Jean-Louis Trintignant: an actor of charisma, depth and dark emotions
The French veteran, who starred in some of the finest new wave films and won the best actor César for the end-of-life drama Amour, has died aged 91
Jean-Louis Trintignant, star of A Man and a Woman and Amour, dies aged 91
The veteran of the French new wave starred in a series of auteur-driven films, before appearing in Michael Haneke’s Amour
Il Buco review – arrestingly beautiful caving docudrama
Inspired by a 1960s Italian potholing expedition, Michelangelo Frammartino’s almost wordless film is spellbinding
Swan Song review – amiable tale of a hairdresser’s final flourish
A celebrity stylist comes out of retirement to do the funeral preparation for his arch enemy in this insubstantial yarn
‘I know I’m not going to please everyone’: Lucile Hadžihalilović on her beguiling film-making
Story of Film director Mark Cousins talks to an emergent champion of slow-burn, surrealist cinema on the release of her debut English-language feature, Earwig
Olga review – political gymnastics drama sets the bar high
Gymnast Anastasiia Budiashkina gives an impressive performance as a rising star whose world is flipped upside down by the 2014 Ukrainian revolution
Pickpocket review – existential thrills in Robert Bresson’s study of a thief’s progress
Bresson’s 1959 film about a misfit who dreams of rising above conventional morals is a brilliant example of the cinema of ideas
Between Two Worlds review – Emmanuel Carrère’s jagged, furious tale of low-paid work
Newcomer Hélène Lambert excels alongside Juliette Binoche in this gritty drama about friendship and lies on the breadline
Mother and Son review – moving immigrant drama goes from Ivory Coast to Paris
A son reflects on the struggles he faced with his brother and wayward mother after they moved to France from Africa, in a meditative coming-of-age story
Pacifiction review – trouble in paradise, in apocalyptic Tahitian mystery
Benoît Magimel’s French high commissioner confronts the end of his personal Eden in Tahiti, in Albert Serra’s distinctive film
Nostalgia review – bittersweet crime yarn also homecoming love-letter to Naples
Tremendously shot and terrifically acted, this Neapolitan gangster drama from Mario Martone shatters the rose-tinted spectacles
Tori and Lokita review – clarity of purpose in the Dardennes’ parable of the dispossessed
The new film from double Palme d’Or winners focusses on a pair of young immigrants to Belgium who find themselves working in dangerous situations
Decision to Leave review – Tang Wei stuns in Park Chan-wook black-widow noir
Park’s tale of a married detective torn between infidelity and moral duty keeps the viewer off-balance at every turn
Forever Young review – endlessly tedious story of self-involved drama students
Valerie Bruni-Tedeschi’s latest Cannes lock-in is a woeful soap about aspiring actors in 80s Paris with neither the songs – or the soul – of Alan Parker’s Fame
Brother and Sister review – sibling battle with Marion Cotillard that leaves us all losers
The latest in Arnaud Desplechin’s overwrought oeuvre features plenty of film-making elan but not one line of plausible dialogue