BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

The Story of Documentary Film (The 1980s) review – Mark Cousins educates and intrigues once more

The film-maker and critic traces a decade of documentaries, from the fall of the Berlin Wall to Michael Moore, via Klaus Barbie and The Wombles

‘There’s excitement in the air’: how America fell back in love with indie cinemas

With unexpected programming and a community ethos, independent cinemas across the US are giving multiplexes a run for their money

Farewell to Jackass, the finest catalogue of male idiocy – it could only go on for so long

When I was 12, the antics of Knoxville, Steve-O and co were an invitation to jump out of trees. These days, I see something deeper in their refusal of filtered perfection, says writer Tom Usher

The Guide #250: All the US/UK cultural crossovers you may have missed but need to read about

A tour through the moments when American celebrities crossed the ocean and landed somewhere entirely unexpected

From Madonna to Minions & Monsters: your complete entertainment guide to the week ahead

The begoggled yellow munchkins are indulging in a spot of time travel, and the queen of pop returns with a new album of pristine dancefloor bangers

Britain has so many stories. The reason we fund the arts together is so we can tell them

Dear England, Ink, Sherwood … I owe my career to publicly funded art. Never downplay it: it’s how we speak to each other, says author and playwright James Graham

Burning flags, busty blondes and bison skulls: 50 photographs that capture America at 250

From the gold rush to civil rights, the moon landing to 9/11, the US has always understood, mythologised and sold itself through the power of the still image

Supergirl is a box office catastrophe. How can Marvel and DC save the superhero movie?

Cinematic universes rely on audiences investing in minor characters – but as that interest wanes, it may be up to the big guns to keep the genre afloat

Yours for just £228: a Kevin Spacey stainless steel gold-tone Fourth of July ‘adversity ring’

For true patriots with short memories and cash to waste, his limited-edition bling might be an ideal gift

‘If you see one movie this year’: Christopher Nolan’s The Odyssey set to storm the box office

The summer’s most anticipated film will raise epic questions about culture wars, classics and the nature of film-making

The making of Independence Day at 30: ‘I panicked and raced to set to rewrite’

The makers of the blockbusting sci-fi thriller reveal how they made a hit, why Kevin Spacey was almost involved and what went wrong with the sequel

Bugonia to Wicked: For Good – the seven best films to watch on TV this week

Emma Stone is a CEO-maybe-alien in Yorgos Lanthimos’s wild black comedy, and it’s the vibrant conclusion of Cynthia Erivo and Ariana Grande’s Wizard of Oz tale. Plus: The Bodyguard!

‘I feel both thrilled and ruined by this’: Olivia Wilde and Edward Norton on making sex comedy The Invite

Their movie about marital bed death is this summer’s buzziest, funniest film. Its director and her co-star talk self-loathing, psychosexuality and unexpected eruptions

‘A female Minion would be the beginning of the end’: Pierre Coffin on creepy memes, decoding Minionese and farting bananas

The French animator, director and voice of those lurid yellow assistants to the despicable answers your questions

Calendar Girls: The Musical review – heartfelt and hilarious, with nimbly handled nudity

This celebratory show by Tim Firth and Gary Barlow delivers emotional openness alongside cracking jokes

Post navigation

← Older posts
Newer posts →

  • Sex, drugs and washing dishes: inside Anthony Bourdain’s unruly younger years
  • Human Centipede director Tom Six reveals multiple sclerosis diagnosis in ‘final film’
  • The Guide #255: The great front‑row backlash ignores what makes films feel truly colossal
  • ‘I’ve always felt too old and too young at the same time’: The Last of Us star Bella Ramsey on swapping child stardom for cult television – and Celebrity Traitors
  • From Love Me Tender to Kevin Bridges: your complete entertainment guide to the week ahead
  • Sam Neill filmed role in Legend of Zelda film adaptation before his death
  • Out of the blue: James Cameron’s surprise departure would be good for Avatar
  • Hamnet to On Falling: the seven best films to watch on TV this week
  • The Last House review – post-Covid apocalyptic lockdown thriller is a solid night in
  • ‘These cooks ripped each other apart’: Dominic Sessa on playing Anthony Bourdain, kitchen bullies and the joys of being a 70s barfly
  • ‘James Dean has got nothing on that kid’: River Phoenix films – ranked!
  • Practical Magic review – Nicole Kidman and Sandra Bullock’s 90s witchy fantasy still enchants
  • Super Troopers 3 review – misfiring cop comedy threequel
  • Hunt for the Wilderpeople review – Sam Neill is warm and wise in Taika Waititi’s goofily tremendous film
  • Nadja review – Dracula’s daughter is divine in dreamy lo-fi modern vampire tale of predatory sexuality
  • How to Feed a Dictator review – what was on the menu for some of the world’s most evil men
  • American witchhunt: how the McCarthy blacklist annihilated the Hollywood left
  • ‘They slammed their M16s against his skull’: inside the film about Amy Goodman’s fearless reporting
  • The Guardian view on French cinema’s De Gaulle moment: present anxieties inform a new focus on the past
  • One Night Only review – sex is legal for 12 hours a year in bizarre romcom
  • Holy Days review – even Miriam Margolyes, Jacki Weaver and Judy Davis as nuns can’t save this film
  • Darth Vader to become a TikTok star as Disney strikes deal on short video
  • Film posters for The Mummy banned from public display in UK
  • Ice Cream Man review – Eli Roth’s junky slasher is one of year’s worst horrors
  • A Child of My Own review – barely believable true crime tale of desperation and delusion
  • Himmler’s ‘anti-Nazi’ masseur: Claes Bang stars as SS chief’s ‘magic Buddha’
  • Analogue evil: why today’s horror film-makers are obsessed with obsolete tech
  • Paw Patrol: The Dino Movie review – plucky pups do their thing on Jurassic-style island
  • Queens of the Dead review – drag performers slay on the party scene in playful zombie comedy
  • Big Chicken: A Fast Food Conspiracy review – Mo Gilligan ruffles feathers in battle against ultra-processed foods

Contact www.brillfilms.com   Terms of Use