Screenwriters locked Hannibal Lecter and Blofeld in boxes but they’ll reuse any plot device, from balloons as harbingers of doom to Scooby-Doo-style face-swapping
Akira Kurosawa’s tale of ascetic mercenaries brought together for a single job inspired endless imitations, but the original has lost none of its magic
Subtitling is an essential art form. So why, as the streaming giant scores more global hits with shows like Squid Game and Call My Agent, isn’t it trying harder to find the right words?
Le Désordre et la Nuit, shown as part of a retrospective for the great thriller director at Lyon’s Lumière film festival, is a well-crafted treat for fans of the genre