
  • A Better Tomorrow review – firefights aplenty and unapologetic melodrama in John Woo’s blood-drizzled crime classic
  • Chris and Martina: The Final Set review – tennis titans discuss their deep bond and intense rivalry
  • The Furious review – dial-shifting dadsploitation mayhem as father goes in search of kidnapped daughter
  • Blue Heron review – sombre and sophisticated portrait of childhood trauma in 1990s Canada
  • Bello! Why gen Alpha subconsciously speaks the language of the Minions
  • Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters
  • Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory
  • Warriors come out to Broadway with Lin-Manuel Miranda musical
  • The Last Viking review – Mads Mikkelsen thinks he’s John Lennon in Von Trier-ish prankster comedy
  • Dear You review – enjoyable Chinese romdram crosses generations as it tracks down a missing husband
  • Hold the Fort review – gory goings-on at the neighbours association get-together
  • Deja viewing: the return of the cheapo compilation film
  • Quantum of Solace: a heartbroken James Bond is fuelled by rage in Daniel Craig’s most underrated 007 film
  • You’re only supposed to blow the bloody hooves off: AI Michael Caine narrates Odyssey audiobook
  • How to Live on Earth review – Benedict Cumberbatch exudes positivity in response to the climate crisis
  • Sizzle reels: nine films to watch in a heatwave
  • ‘I’ve had a huge life, so I needed a big budget’: Madonna says biopic was scrapped after ‘falling out’ with studio
  • Rory Kennedy revisits Boeing in new film sparked by whistleblower’s death: ‘We’ve got to stay at this’
  • 500 Miles review – kids hit the road to visit Irish grandad Bill Nighy in YA tearjerker
  • ‘Climate change is a form of oppression’: the voices affected most by environmental crisis

Contact www.brillfilms.com   Terms of Use