BrillFilms

Brill Films – Film News, Reviews & Comment

Main menu

Skip to primary content
Skip to secondary content
  • News
    • Celebrity
    • Industry
    • Technology
    • Festivals
    • Obituary
  • Books
  • Reviews
  • World
  • Doc
  • Drama
  • Comedy
  • Romance
  • Family
  • Action
  • Horror
  • Thriller
  • SciFi
  • Amimation

Post navigation

← Older posts
Newer posts →

Relentless Memory review – a vital oral history of the plight of the Mapuche people

In Paula Rodríguez’s impressionistic documentary, an academic’s South American travelogue brings the painful story of a proud Indigenous society to life

‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy

His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’

French star Patrick Bruel denies multiple sexual assault allegations

Singer and actor who has appeared in more than 40 films faces investigations in France and Belgium

Cate Blanchett says #MeToo ‘got killed very quickly’ in Hollywood

Australian actor says there are still ‘10 women and 75 men’ on film sets a decade after the gender equality movement dominated conversations

Garance review – Adèle Exarchopoulos gives it her all in ripe but flimsy portrait of alcohol addiction

Cannes film festival: Performer is as good as ever but her actor character is thinly conceived in a fundamentally implausible depiction of how to grapple with alcoholism

Maverick: The Epic Adventures of David Lean review – a dashing retrospective for a cinematic titan

Cannes film festival: Barnaby Thompson’s documentary on the great British director is an exhilarating delve into the ebb and flow of Lean’s peerless career and sometimes complex personal life – with a grand cast of talking heads

France’s top film producer says it will blacklist figures who petitioned against rightwing billionaire

Canal+ head says he will not work with hundreds of actors and directors who signed protest against Vincent Bolloré’s political sway

Adam Driver saving response to Lena Dunham allegations ‘for my book’

Actor otherwise has ‘no comment’ on Girls creator’s claims about his on-set behaviour as he speaks at Cannes film festival

Moulin review – László Nemes’s resistance hero drama is chilling, stirring and surprisingly conventional

Cannes film festival: The Son of Saul director’s dramatisation of Jean Moulin’s torture by Klaus Barbie both benefits and suffers from its mainstream approach

You’re supposed to be quiet in the cinema. So why are the snacks so loud?

The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts

Paper Tiger review – Adam Driver and Scarlett Johansson reunite for heavyweight James Gray saga

Cannes film festival: The Marriage Story stars team up with Miles Teller for this sombre and impressive story of shady dealings in 80s New York

‘They lost a historic opportunity’: Ken Loach laments Your Party infighting

Film-maker and longtime Corbyn ally says ‘poor behaviour’ squandered chance to unite the left in fight against far right

The Beloved review – Javier Bardem turns in a career-scariest performance

Cannes film festival: This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality

John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

Cannes film festival: Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder

Harlem Renaissance documentary finally gets global premiere 50 years after cameras rolled

Once Upon a Time in Harlem, completed by relatives of William Greaves after his death, showcased at Cannes

Post navigation

← Older posts
Newer posts →

  • Once Upon a Time in Holyhead: Quentin Tarantino and Kylie Minogue shooting film in Porthcawl
  • Pitfall review – big-hole survival horror is as if cast of Friends strayed into Deliverance
  • Jabs, human ash and a tapeworm: behind the appetite for a new kind of disordered eating movie
  • Benita review – Alan Berliner puts new spin on late film-maker’s work in entrancing tribute
  • ‘Sheer outrageousness’: writers on their favourite LGBTQ+ movie characters
  • Shadows of Willow Cabin review – secrets fester beneath horny hookup in low budget horror
  • The Fabulous Gold Harvesting Machine review – scavenger’s story reveals a rich seam to mine
  • Superfood or sweet treat? 17 delicious ways with popcorn – from snack bars and choux buns to salads and soups
  • Suppliers unable to chase fees after film producer’s 50 companies are struck off
  • To the tablet and beyond: does Toy Story 5 go hard enough on technology?
  • ‘Once my tummy stopped shaking, I was absorbed by the scale, spectacle and wonder’: your Steven Spielberg film favourites
  • ‘How do I deal with my rage? I put it in everything I do’: Killing Eve’s Sandra Oh on fury, friendship and hitting her prime in midlife
  • From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
  • The Guardian view on John Williams and Steven Spielberg: a partnership that changed cinema
  • 45 Years review – Gabriel Byrne and Geraldine James mark an anniversary for the ages
  • How Refugee Week film festival brings migrants’ experience home
  • Luca Guadagnino’s Sam Altman movie dropped by Amazon after it announces OpenAI partnership
  • Bologna’s niche festival of forgotten films captures the streaming generation
  • Anya Taylor-Joy will make a brilliant elf assassin in Hunt for Gollum. But it’s a movie we don’t need
  • Jennifer Siebel Newsom’s new film shines a light on the human cost of unregulated social media
  • Avatar: Fire and Ash to Project Hail Mary – the seven best films to watch on TV this week
  • You can handle the truth! Why cinema suddenly loves conspiracy theories
  • In the Hand of Dante review – Gerard Butler is jaw-dropping in bizarre Renaissance mafia reverie
  • Voicemails for Isabelle review – Netflix romcom picks creepy over cute
  • ‘Ordinary people are being erased’: one director’s audacious fightback against AI – featuring Frinton
  • Aardman exhibition marks animation studio’s half a century in Bristol
  • Post your questions for Minions supremo Pierre Coffin
  • Girls Like Girls review – Sapphic teen romance is a precious and predictable yawn-a-thon
  • ‘It’s where the poetry is written in cinema language’: the female editors behind cinema’s masterpieces
  • Tell us your favourite film of 2026 so far

Contact www.brillfilms.com   Terms of Use