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Streaming: Benedetta and the best films about nuns

Paul Verhoeven’s lesbian nuns romance joins a heavenly sisterhood that ranges from Black Narcissus and Doubt to Viridiana

The Spirit of the Beehive director Víctor Erice to make his first feature in 30 years

Spanish auteur behind the 1973 arthouse hit will direct a new film, Cerrar los Ojos, due for release in 2023

Ode to the Spring review – Chinese exploration of pandemic ground zero in Wuhan

Telling five Covid-related stories, this platitudinous urban-interconnection drama offers lectures on virtue and self-sacrifice and feels like state propaganda

Some Interviews on Personal Matters review – offbeat Coppola-esque romcom from 1970s Tbilisi

A journalist discovers her husband’s infidelity in a poetic, pleasingly surreal drama by Georgian director Lana Gogoberidze

The Big Hit review – impressive French prison comedy-drama

Based on the true story of a drama teacher who worked in a high-security jail, this film crackles with charm and nervous energy

Moon, 66 Questions review – oblique view of a family reunion is a cinematic pleasure

Greek director Jacqueline Lentzou’s elliptical tale of an estranged father and daughter is a supremely confident debut

Streaming: Morbius and the best films about modern-day vampires

From Jared Leto’s biochemist in the Marvel film to the avenging feminist in A Girl Walks Home Alone at Night

The Big Hit review – feelgood prison comedy as convicts do Beckett

A curmudgeonly actor helps prisoners put on a production of Waiting for Godot in Emmanuel Courcol’s predictable drama

Wings of Desire review – Wim Wenders’ elegiac hymn to a broken cold-war Berlin

Shot when the city seemed forever divided by the wall, this intensely romantic story of an angel who longs for human love is unlike any other

Theo and the Metamorphosis review – provocative drama of nudity and hating

An initially intriguing slice of secluded life descends into hollow indulgence, the kind of film that gives arthouse cinema a bad name

Moon, 66 Questions review – elusive but rewarding study of family tension

Jacqueline Lentzou’s highly anticipated debut feature follows a daughter struggling to reconnect with her ailing father

Everything Went Fine review – François Ozon’s nimble study of assisted dying

The French director focuses on domestic dynamics rather than the moral issues in this naturalistic drama about a family crisis

Jean-Louis Trintignant: an actor of charisma, depth and dark emotions

The French veteran, who starred in some of the finest new wave films and won the best actor César for the end-of-life drama Amour, has died aged 91

Jean-Louis Trintignant, star of A Man and a Woman and Amour, dies aged 91

The veteran of the French new wave starred in a series of auteur-driven films, before appearing in Michael Haneke’s Amour

Il Buco review – arrestingly beautiful caving docudrama

Inspired by a 1960s Italian potholing expedition, Michelangelo Frammartino’s almost wordless film is spellbinding

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  • John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’
  • Sam Neill on making Hunt for the Wilderpeople: ‘We were attacked by a puppet pig!’
  • This Is Ballroom review – pulsating documentary tells story of Brazilian ballroom
  • How to feel optimistic in the face of crisis? Ask the kids fighting slug-like aliens
  • Lesbians, latex and $2,000 condoms: why are this summer’s movies so obsessed with sex?
  • RL Stine’s Pumpkinhead review – horror from Goosebumps writer has kid confined inside large fruit
  • Ancestral Visions of the Future review – visceral cine-memoir is a haunting return to Lesotho
  • Harry Potter fans force relocation of £430m undersea cable to avoid Dobby’s ‘grave’
  • It’s not just the Odyssey effect: poetry is booming because it’s the only language for these times of violence and chaos
  • Mermaid Beach review – Wales gets its mermaidcore moment in teen-empowerment tale
  • Movie paradise? How Malta became a magnet for big film shoots
  • I Rarely Wake Up Dreaming review – brilliant bulletin from Ukrainian frontline dives deep into culture war
  • ‘Watch The Odyssey for free online’: scam targets film fans with fake streaming sites
  • Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Tony Jones: ‘I’m very far from being an activist’
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men

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