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A Man Called Ove review – black comedy with a big heart

A moving and funny tale of a suicidal Swedish mechanic being helped by his pregnant Persian neighbour

Hidden Figures; Heal the Living; A Cure for Wellness and more – review

Theodore Melfi’s feelgood drama about Nasa’s black female mathematicians in the 60s adds up to something special, while Heal the Living is a sublime opera of feeling

A Man Called Ove review – tiresome tale of an old grump

A Scrooge-like character spends his life railing against his neighbours – and trying to kill himself – in a drama that’s not funny, or sad or interesting

In This Corner of the World review – 1940s Japan through the eyes of a teen

A girl is married off to a boy she barely knows in this rich but unfocused anime

By the Time It Gets Dark review – engrossingly mystical Bangkok protests drama

This fascinating, enigmatic feature confidently leaps down the conceptual rabbit hole to mix a historic massacre with transcendent forests and telekinesis

Slack Bay review – hilarious high jinks on the beach

Bruno Dumont’s wacky, macabre crime comedy, starring Juliette Binoche and Fabrice Luchini, is very strange and very funny

After the Storm review – bittersweet family comedy

Three generations clash in Hirokazu Koreeda’s gentle, witty film

The Shepherd review – modern-day western brings pain to Spain’s plains

This thriller about a reclusive loner who comes under pressure to sell his land showcases the film-making craftmanship of Jonathan Cenzual Burley

The Other Side of Hope review – wry refugee comedy

A Syrian asylum seeker finds friendship with a hapless Finnish restaurateur in part two of Aki Kaurismäki’s migrant trilogy

I Am Not Madame Bovary review – slow boat from China

An overlong Kafkaesque comedy drama about a woman’s bid to save her reputation runs out of steam

I Am Not Madame Bovary review – smart satire cuts through China’s bureaucracy

Fan Bingbing is on fine form as an obstinate divorcee-to-be in a singular film that is ultimately worth the effort it requires

I Am Not a Witch director Rungano Nyoni: ‘The chief Whatsapped his people to find our star’

The Welsh-Zambian director’s debut feature is premiering at Cannes: an everyday story of choosing between life in a travelling witch camp or being transformed into a goat

The Other Side of Hope review – coolly comic take on the refugee crisis

Aki Kaurismäki’s tale of a Syrian refugee who stows away to Finland mines the deadpan humour he’s famous for while refusing to flinch from heartbreak and hardship

Radiance review – a poignant vision of the power of sight

In Naomi Kawase’s gentle, thoughtful story, a photographer with deteriorating eyesight meets a woman who writes audio descriptions for the visually impaired

24 Frames review – a mesmeric glimpse into Abbas Kiarostami’s mysterious mind

The Iranian director has produced a posthumous marvel with this bizarre, experimental ghost-film that even puts his hated cinema seats to decent use

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  • Why boxing is still a box office smash hit even as the sport’s popularity wanes
  • Take It or Leave It review – vividly atmospheric formative adventures of future pop princes Madness
  • NAZA film-makers say they spoke to more than 100 sources about Israeli actions in Gaza
  • You Can See Everything review – Nathan Fielder’s Elizabeth Holmes doc is a modern masterpiece of deceit
  • Sex, drugs and amoebic dysentery: the 20 best making-of documentaries – ranked!
  • Tourette syndrome campaigner John Davidson to watch Bafta Scotland awards in separate ‘relaxed’ space
  • The Last First: Winter K2 review – race up second highest mountain reveals fatal cost of human ambition
  • ‘These early friendships are huge romances’: Extra Geography’s lessons in teenage love
  • Derek vs Derek review – farmers go head to head in rewilding rivalry with real bite
  • Extra Geography review – a wickedly funny lesson in sex, class and female friendship
  • Nicolas Cage calls Marvel movies ‘a glorified WWE’ with over-50s in ‘ridiculous outfits’
  • Don’t hate the movie, hate the critic! Digger’s new PR push is a risky bet for film that was never meant to be divisive
  • Knife: The Attempted Murder of Salman Rushdie review – terrifying and inspiring story of survival
  • ‘They raped our country’: documentary follows Kenyans’ fight for restitution over stolen land
  • Gaza documentary NAZA beats Avengers Endgame: Encore to top Italian box office
  • Post your questions for Michael Winterbottom
  • How Zach Cregger’s Resident Evil stands out from all other game adaptations
  • Verity review – Dakota Johnson leaves teethmarks as she goes back to Fifty Shades erotic thriller territory
  • Cotton Queen review – mystery, matriarchs and magic in pioneering Sudanese debut
  • The Swan contestants on the ‘sadistic’ pageant reality show: ‘Ultimately, we were just a job’
  • Rapture review – cult Spanish horror is a deeply strange cheese dream of cinemania
  • How Deep Is Your Love review – under the sea at Earth’s last frontier with the Psychedelic Elvis Worm
  • Reanimated AI Greta Garbo stars again … in a ball-bearing advert
  • SKF advert review – let’s hope this dull AI Greta Garbo is not the future
  • Patricio Guzmán obituary
  • The cure for doomscrolling? Why Tom Cruise stopped a woman mid-scroll
  • Digger review – Tom Cruise’s loudmouth oil tycoon goes hard in Alejandro G Iñárritu’s eco-satire
  • Child review – jump scares abound in twisty organ transplant fable that keeps horror at its heart

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