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Tom of Finland review – intriguing biopic of a gay liberation hero

Pekka Strang stars as the Finnish wartime artist Touko Laaksonen, whose homoerotic illustrations helped create the iconography of gay culture

Jean-Pierre Melville: cinematic poet of the lowlife and criminal

The French resistance fighter turned film-maker had an instinctive sympathy for the outsider, and remodelled the crime thriller into something studied, cool and subversive

Ghost in the Shell; The Handmaiden; Viceroy’s House and more – review

Carnal pleasures and clever plotting combine in Park Chan-wook’s thrilling The Handmaiden, while Scarlett Johansson is a woman of steel

Land of Mine review – tough, shockingly violent war movie

This well-made Danish film dramatises a grim episode at the end of the second world war, when teenage German PoWs were forced into mine-clearance work

Sacré bleu! Why Franco-Belgian comic-book movies are more fun than Marvel and DC

Home-grown superheroes may rule over Hollywood, but French and Belgian comic-book adaptations are often stranger and sexier than their US counterparts

Scribe review – tense but overcomplicated thriller

Its murky world of surveillance casts a pall over this French drama

Get Out; The Lost City of Z; Kong: Skull Island and more – review

Racial hatred adopts a happy face in Jordan Peele’s exhilarating horror, while an explorer’s search for a buried city is a glorious ode to failure

Water and Sugar: Carlo Di Palma, the Colours of Life review – radiant tribute to a cinematic maestro

Cinema’s magic is the running theme of this warm documentary about the life and works of visionary cinematographer Carlo Di Palma

Scribe review – paranoid thriller can’t deliver on promising premise

François Cluzet is hired by a sinister security firm in Thomas Kruithof’s atmospheric debut, which takes its cue from the 70s classics

Monster Island review – forgettable family animation

This ploddingly mediocre knockoff about a boy with a monstrous genetic secret is visually uninspired and not much to listen to

The Death of Louis XIV review – a fine royal farewell

Jean-Pierre Léaud stars as the dying monarch in a tragedy tinged with black humour

Genocidal Organ review – glib Japanese animation of post-nuclear horror

Despite its ambitious futuristic reach and some amazing visuals, this violent anime is inert and unconvincing

The Death of Louis XIV review – a quietly amazing portrait of the end of life

Jean-Pierre Léaud gives the performance of his career in this powerful, intimate and moving account of the French king’s final days

The Midwife review – the Catherines are great

Deneuve and Frot excel as contrasting women with an account to settle in a tale that combines realism and melodrama

The Midwife review – old wounds reopened in emotional two-hander

Catherine Deneuve and Catherine Frot give it their all in a moving, verging on sentimental, tale of homewrecking and home truths

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  • Take It or Leave It review – vividly atmospheric formative adventures of future pop princes Madness
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  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart
  • The Portuguese House review – picturesque, polite drama of secrets and revelations at a country estate
  • April X review – Connor Storrie searches for missing twin in dystopian dream-tech sci-fi thriller
  • Century-old silent film made in New Hampshire found in Japan antique shop

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