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Swan Song review – amiable tale of a hairdresser’s final flourish

A celebrity stylist comes out of retirement to do the funeral preparation for his arch enemy in this insubstantial yarn

‘I know I’m not going to please everyone’: Lucile Hadžihalilović on her beguiling film-making

Story of Film director Mark Cousins talks to an emergent champion of slow-burn, surrealist cinema on the release of her debut English-language feature, Earwig

Olga review – political gymnastics drama sets the bar high

Gymnast Anastasiia Budiashkina gives an impressive performance as a rising star whose world is flipped upside down by the 2014 Ukrainian revolution

Pickpocket review – existential thrills in Robert Bresson’s study of a thief’s progress

Bresson’s 1959 film about a misfit who dreams of rising above conventional morals is a brilliant example of the cinema of ideas

Between Two Worlds review – Emmanuel Carrère’s jagged, furious tale of low-paid work

Newcomer Hélène Lambert excels alongside Juliette Binoche in this gritty drama about friendship and lies on the breadline

Mother and Son review – moving immigrant drama goes from Ivory Coast to Paris

A son reflects on the struggles he faced with his brother and wayward mother after they moved to France from Africa, in a meditative coming-of-age story

Pacifiction review – trouble in paradise, in apocalyptic Tahitian mystery

Benoît Magimel’s French high commissioner confronts the end of his personal Eden in Tahiti, in Albert Serra’s distinctive film

Nostalgia review – bittersweet crime yarn also homecoming love-letter to Naples

Tremendously shot and terrifically acted, this Neapolitan gangster drama from Mario Martone shatters the rose-tinted spectacles

Tori and Lokita review – clarity of purpose in the Dardennes’ parable of the dispossessed

The new film from double Palme d’Or winners focusses on a pair of young immigrants to Belgium who find themselves working in dangerous situations

Decision to Leave review – Tang Wei stuns in Park Chan-wook black-widow noir

Park’s tale of a married detective torn between infidelity and moral duty keeps the viewer off-balance at every turn

Forever Young review – endlessly tedious story of self-involved drama students

Valerie Bruni-Tedeschi’s latest Cannes lock-in is a woeful soap about aspiring actors in 80s Paris with neither the songs – or the soul – of Alan Parker’s Fame

Brother and Sister review – sibling battle with Marion Cotillard that leaves us all losers

The latest in Arnaud Desplechin’s overwrought oeuvre features plenty of film-making elan but not one line of plausible dialogue

Cairo Conspiracy (aka Boy from Heaven) review – stirring spy thriller set on an Egyptian campus

Egypt’s religious and secular institutions both breed mistrust in Tarik Saleh’s superbly realised paranoid nightmare

One Fine Morning review – Léa Seydoux sparkles in poignant drama

Mia Hansen-Løve returns to Paris with this powerful drama about a single mother torn between emotionally unavailable men

Russian Cannes contender defends Roman Abramovich as a ‘patron of the arts’

Dissident Russian film-maker Kirill Serebrennikov, whose film Tchaikovsky’s Wife received backing from the oligarch, has called for sanctions to be lifted

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  • O what a tangled web: unweaving the weirdest fan rumours surrounding Spider-Man: Brand New Day
  • ‘I’m a soldier. I don’t have a gun, but I have a pen and a camera’: Mahnaz Mohammadi on fighting the Iranian regime
  • Glastonbury the Movie review – thirty years on, the sunset of a hippy dream in all its glory
  • Enola Holmes 3 to Bang My Box: The Robin Byrd Story – the seven best films to watch on TV this week
  • Wanted: a new PM, a new James Bond, a new Doctor – and a UK that can agree on its leading characters
  • Strung review – far-fetched thriller awkwardly mixes Blumhouse and Tyler Perry
  • The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance
  • Pride review – solidarity between gay activists and miners in a magnificent musical
  • Little Brother review – Netflix comedy is neither weird or funny enough for star Eric André
  • Can a $290m film studio on a former cow paddock lure Hollywood to Perth?
  • ‘Our characters like to be naughty’: the makers of the Nirvanna mockumentary on illegal skydiving, taboo-breaking and time travel
  • Jackass: Best and Last review – kings of gross-out comedy’s final, funny farewell
  • Puppy eyes, sad hair and a big boom box: John Cusack films – ranked!
  • A Better Tomorrow review – firefights aplenty and unapologetic melodrama in John Woo’s blood-drizzled crime classic
  • Chris and Martina: The Final Set review – tennis titans discuss their deep bond and intense rivalry
  • The Furious review – dial-shifting dadsploitation mayhem as father goes in search of kidnapped daughter
  • Blue Heron review – sombre and sophisticated portrait of childhood trauma in 1990s Canada
  • Bello! Why gen Alpha subconsciously speaks the language of the Minions
  • Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters
  • Supergirl review – sprightly and sparkling superhero yarn without the usual baffling DC backstory
  • Warriors come out to Broadway with Lin-Manuel Miranda musical
  • The Last Viking review – Mads Mikkelsen thinks he’s John Lennon in Von Trier-ish prankster comedy
  • Dear You review – enjoyable Chinese romdram crosses generations as it tracks down a missing husband
  • Hold the Fort review – gory goings-on at the neighbours association get-together
  • Deja viewing: the return of the cheapo compilation film
  • Quantum of Solace: a heartbroken James Bond is fuelled by rage in Daniel Craig’s most underrated 007 film
  • You’re only supposed to blow the bloody hooves off: AI Michael Caine narrates Odyssey audiobook
  • How to Live on Earth review – Benedict Cumberbatch exudes positivity in response to the climate crisis
  • Sizzle reels: nine films to watch in a heatwave
  • ‘I’ve had a huge life, so I needed a big budget’: Madonna says biopic was scrapped after ‘falling out’ with studio

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