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‘We are living in an age of cruelty’: George Clooney rebukes Tarantino for insulting Paul Dano

The Jay Kelly star says he would be honoured to work with Dano, Owen Wilson and Matthew Lillard after all three actors were criticised by the director

‘Uncomfortably relatable’: writers on their favourite unlikable movie characters

With debate still swirling over the unlikable nature of Marty Supreme’s careless protagonist, Guardian writers have picked their all-time love-to-hate leads

The Knife review – audaciously taut film about police encounter is intense drama of mutual suspicion

A crime committed in the home of a regular black American family results in paranoia on all sides in this 81-minute film from Nnamdi Asomugha

‘We’re a hot button topic’: is intimacy coordinator the most misunderstood job in film-making?

Specialists in choreographing sex scenes have come under fire from the likes of Gwyneth Paltrow and Mikey Madison – is there any weight to their complaints?

State of Statelessness review – Dalai Lama presides over intimate dramas about Tibetans’ life of exile

Tibetan directors, who all live outside Tibet, deliver a quartet of films that explore the pain of separation and migration

Paramount to nominate directors to Warner Bros board to vote against Netflix deal

Paramount also files lawsuit seeking disclosure of financial information related to $82.7bn agreement

One bizarre expression after another: DiCaprio’s viral moment won the Golden Globes

Famously serious Oscar-winner gave rare insight into what might be the real Leo with his commercial break antics

Post your questions for Melissa Leo

The Oscar-winning actor – star of The Fighter, Frozen River, The Equalizer and now The Knife – will take on your questions

‘A celebration of the carefree’: why Ferris Bueller’s Day Off is my feelgood movie

The latest in our series of writers celebrating their favourite comfort watches is an ode to John Hughes’s 1980s classic

Escape review – notorious Japanese revolutionary tells story of country’s most wanted criminal

Director Masao Adachi – formerly of the Japanese Red Army – on the infamous Satoshi Kirishima, who went on the run in 1975 after a series of corporate bombings

Chalamet a smash, Sinners shut out: the key Golden Globes snubs and surprises

Paul Thomas Anderson’s One Battle After Another looks unstoppable ahead of the Oscars, despite Timothée Chalamet’s triumph over Leonardo DiCaprio for best actor

‘Timothée Chalamet gained over 60 ounces for Marty Supreme!’: the best quotes from the 2026 Golden Globes

The funniest zingers and touching moments from last night’s ceremony, including Jessie Buckley’s love for soup and Stellan Skarsgård on bad dads

Guián review – celebration of multicultural identity through a Chinese grandmother in Costa Rica

Director Nicole Chi Amén embarks on a journey to learn more about her own mixed cultural heritage after the death of her Guangdong-born grandma

March of the penguins: the Golden Globes red carpet marks the return of the staid black suit

The performative male was over, with old hands and newcomers alike doing little to temper the black tie stuffiness

The Golden Globes ceremony ignored politics. But their big winner taps today’s unhappy turbulence

One Battle After Another engages with the tense climate of the second Trump administration unlike any other contender

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  • Harry Potter’s Draco Malfoy becomes mascot for year of the horse in China
  • Harry Potter’s Draco Malfoy becomes mascot for year of the horse in China
  • Harry Potter’s Draco Malfoy becomes mascot for year of the horse in China
  • The Stunt Man review – Peter O’Toole runs amok in a gleefully deranged Hollywood satire
  • New home, new outlook? What’s next for the Sundance film festival?
  • Meryl Streep cast as Joni Mitchell in new biopic
  • ‘Playing a god became a safety net’: Chris Hemsworth opens up about Thor, money and his insecurities
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  • New Scrubs, Muppets and Lord of the Flies: what’s new to streaming in Australia in February
  • ‘Crime is a disease. Meet the cure’: Sylvester Stallone’s self-serious cop movie is ludicrous fun
  • I confessed a deplorable secret about motherhood to a friend – and it changed my life
  • Ashes and Diamonds review – Poland faces bleak postwar realities in Andrzej Wajda’s 1958 masterpiece
  • The Shepherd and the Bear review – two endangered species scrap for survival in the Pyrenees
  • ‘I was still black the next morning’: Halle Berry says Oscar win didn’t change her career
  • ‘It’s a fun cocktail!’: the Wooster Group’s head-spinning blend of high and low art
  • Frontier Crucible review – Armie Hammer makes cautious acting return in talky, slow-burn western
  • It’s the Hollywood sensation we’re all enjoying: ageing cinema megastars lured to a TV screen near you
  • Sham review – Takashi Miike revisits infamous ‘murder teacher’ trial in unflinching courtroom drama
  • Melania: Amazon’s $106m documentary takes $982 per screen in Australian opening weekend
  • Roman Polanski rape scandal movie to follow perspective of 13-year-old victim
  • One win after another: Paul Thomas Anderson film dominates London Critics’ Circle awards
  • The Fall of Sir Douglas Weatherford review – Peter Mullan gives weight to quirky Scottish dramedy
  • Melania debuts at No 29 at the UK box office
  • ‘I was on stage and she started kicking!’: Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury
  • Iron Lung review – YouTuber Markiplier crash lands with big-screen sci-fi horror
  • Requiem for a film-maker: Darren Aronofsky’s AI revolutionary war series is a horror
  • Meryl Streep is as withering as ever in first full-length trailer for Devil Wears Prada 2
  • Anti-ICE protests, brilliance by Bieber and the Dalai Lama’s first win: the 10 biggest moments at the 2026 Grammys
  • Hold on to Her review – horrific death of a two-year-old puts immigration crackdown in spotlight
  • Co-writer of Oscar-nominated film It Was Just an Accident arrested in Iran

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