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Official Competition review – Penélope Cruz on fire in delicious movie industry satire

Cruz’s eccentric director employs unorthodox techniques to manage lead actors – and polar opposites – Antonio Banderas and Oscar Martínez

Queen of Glory review – gloriously low-key comedy of immigrant life

The trials of a Ghanaian-American woman and her family never overpower the deft emotional savviness of this low-budget tale

Her Way review – portrait of a sex worker shreds cinema’s cliches

Laure Calamy of Call My Agent! fame is mesmerising as a sex worker of a certain age in Cécile Ducrocq’s perceptive and humane feature debut

Anaïs in Love review – Anaïs Demoustier intoxicates in comic French love triangle

Cinema’s latest irresistible chaotic femme, Demoustier is perfectly cast in first-time writer-director Charline Bourgeois-Tacquet’s sparkling romance

Mama’s Affair review – star vehicle for Cantopop idols Mirror is for boyband fans only

Music-biz drama featuring Hong Kong pop stars Keung To and Jer Lau bids for cross-generational appeal but gets lost in cliches

Anaïs in Love review – cerebral eroticism and summery thrills in French adultery farce

Charming ‘bulldozer’ Anaïs sprints after emotional stimulants in breezy tale of graduate student who seduces her publisher’s partner

Special Delivery review – noirish bruiser is Fast and Furious in South Korea

Parasite’s Park So-dam stars as an elite courier ferrying fugitives in an action thriller packed with dangerous driving

‘He was the Steve Jobs of his day’: Romain Duris takes on the towering role of Gustave Eiffel

The tousle-haired star could be regarded as the quintessential Parisian actor – and now he’s taking on the city icon that looms largest

Eiffel review – celebrated tower builder gets cheekily tall backstory

Romain Duris brings authority to this fanciful version of history, which has Gustave Eiffel erecting the monument as a Taj Mahal for his lost love

Between Two Dawns review – powerful workplace drama over safety failings

A workplace incident pitches a young man into a battle of conscience with his family and the law in Selman Nacar’s debut

The Deer King review – a beautiful muddle from Studio Ghibli regular

Animator turned director Masashi Ando creates a strikingly handsome work let down by sketchy storytelling

Hit the Road review – all of Iranian life on four wheels

Panah Panahi juggles joy, heartbreak and surreal humour in a road movie his imprisoned father would be proud of

Hit the Road review – irrepressible defiance in beautifully composed debut feature

Directed by Panah Panahi, the son of jailed Iranian film-maker Jafar Panahi, this tense family drama is drenched in a subtle but urgent political meaning

Robust review – Gérard Depardieu at his larger-than-life best

The French star plays an actor who forms a complex friendship with a young security guard in this refreshingly understated comedy drama

The Big City review – Satyajit Ray’s miraculous look at a new world of possibility

The struggles and triumphs of a 1950s Kolkata family whose highest earner is a woman is told with marvellous lucidity in an optimistic masterpiece

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  • ‘Should have garnered the actor an Oscar’: why Liar Liar is my feelgood movie
  • Just Play Dead review – Samuel L Jackson and Eva Green punch up switchback crime caper
  • Kikuyu Land review – the colonial-era misery behind our morning cup of tea
  • ‘We could have had good fun a few decades ago’: Christine Baranski and Richard E Grant on sex scenes, parties and theatre
  • Rapper and actor Eve looks back: ‘I was the only girl in the boardroom in major label meetings – that Philly girl had to come out’
  • ‘A joyful place’: a new museum coaxes Austrians to embrace The Sound of Music
  • NAZA film-makers address threats at documentary’s New York City premiere
  • Godzilla Minus Zero review – spectacular Japanese action continues franchise’s winning streak
  • Always a joker: Magda Szubanski reveals Heath Ledger asked to play her stalker on Kath and Kim
  • ‘In our deepest hearts we are voyeurs’: the paedophile-hunting show that inspired Robert Pattinson’s new film
  • Meryl Streep’s casting as Aslan has angered the Christian right. Don’t they have more pressing issues?
  • ‘She never accepted no’: Liam Neeson on dogged heroine behind Tuam mass baby grave film
  • My dad was a monster! Sara Karloff on reviving Frankenstein, 95 years on
  • Susan Sarandon and Hannah Einbinder arrested at anti-Netanyahu protest in New York
  • ‘Cracking auction, Gromit!’ Original Aardman puppets go under the hammer
  • Bob Mackie obituary
  • ‘I get lost going to the bathroom’: John Hannah on world travel, stealing props and being ‘the Scottish Eminem’
  • Global release announced for acclaimed Gaza documentary NAZA
  • Post your questions for Zach Braff
  • Greek epics, gory obsessions and awkward invites: where does this year’s Oscars race stand?
  • ‘I’m a writer but then nobody’s perfect’: how Billy Wilder conquered Hollywood
  • Forgotten Island review – best friends forever trapped in frantic DreamWorks animation
  • Twenty years after An Inconvenient Truth, Al Gore still believes in the climate fight: ‘We are going to win this’
  • ‘He made something every single day’: David Lynch’s inscrutable photography celebrated in LA show
  • Manhunter review – Michael Mann serves up a bold and queasy starter to the serial killer spectacle
  • Boorman and the Devil review – enjoyable re-evaluation of the disaster that was Exorcist II: The Heretic
  • Another taste of honey: Shelagh Delaney’s long-lost play about a teenage truant is a little gem
  • North Sea, Nature Untamed review – stunning footage finds the beauty and splendour under the water
  • The Love Hypothesis review – hit BookTok romcom lacks spark on screen
  • Remake review – Ross McElwee’s magnificent and moving tribute to a tragic loss and the art it inspired

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