Marcia Lucas, who won an Oscar as editor of the 1977 film Star Wars and was part of a group of pioneering female editors who were essential to film’s New Hollywood era, has died aged 80.
Lucas, who was married to the Star Wars creator, George Lucas, from 1969 to 1983, died on Wednesday from metastatic cancer, her attorney Deidre Von Rock said in an email to the Associated Press.
She died at home in Rancho Mirage, California, surrounded by loved ones, Von Rock said.
“Her influence on film is indelible, but those who knew her best will remember the way she made life feel more vivid, more beautiful, more fun, and more full of love,” a family statement said. “Her work was known for its emotional intelligence, rhythm, and humanity – a rare ability to find the truth of a scene and bring heart, momentum, and clarity to the screen.”
Lucasfilm, the company founded by her ex-husband, paid tribute to her on Saturday, saying it was “deeply saddened” by her death.
Mark Hamill, who played Luke Skywalker in the films, remembered Lucas as “not just a gifted, innovative artist, she also happened to be a genuinely nice person. Smart, funny, and just plain fun to be around. Thankfully, her memory lives on and we will never stop missing her.”
Marcia and George met when she was assistant editor on the documentary Journey to the Pacific, which he was working on as a film student. They were engaged soon after.
She edited his pre-Star Wars films THX 1138 and American Graffiti, the latter of which won her her first Oscar nomination for editing, alongside her mentor Verna Fields.
Star Wars’ unsung hero
Marcia was regarded as the unsung hero of Star Wars for her huge influence on George, including convincing him that Obi-Wan Kenobi, played by Alec Guinness, should die in his lightsaber battle with Darth Vader and become a spirit guide to Luke.
She also had to make sense of a huge amount of raw footage that could have been a mess in the wrong hands, including the climactic rebel attack on the Death Star.
“It was extremely complex and we had 40,000 feet of dialogue footage of pilots saying this and that,” George told Rolling Stone in an interview months after the film came out. “And she had to cull through all that, and put in all the fighting as well.
“Nobody really has ever tried to interweave an actual plot story into a dogfight, and we were trying to do that.”
Hamill paid tribute to her influence on the Star Wars franchise in 2005, saying: “She was really the warmth and the heart of those films, a good person he could talk to, bounce ideas off of, who would tell him when he was wrong.”
Lucas won an Oscar for her work on Star Wars in 1978, alongside her co-editors, Paul Hirsch and Richard Chew.
Beyond George Lucas
To be taken seriously in her own right, Marcia began editing films made by other film-makers. “If I’m cutting for my husband, they’re going to think George lets his wife play around in the cutting room,” she once said.
She edited Martin Scorsese’s 1974 film Alice Doesn’t Live Here Anymore, as well as his films Taxi Driver (1976) and New York, New York (1977) while cutting Star Wars.
She also influenced the 1981 film Raiders of the Lost Ark, pointing out to the film’s all-male team – including George and its director, Steven Spielberg – that Indiana Jones’s love interest, Marion, needed to be shown alive and well at the end, having disappeared in the first cut after the famous Nazi face-melting climax.
“I said, ‘I don’t want to leave Marion on the stick’ … The movie needed it,” she said. “It needed that little bit of closure.”
Marcia edited 1983’s Star Wars: Return of the Jedi with Sean Barton and Duwayne Dunham but her marriage to George had secretly ended by then. Their separation was kept under wraps until the film was released, at George’s request.
Marcia later said she felt that George’s preoccupation with work had ended the marriage.
“I felt that we had paid our dues, fought our battles, worked eight days a week, 25 hours a day,” she told Peter Biskind for his 1997 book Easy Riders, Raging Bull. “I wanted to stop and smell the flowers. I wanted joy in my life. And George just didn’t.”
She added: “When we were finishing Jedi, George told me he thought I was a pretty good editor. In the 16 years of our being together I think that was the only time he complimented me.”
Editor was a rare senior creative position in which a woman could find a foothold in Hollywood in that time. Marcia was one of several women who made sense of the work of the overwhelmingly male directors of the New Hollywood of the late 1960s through the early 1980s, including Dede Allen, the editor of Bonnie and Clyde and Dog Day Afternoon; Verna Fields, the editor of Paper Moon and Jaws; and Thelma Schoonmaker, who has edited all of Scorsese’s films since 1980’s Raging Bull.
Soon after her divorce from George, Marcia married Tom Rodrigues, a production manager working at the Skywalker Ranch; they divorced in 1993.
After the 1990s Lucas stepped back from editing and producing, though she continued to have personal stakes in the Star Wars universe. In an 2021 interview with JW Rinzler, she slammed the newer Star Wars films, saying: “They have Luke disintegrate. They killed Han Solo. They killed Luke Skywalker. And they don’t have Princess Leia any more.
“And they’re spitting out movies every year … the storylines are terrible. Just terrible. Awful. You can quote me.”
She is survived by her daughters, Amanda Lucas and Amy Soper, and grandchildren Felix Hallikainen, Aeliana Hallikainen and Knox Soper.
